APERÇU
Les rôles:
| Rôle | Type de voix | Gamme ? | Description du personnage |
|---|---|---|---|
| Leah | aigu | A young poet working as a maid | |
| Mona | aigu | A wealthy middle-aged woman | |
| Roy | moyen | Leah's boyfriend | |
| Ari | moyen-grave | Mona's husband |
Veuillez noter: Le tableau ci-dessus a un contenu qui peut défiler de gauche à droite.
SYNOPSIS
Leah and Roy, a young couple, arrive at Mona and Ari’s immaculate home, where Leah has been hired as a maid. The jealous Roy tries to get Leah to skip her first day on the job, but Leah, a practical punctual poet, is having none of it. Mona whisks Leah off on a dizzying tour of her duties. Husband Ari is at home, feeling sick and neglected. Leah reminds him of an old flame from years ago, and he is smitten again. While telling her his tale of lost love, he lavishes Leah with coy compliments. Leah is shocked, yet intrigued by his attentions.
But Roy (who has been spying) is in a jealous fury, and when Mona discovers him, he tells her about Ari’s advances. Mona is despondent and coaxes Roy to comfort her, which he does with increasing warmth. An alarmed Leah stumbles upon them, whereupon Mona hatches a plan to use Roy to bring her husband to heel–a plan to which Leah reluctantly agrees. Mona whisks Roy off, and Leah is left on her own to worry and wonder. When Ari approaches, she challenges him to live up to his sweet words. Ari is aroused, but then he hears his wife giggling in the next room. Mona gleefully introduces Roy, who is “here to fix all that’s broken.” She hurries Leah out of the room, leaving the two men alone.
Ari tells his woes, but Roy is disdainful, and struts off to play lover with Mona. Ari and Leah eavesdrop until Leah can take no more and calls a halt. Everyone is betrayed and humiliated, and angry accusations are spit back and forth until it is Roy’s turn to call a halt. He woos Leah with surprising eloquence, and she is won over. Not to be outdone, Ari tries the same with Mona, who rises to the occasion. The day’s wrongs are righted, and love is found again all round.
- from JamesRolfe.ca
But Roy (who has been spying) is in a jealous fury, and when Mona discovers him, he tells her about Ari’s advances. Mona is despondent and coaxes Roy to comfort her, which he does with increasing warmth. An alarmed Leah stumbles upon them, whereupon Mona hatches a plan to use Roy to bring her husband to heel–a plan to which Leah reluctantly agrees. Mona whisks Roy off, and Leah is left on her own to worry and wonder. When Ari approaches, she challenges him to live up to his sweet words. Ari is aroused, but then he hears his wife giggling in the next room. Mona gleefully introduces Roy, who is “here to fix all that’s broken.” She hurries Leah out of the room, leaving the two men alone.
Ari tells his woes, but Roy is disdainful, and struts off to play lover with Mona. Ari and Leah eavesdrop until Leah can take no more and calls a halt. Everyone is betrayed and humiliated, and angry accusations are spit back and forth until it is Roy’s turn to call a halt. He woos Leah with surprising eloquence, and she is won over. Not to be outdone, Ari tries the same with Mona, who rises to the occasion. The day’s wrongs are righted, and love is found again all round.
- from JamesRolfe.ca
Renseignements sur la première
Casting:
| Rôle | Nom |
|---|---|
| Leah | Virginia Hatfield |
| Mona | Melinda Delorme |
| Roy | Lawrence Wiliford |
| Ari | Justin Welsh |
Veuillez noter: Le tableau ci-dessus a un contenu qui peut défiler de gauche à droite.
Équipe de production de la première :
| Rôle | Nom |
|---|---|
| Direction musicale | Derek Bate |
| Mise en scène | Michel Albano |
Veuillez noter: Le tableau ci-dessus a un contenu qui peut défiler de gauche à droite.
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