It always amazes me to look at the development of a project from inspiration to the stage, and if there is one word that is intimately linked with the name Alexander Graham Bell it is inspiration. It certainly was the inspiration of Lorna MacDonald, which lifted The Bells of Baddeck off the ground, but it was my own first visit to Baddeck and the Bell Museum, which provided all the inspiration that I needed to create the “sound” of the show. As a Newfoundlander, this part of the world holds a very special place in my heart, but to see the way that Alec and Mabel connected this small maritime town to the greater international community was nothing short of miraculous.  Musically, the place, this history and Alec’s own love of the piano all play into the score of The Bells of Baddeck, offering a wonderful opportunity to incorporate the language of Scottish fiddling, barbershop, Victorian parlour music, operetta, Music Hall and ragtime.  Finally, the naturally beauty of Baddeck: the lake, the hills, the fields and the forests are reflected in the music and are as potent a draw as they were for Alec and Mabel so many years ago.   1886 or 2015, the timelessness of this place was as much an inspiration for this composer as it was for the Bells.

- Dean Burry, from DeanBurry.com