APERÇU
| Rôle | Type de voix | Gamme ? | Description du personnage |
|---|---|---|---|
| Lisa | aigu | Une jeune fille | |
| Mère | aigu | Lisa's mother | |
| Pat | moyen | Lisa's brother | |
| Elliot | moyen | Lisa's brother | |
| Howard | moyen-grave | The father of the family | |
| Soldier/Apparatchik | moyen-aigu | ||
| Prince | muet-parlé | A man in a dog suit |
SYNOPSIS
Based on a short story by Judy Budnitz, Dog Days tells a post-apocalyptic tale of a typical American family. The country has fallen into chaos as an undefined war rages on U.S. soil. Roads are closed except for military use. There is no work. Progressively, the schools close. Food runs out. The power gets shut off. Neighbors mysteriously vanish. Those without homes beg for food at the porches of those who do, but no one has anything to give.
A family of five — two parents, two sons, and a young daughter, Lisa — do what they can to survive. They eat wild grass from the yard. The father goes hunting every day, but all the animals have fled. “They know something we don’t,” he says. One day, Prince arrives.
Prince, a man in a dog suit, befriends Lisa and provides her with an escape from the isolated boredom of her life. Lisa’s mother supports this friendship. Prince is her pet, though Lisa’s father, Howard, opposes it. Howard confronts Prince. “Stand up,” he says. “You’re a human being, for God’s sake. Stand up like a man. . . I’ll give you my own clothes if you’ll . . . stand up like a man and talk to me. I know you can talk.” Prince barks; Howard chases him away. Conditions continue to worsen. It’s winter now. Dark early, and cold. The family hasn’t eaten in weeks, maybe months. “I wish I had a steak,” says one brother. The other brother adds “I heard in China people eat dogs.” There is silence in the room.
Howard rises, takes his rifle. "Where are you going? Howard - don't - don't - " says mother. "He's a man, Howard! A man! You can't- " she screams. "He's a dog," Howard replies. "He's an animal." Lisa tries to stop them, but she is too late. She arrives just in time to see her father and brothers descend upon Prince, snarling.
Renseignements sur la première
| Rôle | Nom |
|---|---|
| Lisa | Lauren Worsham |
| Howard | James Bobick |
| Mère | Marnie Breckenridge |
| Elliot | Michael Marcotte |
| Pat | Peter Tantsits |
| Soldier/Apparatchik | Cherry Duke |
| Prince | John Kelly |
| Rôle | Nom |
|---|---|
| Mise en scène | Robert Woodruff |
| Direction musicale | Alan Pierson |
CRÉATION
Déclaration de l'équipe artistique
How do you deal with your world, when madness becomes the behavioral norm?
Based on a short story by Judy Budnitz, Dog Days is a contemporary opera that investigates the psychology of a working class American family against a not-so-distant-future wartime scenario. It asks: is it madness, delusion, or human / animal instinct that guides us through severely trying times? Where exactly is the line between animal and human? At what point must we give in to our animal instincts merely to survive?
Told predominantly from the perspective of Lisa, a thirteen-year-old girl, we watch as the world slowly falls apart around her. We watch her family progressively starve, her mother give up on life, and her father struggle to fulfill his own myth of the provider. We see her brothers flee the stasis of their lives through more and more regular recreational drug use, for which they ultimately give everything for the illusion of escape.
And then we meet Prince, a man in a dog suit, begging for food. Is he mad, or the only one who can still see clearly? No one can be sure. They say that you can tall a lot about a culture by the way it treats its animals. It also bears to reason that you can tell a lot about a man by how long he can remain truly human during traumatic times.
- David T. Little, composer
Ressources supplémentaires
Full score available at Boosey & Hawkes.
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