Anna and Michael are successful young filmmakers from Alberta, married in life and in art. Their latest project is a movie about Martin Frobisher, Elizabethan pirate and explorer who made three perilous journeys to the Arctic in the 1570s. History says that Frobisher failed in his attempt to find the fabled Northwest Passage, a quick route thro...
A ‘Hitchcock-style thriller’ for baritone and soprano, Nigredo Hotel is “the story of a neurosurgeon, a man of science, who has lost his soul. One night he thinks he has hit a child on the road and hides out in a decrepit, Hitchcockian motel run by a monstrous concierge called Sophie. The terrifying crone — his anima — locks him into his room an...
As a teenager in the 1920s, my grandmother Gladys played piano for silent films in the remote New Zealand town of Takaka. She still recalls a film which was shot nearby at Pohara beach. Although Glad has never seen the film, I found out later that it was the underwater spectacular Venus of the South Seas, starring Australian diver Annette Keller...
Content warning: child neglect, death, migration, strong language, trauma, war
When Sophia’s mother dies, Sophia confronts half-forgotten traumas from her childhood. Sophia and her sister Emma grew up in a war torn country. The two young girls cope with and escape their grim circumstances – the adult world of war, death and displacement – thr...
Glimmer attempts to address the urgent matters and seemingly irreconcilable coexisting realities at the core of queer existence through multiple frames and lenses. Taking full advantage of an all-queer cast of performers, with whom the piece was developed organically through a series of discussions and workshops, this work intertwines the autobi...
A worker ruminates on the terrifying power of flight as he loads bags. Three passengers board and discover they’re sitting beside each other. During the pre-departure safety demonstration, a flight attendant longs for an escape from her mundane life and job. The three passengers think of their own isolation and longing and fear. The flight ...
Une famille nucléaire à la dérive dans l’ère atomique. Depuis que Prométhée a volé le feu aux dieux, l’humanité joue avec la dangereuse beauté de la science. Dans cette fable caricaturée, un père protège sa famille à tout prix.
Thomas and Claire fall madly in love at a fundraising party. Thomas has decided to “find a wife, get a life,” whi...
"Détestez vos stupides boucles d'oreilles, détestez vos chaussures laides." Stéphanie se prépare à sortir avec un rendez-vous, mais elle commence à s'effondrer lorsqu'elle se regarde dans le miroir. Les voix qu’elle entend dans sa tête sont des variations de sa propre voix critique. Elle se voit comme elle imagine que son rendez-vous la verra. Rien ne va – tout va mal. C'est un...
Avertissement de contenu : mort, meurtre, violence
This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
Thomas a amené Lise à devenir la tutrice de Hope, mais Hope a grandi et veut quitter la maison. Lise la prévient de ne pas confier son amour à n'importe qui.
Dans un parc boisé la nuit, on dirait que Laurel court pour sauver sa vie, mais il s'avère qu'elle fuit le souvenir du meurtre qu'elle a commis cette nuit-là.
Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this sense...
Ray essaie frénétiquement de se calmer en récitant un jargon scientifique, tandis qu'un être prétendant être son propre enfant essaie d'ouvrir la porte.
Stéphanie se prépare à sortir avec un rendez-vous, mais elle commence à s'effondrer lorsqu'elle se regarde dans le miroir. Les voix qu’elle entend dans sa tête sont des variations de sa propre voix critique. Elle se voit comme elle imagine que son rendez-vous la verra.