OVERVIEW
Title: Nigredo Hotel
Composer: Nic Gotham
Librettist: Ann-Marie MacDonald
Commissioned By: Tapestry Opera
Language: English
Producer: Tapestry Opera and Tarragon Theatre
Run Time: 58
Roles:
Role | Voice Type | Range ? | Character Description |
---|---|---|---|
Sophie | high | A3-C6 | A monstrous concierge who runs the hotel |
Raymond | middle-low | A2-A4 | A neurosurgeon, a man of science who has lost his soul |
SYNOPSIS
- Banuta Rubess (estate of Nic Gotham)
MUSIC DESCRIPTION
SCORES FOR PURCHASE
Arias & Excerpts:
Ray, a jaded neurosurgeon, muses on the loss of his childhood wonder and innocence.
Character | Voice Type | Range ? |
---|---|---|
Ray | middle-low | A2-D4 |
Alone in his hotel room, Ray worries that he hit someone with his car on the road. After fearing it might have been a child, he convinces himself it was only a raccoon.
Character | Voice Type | Range ? |
---|---|---|
Ray | middle-low | B2-D4 |
As Sophie runs a bath in the distance, Ray reflects on how uncomfortable bathing makes him feel.
Character | Voice Type | Range ? |
---|---|---|
Ray | middle-low | A#2-C#4 |
Ray sings of the ambivalence his parents felt towards him as a child.
Character | Voice Type | Range ? |
---|---|---|
Ray | middle-low | A2-A4 |
Ray frantically tries to calm himself by reciting scientific jargon, while a being claiming to be his own child self tries to open the door.
Character | Voice Type | Range ? |
---|---|---|
Ray | middle-low | Bb2-A4 |
Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.
Character | Voice Type | Range ? |
---|---|---|
Sophie | high | A3-Bb5 |
Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.
Character | Voice Type | Range ? |
---|---|---|
Sophie | high | C#4-Bb5 |
Ray and Sophie sing an intimate duet as they reconnect and reconcile.
Character | Voice Type | Range ? |
---|---|---|
Sophie | high | C4-C6 |
Ray | middle-low | B2-F#4 |
PREMIERE PRODUCTION INFORMATION
Premiere Production: May 19, 1992 at The Tarragon Theatre, Toronto ON
Producers: Tapestry Opera and Tarragon Theatre
Cast:
Role | Name |
---|---|
Sophie | Shari Saunders |
Ray | Jonathan Whitaker |
Role | Name |
---|---|
Music Director | Wayne Strongman |
Assistant Conductor | Shelley Hanson |
Director | Banuta Rubess |
Assistant Director | Alissa Palmer |
Fight Director | John Stead |
Design | Jerrard Smith |
Design | Diana Smith |
Lighting Designer | Paul Mathiesen |
Stage Manager | Isolde Pleasant-Faulkner |
Production Manager | Aidan Cosgrave |
CREATION
DEVELOPMENT
For Tapestry and for new opera in Canada, Nigredo Hotel was a shift of seismic proportions. In 1991, Claire Hopkinson joined Tapestry as Executive Director/Producer. Shortly thereafter, a very close creative team of rising stars, including playwright/actress (soon-to-become novelist) Ann-Marie MacDonald, jazz saxophonist/composer Nic Gotham, and director/playwright Banuta Rubess, approached us. Already seasoned theatre collaborators, they had begun a conversation with Urjo Kareda at Tarragon Theatre about an idea for a chamber opera. It was an opportunity aching to be seized.
QUOTATIONS FROM CREATIVE TEAM
The extremely physical production required a fight director, a baritone singing actor capable of having a nervous breakdown onstage, and a fearless soprano to climb up on scaffolding above the set, be pulled upside down through the ceiling, and then sing a powerful aria with extended sustain. Shari Saunders, a light lyric soprano with nerves of steel, and Jonathan Whitaker, moving over from musical theatre, accepted the challenge.
The Smiths' set performed, as well as being an elevated, raked stage to allow for a tiny pit for the band at the front. The radiator rattled and emitted steam, the ceiling lighting fixture dropped to become a swing, among cascading fiery swirls of fabric. Paul Mathiesen’s detailed lighting plot (almost a third character) required the actors to hit specific stage lamp positions coinciding with the text/music cues. In his review of the 1992 premiere at Tarragon, Robert Everett-Green opined that Tapestry had opened the way for a “new audience” for the art form. Fulfilling that prophecy defined Tapestry’s artistic path for the future.
- Wayne Strongman
QUOTATIONS FROM MEDIA
Nigredo Hotel - Print Review
Nigredo Hotel - Globe and Mail Review
"...moments of deep beauty and irreverent joy"
- Times Colonist
“Sophie sings, 'Blessed are the lost, for theirs is the kingdom of wonder.' Nigredo Hotel delightfully opens a door to that very kingdom.”
- Christopher Hoile, Eye Weekly May 12, 2005
AWARDS
Nominated at the 1993 Dora Mavor Moore Awards:
Best New Play/Musical - Nic Gotham and Ann-Marie MacDonald
Costume Design - Jerrard Smith and Diana Smith
Set Design - Jerrard Smith and Diana Smith
Lighting Design - Paul Mathiesen
Performance - Shari Saunders
Performance - Jonathan Whittaker
ADDITIONAL RESOURCES
When Words Sing: Seven Canadian Libretti
Edited by Julie Salverson, Playwright's Canada Press, May 2021. Includes libretto and essays by Ann-Marie MacDonald, Banuta Rubess and premiere lighting designer Paul Mathiesen.
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