The Shaman explains the end of the couple's tale.

Traumatized by her experiences, Alessandra reflects on her work as a translator in an American military prison.

Colonel Crane, Alessandra's supervisor, tersely tells her to lose what her perceives as her naive sense of morality: "We are just here to win."

Queen Liz imagines what it would be like to be free.

Drag performer Charlie sings a number in the persona of the Virgin Mary.

The Virgin Mary explains to Charlie why he has been chosen to carry the child of God.

Charlie sings gently to his child, the Messiah, who he has been chosen to bear.

Charlie performs the first number of his act: Mother Mary in the nativity scene, with the worries of a new mother carrying the son of god.

The performer sings a poem by Aphra Behn (1640-1689) about an androgynous queer lover.

La Maupin introduces herself to the audience, sharing some of the gossip that has been spread about her.

Maupin takes to the stage of the Paris Opéra.

Maupin challenges a rude nobleman to a duel.

Maupin remembers her romance with the Countess de Florensac.

The performer echoes lines poetry from the Prologue, reflecting on the meaning of Maupin's story.

Medusa sings from beyond the grave, reaching out to her children and her two sisters. She tells the story of her rape by the god Poseidon and murder by the hero Perseus. 

Pegasus recounts a dream in which their mother Medusa asks them to find her severed head. They reflect on the harrowing circumstances of their birth and their relationship with their brother Chrysaor and father Poseidon.

Qu Yuan wanders into the southern wilderness. As he travels, he composes a lament for himself and his lost position in court. In the present, Xiao Lian’s Father senses his end is near. Summoning up his strength, he joins with the spirit of Qu Yuan to tell the final chapter.

The Mother appears at the window.  She shares memories, loving praise and admonishments.  The development of her child's talent and success has been her life's focus.

Louise is ready.  She chooses a climb, exploring and unleashing her own full voice as she travels upward.

The Goddess of Music reconciles the tribe of the arco violin players with the tribe of pizzicato players, inviting them to make music together.