Each of two brother bulls attempts to convince the other to enter the barn. Neither wants to go, knowing their lives are at stake. The two flatter, dare, and challenge one another, until a race finally settles it: first one to the barn wins. Sort of.
“Christos Anesti”, the Byzantine Easter chant of the resurrection, is sung in Greek by the mezzo-soprano, while the alto intones and whispers similar texts from the Islamic faith.
The two voices—representing two different worlds, two cultural paradigms—sing together. The texts are “The Death of Dighenis,” a poem about a Byzantine hero, and the Dies Irae.
An entire relationship in microcosm, from first meeting to last sunset together. This piece uses a couple’s dancing together as a metaphor for their time passing.
Malcolm tells Eugene and Antoine that he wants to go to university and asks for a letter of recommendation. Antoine tells him that he should stay in the house with the people who love him.
Malcolm and Eugene are dancing, but we quickly learn that they are practicing English. Malcolm asks if Antoine has written the letter of recommendation yet. Eugene tells him he is not ready yet. Malcolm grows frustrated.
An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.
A cleric prepares for confessional. Someone enters the booth. The cleric realizes it’s a man with whom he shared a mutual attraction. The man has recently finished gay conversion therapy and wishes to resume some kind of a relationship.
The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.
Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...
The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.
Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.
Tyler is bored. Mindy worries they’re becoming their parents, and wants to spice things up. Tyler suggests watching porn together, which only makes things more awkward.
Cindy and Mindy are kicked out of class for causing a disturbance. Mindy comes clean about having asked for a private room behind Cindy's back. The two reconcile and agree to hang out (without Tyler) that night.
Mindy confronts Tyler about his “study partner” and accuses him of lying to her, which Tyler denies. Mindy makes a sudden decision: she wants a time-out, and thinks they should see other people. Tyler leaves, confused and devastated.
Cindy and Mindy get into constumes and pre-drink for the Halloween Kegger. Cindy teases Mindy for her lack of sexual adventurousness and gives her “the rules of the hook up” just in case...
Cindy and Mindy eye potential hook-ups for Mindy. Tyler arrives with Heather. Mindy’s livid, and Cindy reminds her not to do anything crazy. Mindy’s response is to commit to the idea of hooking up with someone at the party.
Mindy plugs in her phone, which died at the party. It comes alive with a constant stream of texts from Tyler and Cindy from the night before, who were both worried about her. Mindy rushes to the bathroom to throw up.
Mindy tries to understand if she was raped at the party. She can't make herself contact anyone, but seeks information online; Cindy slips a morning after pill under the door.
At 4 a.m., a composer stands looking out the window, his tools nearby. Across town, a librettist is doing the same. Both are just slightly panicking about their latest work: an opera about a dog named Harley.
Before dying, Ama tells Lai Gwan of her father, gives her a wedding dress, and urges her to go to North America to find her father - but always remember Chinese traditions.
While she is bathing in a stream, Nichol disovers Lai Gwan is a woman - she asks for his help to find her father and to keep her secret. Manli interrupts them before Nichol decides what to do.
Lisa is devastated to get 9 out of 10 on her math test. She insists that she answered the question correctly, and pleads with Mr. Herwin to change her grade. Mr. Herwin says that her "45" looked like a "43", and that everyone makes mistakes.
M'dea tries once more to get Jason to stay with her, but he believes he will never forget his war crimes if she is in his life. M'dea eventually agrees to go back to her country.
Westerner Jackie and sherpa Pasang summit Everest without using oxygen cannisters. Soon their victory turns into a culture clash as they argue about their affair and the mountain, and slowly die of hypoxia.
The 1947 Partition of India forces two children to say goodbye. One departs for Pakistan, leaving her pet rabbit and childhood treasures with her friend.
Sofiya goes to Asa to have her cards read for news of Oksana. The police will not treat Oksana's disappearance as crime, as she went with the men willingly. The cards say Oksana has been robbed of her soul.
Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.
Father Alexander discovers the distress call was a set by Konstantin, but Dima decides he can't beat up a priest and lets Father Alexander go back to Brindisi where Konstantin is.
Paul tells Oscar he hopes the winnings will stop the house from singing. Paul hears “her” sing of how there’s never enough, how there must be more. He makes Oscar promise not to tell his mother about where the money comes from; it might ruin the luck. Oscar tells him to never stop riding.
Cormack meets Shanawdithit for the first time. She’s been working as a servant for Peyton for five years under the colonial name of Nancy April. Cormack is awed; he believes this woman is the last of the Beothuk. Peyton gives her to him, saying she’s useless.
Cormack’s study in St. John’s, now Shanawdithit’s room. “Nancy April” reveals she can speak English quite well, and tells Cormack her real name: Shanawdithit. Cormack asks her where the rest of her people are, where her home is. Shanawdithit says simply: they are no more. Shanawdithit reflects on the loss of her people and the taking of her aunt...