Sydney on her first day at the zoo. Frightened and alone, she thinks of her homeland.

Sydney and James meet for the first time. Though both are nervous, they connect with each other.

Sydney and James arrive in Tennessee, remembering their 22 years together. They say goodbye.

Sydney exits the train with James at the Sanctuary and sees her old friend Penny. They reunite lovingly. Sydney and James say their final goodbye.

Thomas and Claire meet at a party and fall in love.

The pilot watches Hope from afar. They meet and become lovers.

Thomas and Lise sing of feeling the burning of two suns on their faces.

Thomas has brought Lise to become Hope's tutor, but Hope has grown up and wants to leave the house. Lise warns her not to give her love away to just anyone.

Hope grows up quickly, climbing out of her crib as a woman of twenty-one. She sings to herself, wanting to leave the house.

Hope introduces the pilot to her family. He leaves, and Hope argues with her parents about going with him.

A deconstruction of moments in The Sound of Music.

A celebration of iconic Hitchcock film moments, sampling from The Man Who Knew Too Much, Psycho, and The Birds.

Using quintessential recordings of Maria Callas arias, an aspiring soprano engages with the full and intense presence of her idol. What begins as suffocation and frustration ends as confidence as the soprano gains a deeper understanding of her idol: she’s human. They both are.

A celebration of iconic Hitchcock film moments, sampling from The Birds.

A short scene, sampling the wedding scene where Elaine screams for Ben.

Late at night, Allie receives a visitation from her deceased best friend, Karen.

Daniel sings of his fear at the prospect of going down into the cellar of his childhood home, after his father has died.

Judith sings angrily at her brother when he expresses his desire to leave their childhood home after their father has died.

Back in his childhood home after the death of this father, Daniel kills his sister when she wants to resume their childhood sexual relationship.

Former lovers are reincarnated and reunited, but this time around one is a farmer and one is his cow.

Robertson demonstrates the new “automatic spiral ratchet spring-loaded screw driver,” affectionately called the “Yankee.” The demonstration is cut short when the driver slips off the single slot screw, injuring Robertson’s hand.

Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.

Phillips sings the praises of his new screwdriver.

Amalia dreams of what can be accomplished with hardware.

In the afterlife, Henry Ford invites Robertson to present his screwdriver.

Amalia critiques the two screwdrivers and chooses the Robertson.

Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.

Wandering in a big box store, Amalia dreams of what can be accomplished with hardware.

In the afterlife, Henry Ford invites Robertson to present his screwdriver. Ford is rapturously impressed, and offers Roberston a deal - but with the catch that Ford would then own the rights to his invention (as Ford puts it, he demands "complete submission"). Phillips reveals himself and makes a sales pitch. Ford is less attracted, but offers t...

Ford and Phillips celebrate while Robertson is chagrined and depressed by his failure to get the contract. Amalia finally finds the screwdriver aisle in the store.

Amalia critiques the two screwdrivers and chooses the Robertson.

Phillips realizes he will not get rich in his deal with Ford, but Ford will.

Robertson, still sad, hopes his screwdriver will still be of use to others.

Amalia at home, mounting her vanity. She praises the Robertson's screwdriver as he observes from heaven.

All sing the praises of the Robertson screwdriver.

At a restaurant, a man flirts with a woman he thinks he recognizes. She is emotionally frank with him, but it turns out she isn't who he thinks she is.

The Goddess of Music reconciles the tribe of the arco violin players with the tribe of pizzicato players, inviting them to make music together.

A father comforts his son as he encourages him to end his life, rather than waiting for him to die of a terminal illness.