Join George Taylor and the travelling Gilbert & Sullivan theatrical troupe The Vagabonds in a twenty-fifth anniversary celebration of the birth of his papermill. Unbeknownst to him, Jeremiah - the leader of a local small-potatoes bandit group called The Rift Rafters - just discovered a long-hidden secret abo...
This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
A rumble of hooves. A family is fleeing, but the baby is slowing them down. The mother is forced to choose between her husband and her child. She chooses the husband and tries to get the baby to sleep before letting it go over a waterfall. At the last minute, the baby awakes, and the mother’s grief ...
Brigitta is in love with Jeremiah. Jeremiah, Freddy, and Brigitta retrieve Jeremiah's birth certificate from the Taylor house where Brigitta found it. Jeremiah gives Freddy a note for Lily - he and Lily are leaving town when Jeremiah gets his fortune.
George has a proposal for Lily. Henri has a confession. The Great Recorder Smackdown happens, and Lily is caught in the crossfire. Lily sends them all away without answering.
The Vagabond Theatrical Troupe presents! Jeremiah gives George an ultimatum but has to prove himself first in more ways than one, and all is wrapped up in the finest paper package.
Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this sense...
In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.