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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Excerpts
    Elsewhereless – Scene 11: “We’re frightened”

    Beth and Andrew demand Antoine that they be allowed to leave. He will keep them there forever because he wants to see them all become heroes and redeem his initial banishment with Eugene. Antoine grabs the dead monkey and begins to dance with it. A bullet explodes through the window, hitting Antoine and he falls to the ground.

    Elsewhereless – Scene 12: “This country is at the threshold of great change”

    Upstairs, Malcolm reads another memo from Antoine. Beth rushes in to tell him that it's time to leave. Andrew and Beth leave the house, but Malcolm remains in the house, still surrounded by violence.

    Eshna – Eshna

    Elvet is struck with grief over the death of his newborn child, not yet named.

    Eva – Eva

    A son gets caught sleeping with his father's girlfriend, Eva. A three-way fight erupts, the son professing his love for Eva and vice versa, while the father warns they’ll betray each other soon enough. They leave, and the father grieves the loss of them both.

    Facing South – Scene 1: “Pure Light (1909)”

    Two explorers close to the north pole - the explorer Peary becomes confused.

    Facing South – Scene 2: “Interior (1919)”

    An ill and delirious Peary reminisces about his polar days; his wife remembers their early love.

    Facing South – Scene 3: “Ice (1909)”

    Peary is unsure if they have reached the North pole.

    Facing South – Scene 4: “Flame (1919)”

    Josephine asks for Henson's help, despite Peary's past bad treatment of him.

    Facing South – Scene 5: “Undersea” (aria)

    Minik remembers Greenland.

    Facing South – Scene 6: “Meteorites (1897)”

    The explorers make a plan to bring the Inuit to America to make money.

    Facing South – Scene 7: “Wild Horse (1909)”

    Peary and Henson once again try to confirm they are at the North pole.

    Facing South – Scene 8: “Constellations”

    Henson helps Minik reach the land of the dead; Peary and Josephine argue about Peary's Inuit children.

    Facing South – Scene 9: “Ice”

    Peary and Henson believe they have reached the North pole.

    Facing South – Scene 10: “Sea Anemone” (aria)

    Josephine wonders what discovery is worth.

    TAP:EX Forbidden – Act 1, Scene 1: “Understanding”

    The Child is taught a lesson. She attempted to speak her truth, but was met with discipline.

    TAP:EX Forbidden – Act 1, Scene 2: “With His Eyes (Male Gaze)”

    An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.

    TAP:EX Forbidden – Act 1, Scene 3: “Come In”

    Lucifer taunts the Child in a cell. She doesn't understand what she's done wrong.

    TAP:EX Forbidden – Act 1, Scene 4: “Stay, Still, Forever”

    A cleric prepares for confessional. Someone enters the booth. The cleric realizes it’s a man with whom he shared a mutual attraction. The man has recently finished gay conversion therapy and wishes to resume some kind of a relationship.

    TAP:EX Forbidden – Act 1, Scene 5: “Go On, Get Out”

    The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.

    TAP:EX Forbidden – Act 1, Scene 6: “Book’s Lament”

    A book pleads with the audience to be read. A rhythmic chorus rises. A tribute to the banned, the burned, and the hidden.

    TAP:EX Forbidden – Act 1, Scene 7: “In the Book”

    As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.

    TAP:EX Forbidden – Act 1, Scene 8: “Eat Anything”

    The Child is allowed out of her cage, with a warning she can have anyting she wants except for one thing. She asks what it might be, and in a Kafka-esque reply they say, “you know.”

    TAP:EX Forbidden – Act 2, Scene 1: “After Intermission”

    The Child is led back to the book cage, and performers take their places.

    TAP:EX Forbidden – Act 2, Scene 2: “White Key”

    Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...

    TAP:EX Forbidden – Act 2, Scene 3: “In the Maze of Prison”

    The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.

    TAP:EX Forbidden – Act 2, Scene 4: “Dubai know how to Party”

    A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.

    TAP:EX Forbidden – Act 2, Scene 5: “Power Shift”

    Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.

    TAP:EX Forbidden – Act 2, Scene 6: “With His Serenity (Falun Dufa)”

    A watcher looks over a group of faithful. His irritation turns to hatred as he accuses them of subversion. He claims to have proof hidden in some papers, but the Child has destroyed them. The Child proclaims “I know what to do,” and the tension between authority and people escalates. The Child begins taking pages and notes from all the surrou...

    TAP:EX Forbidden – Act 2, Scene 7: “Enlightenment”

    The Child creates her own book from pages of other books. She hands out her new rules to the audience.

    TAP:EX Forbidden – Epilogue

    Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.

    Gotcha! – Gotcha!

    First meeting of an adult son and his birth mother.

    Guitar – Guitar

    A couple fights as a woman leaves to pursue her dream.

    Hook Up – Section 1, Scene 1: “Opening Montage Overture”

    Cindy, Mindy, and Tyler revel in the newfound freedom of university life. Cindy delights in being single, Mindy says goodbye to her parents, and is excited for more privacy and time with Tyler... who is looking forward to playing more Fortnite.

    Hook Up – Section 2, Scene 1: “Honeymoon Suite: Trouble in “Pornadise””

    Tyler is bored. Mindy worries they’re becoming their parents, and wants to spice things up. Tyler suggests watching porn together, which only makes things more awkward.

    Hook Up – Section 2, Scene 2: “Feminism 101: Gender, Justice & Change”

    A kick-ass professor guides the girls through a "Feminism 101" presentation, while Cindy and Mindy’s relationship reaches a boiling point. Cindy judges Mindy’s homebody approach to university life; Mindy judges Cindy’s seemingly only interest in “hooking up” at parties.

    Hook Up – Section 2, Scene 2A: “In the Hall”

    Cindy and Mindy are kicked out of class for causing a disturbance. Mindy comes clean about having asked for a private room behind Cindy's back. The two reconcile and agree to hang out (without Tyler) that night.

    Hook Up – Section 2, Scene 2B

    Tyler lets the guys know he’s free for the night. They roast him, and head to the pub.

    Hook Up – Section 2, Scene 4: “Texting Blitz”

    A barrage of texts combined with singing let us know what Cindy, Mindy, and Tyler have been up to. Relationships grow more and more intense, culminating in Cindy telling Mindy she’s seen Tyler studying with a second year girl named Heather.

    Hook Up – Section 2, Scene 5: “Time Out” (duet)

    Mindy confronts Tyler about his “study partner” and accuses him of lying to her, which Tyler denies. Mindy makes a sudden decision: she wants a time-out, and thinks they should see other people. Tyler leaves, confused and devastated.

    Hook Up – Section 3, Scene 1: “The Rules of the Hookup” (duet)

    Cindy and Mindy get into constumes and pre-drink for the Halloween Kegger. Cindy teases Mindy for her lack of sexual adventurousness and gives her “the rules of the hook up” just in case...

    Hook Up – Section 3, Scene 2: “The Party Chant (Video)”

    Costumed party goers cross the campus, chanting.

    Hook Up – Section 3, Scene 3: “The Party”

    Cindy and Mindy eye potential hook-ups for Mindy. Tyler arrives with Heather. Mindy’s livid, and Cindy reminds her not to do anything crazy. Mindy’s response is to commit to the idea of hooking up with someone at the party.

    Hook Up – Section 3, Scene 3C: “The Buddy System”

    Cindy tries to get Mindy to come away with her, but Mindy insists she's fine and goes upstairs with Cowboy Dude.

    Hook Up – Section 4, Scene 1: “The Morning After: Walk of Shame”

    Hungover, walking home the morning after the party, Mindy remembers disturbing images from the night before - she isn't sure exactly what happened.

    Hook Up – Section 4, Scene 2: “Text Alerts”

    Mindy plugs in her phone, which died at the party. It comes alive with a constant stream of texts from Tyler and Cindy from the night before, who were both worried about her. Mindy rushes to the bathroom to throw up.

    Hook Up – Section 4, Scene 3: “Putting the Pieces Together”

    Someone has posted pictures of Mindy at the party with different men. Mindy, Cindy, and Tyler argue about who is to blame. Cindy and Tyler depart angry, leaving Mindy sitting alone on her bed.

    Hook Up – Section 5, Scene 1: “Mindy’s Spiral”

    Mindy tries to understand if she was raped at the party. She can't make herself contact anyone, but seeks information online; Cindy slips a morning after pill under the door.

    Hook Up – Section 5, Scene 2: “Heather” (duet)

    Heather and Mindy share a moment of intimacy as they discuss their experiences of sexual violence.

    Ice Cream – Ice Cream

    A mother and son have dinner. The mother is suffering from Alzheimer’s, and her son has increasing difficulty coping with that fact.

    Iron Road – Manli’s Aria

    Filled with regret over his life, Manli sings of an abandoned love.

    Iron Road – “Cool Mountain Water” in Bb (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” in C (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” Short Version in Bb (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” Short Version in C (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – Act 1, Prologue: The Old World

    Before dying, Ama tells Lai Gwan of her father, gives her a wedding dress, and urges her to go to North America to find her father - but always remember Chinese traditions.

    Iron Road – Act 1, Scene 1: The Ship

    Aboard a ship taking Chinese workers to British Columbia - they are hungry & thirsty. Ah Lum starts a fight with Lai Gwan, who is disguised as a young man, but they stop as the coast comes into view.

    Iron Road – Act 1, Scene 2: The Iron Road

    In Ottawa, Canadian politicians and moguls toast the launch of the Canadian Pacific Railroad. The Railway Foreman James Nichol encourages the workers until the impenetrable Rocky Mountains block their way. The Bookman comes to supply the cheap Chinese labour that will allow Nichol to conquer “The Great Divide.”

    Iron Road – Act 1, Scene 3: The Mountain

    The Chinese workers are led in and a disguised Lai Gwan challenges Manli the Bookman’s authority. He seeks revenge by assigning Lai Gwan to the most dangerous work in the camp: planting dynamite on the mountain face while suspended in a basket.

    Iron Road – Act 1, Scene 4: The Stream

    While she is bathing in a stream, Nichol disovers Lai Gwan is a woman - she asks for his help to find her father and to keep her secret. Manli interrupts them before Nichol decides what to do.

    Iron Road – Act 1, Scene 5: The Camp

    The Chinese workers decide to strike, led by Lai Gwan, after another death with no proper funeral. The strike is put down and Nichol stops Lai Gwan from being hung by Manli. She discovers Manli is her father.

    Iron Road – Act 2, Prologue: The Dream

    Lai Gwan dreams of the conflicting desires of her mother, father, Nichol and herself.

    Iron Road – Act 2, Scene 1: The Fight

    As Manli and Lai Gwan argue about their situation, Lai Gwan tells of Ama's death, which crushes Manli. He decides to set the next explosive charge himself. Nichol and Lai Gwan recognise their love and follow Manli into the tunnel.

    Iron Road – Act 2, Scene 2: The Cave

    In the explosion rubble, Lai Gwan and Nichol declare their love depsite Ama's warnings. Nichol dies as the workers rescue Lai Gwan and Manli, who declares his renewed love for his daughter.

    Iron Road – Act 2, Scene 3: The Iron Dragon

    Workers watch the train come to Eagle Pass - while the whites are happy, the Chinese realize there is no more work for them.

    Iron Road – Act 2, Scene 4: The Last Spike

    Whites celebrate the finishing of the railway and officially dismiss the Chinese, who blame Manli for abandoning them.

    Iron Road – Act 2, Scene 5: Remember the Dead

    Manli and Lai Gwan decided to make a life together in Canada. As they collect and bury the bones of Chinese workers they remember all the dead, including Ama and Nichol.

    Jacqueline – “Disease” – voice and cello

    In her prime. At a post-gala cocktail party, Jackie ironically confesses she has a terrible disease: glissando-itis.

    Jacqueline – “Samson” – voice and cello

    Comparing herself to Samson, Jackie and her husband have a tangled night of love one rainy night.

    Jacqueline – “Dizzy” – voice and cello

    In her prime, Jackie admits she finds the pace of touring life dizzying. The sycophants at parties are starting to get to her.

    Jacqueline – “Telephone” – voice and cello

    On a phone call with her mother, Jackie is admonished. She begs her mother to visit. She’s alone with fragments of memory.

    Jacqueline – “Run” – voice and cello

    Delirious, Jackie envisions running to the ocean again through the fields, this time with her sister, Hilary. She asks that Hilary not tell Daniel about the disease.

    Jacqueline – “Bathing in the Sea in October” – voice and cello

    Jackie tells us how she can blur the lines between fantasy and reality at will. She can escape the confines of her chair by dreaming of bathing in the sea. She wonders where Daniel is, and who he’s seeing.

    Jacqueline – “You and Me” – voice and cello

    Jacqueline, the child, tells her cello they will play great concert halls and make records.

    Jacqueline – “Intense Perfumes” – voice and cello

    Jacqueline remembers playing in the fields with her sister in her childhood, and the fragrance of wildflowers.

    Jacqueline – “Psychoanalysis” – voice and cello

    Jacqueline experiences symptoms, but her physical illness is undiagnosed, and she is instead told it is hysterical or psychosomatic.

    Jacqueline – “Dirty Joke” – voice and cello

    Jacqueline enjoys telling a joke about some monks' sexual arousal.

    Jacqueline – “Mon Ami” – voice and cello

    Jacqueline remembers happy times with her cello in childhood.

    Jacqueline – “Cancellation” – voice and cello

    Angry and frustrated at her physical inability to play, Jacqueline cancels her remaining performances.

    Leaving – Leaving

    A mother with postpartum depression leaves her husband and son.

    Leaving – “I spend my days looking” (aria)

    Simone describes her postpartum depression and wonders how it is that she cannot love her own child.

    Lisa – Scene 1

    Lisa is devastated to get 9 out of 10 on her math test. She insists that she answered the question correctly, and pleads with Mr. Herwin to change her grade. Mr. Herwin says that her "45" looked like a "43", and that everyone makes mistakes.

    Lisa – Scene 2

    "A perfect score is all that counts." Lisa fixates on the consequences of her test and predicts that Annie and Caroline will banish her from "the circle of three" because of her imperfect score. She blames Mr. Herwin.

    Lisa – Scene 3

    Mr. Herwin tells Lisa he knows she killed her friends with poisoned lemonade. Lisa tells him she has told people he is a pedophile.

    Love Redux – Love Redux

    Two lovers discuss what love is.

    Love Redux – Paris’s Aria

    Paris professes his love to Helen.

    Lullaby at the Shore – Lullaby at the Shore

    A child walks on a beach, in search of their parents.

    M’dea Undone – Act 1, Scene 10 (duet)

    Dahlia's father encourages her to seduce Jason, and promises her she can have anything she wants.

    M’dea Undone – Act 2, Scene 6 (duet)

    On the eve of their departure, M'dea and Chase play a gruesome game imagining ways to kill Dahlia the demoness.

    M’dea Undone – Act 1, Scene 1

    Jason, M'dea, and the soldiers return from war to a celebratory crowd. Some do not trust the new foreigner, M'dea.

    M’dea Undone – Act 1, Scene 2

    At a party, the Corporal mocks Jason for needing M'dea to help him win and for bringing her home.

    M’dea Undone – Act 1, Scene 3

    M'dea and Jason commit to loving each other and helping each other recover from the war and memories that haunt them.

    M’dea Undone – Act 1, Scene 4

    Jason and M'dea are expecting a baby. Citizens gossip about the couple.

    M’dea Undone – Act 1, Scene 5: President Calling

    At the President's office, Jason and the President discuss family, how to be a good father, and a possible future for Jason in politics.

    M’dea Undone – Act 1, Scene 6: The Beach

    A family outing to the beach turns into a photo op for the paparazzi.

    M’dea Undone – Act 1, Scene 7: Revealed (aria)

    In a dream state, M'dea recalls all she has done to survive.

    M’dea Undone – Act 1, Scene 8 – A Dinner Party

    The President invites Jason to be his running mate, and begins to remake him. This process sidelines M'dea and Chase. Dahlia and Jason are attracted to one other.

    M’dea Undone – Act 1, Scene 10: Dahlia’s Bedroom (duet)

    Dahlia's father encourages her to seduce Jason, and promises her she can have anything she wants.

    M’dea Undone – Act 1, Scene 11: The Ballroom

    The party is about to announce Jason's candidacy. Jason and Dahlia dance together, oblivious to all the others. Enraged, M'dea smashes a glass wall, showering fragments over the party guests.

    M’dea Undone – Act 2, Scene 1

    Jason and Dahlia are getting married. The citizens gossip.

    M’dea Undone – Act 2, Scene 2: The President’s Office

    The President threatens M'dea with prison or the loss of her son if she doesn't do as he wants. He warns her not to cause trouble for Jason.

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