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Canadian Opera Resource
Canadian Opera Resource
COR
Excerpts
M’dea Undone – Act 1, Scene 10: Dahlia’s Bedroom (duet)

Dahlia's father encourages her to seduce Jason, and promises her she can have anything she wants.

M’dea Undone – Act 1, Scene 11: The Ballroom

The party is about to announce Jason's candidacy. Jason and Dahlia dance together, oblivious to all the others. Enraged, M'dea smashes a glass wall, showering fragments over the party guests.

M’dea Undone – Act 2, Scene 1

Jason and Dahlia are getting married. The citizens gossip.

M’dea Undone – Act 2, Scene 2: The President’s Office

The President threatens M'dea with prison or the loss of her son if she doesn't do as he wants. He warns her not to cause trouble for Jason.

M’dea Undone – Act 2, Scene 3: Fountain

M'dea has a breakdown and brings Chase to the fountain at Jason and Dahlia's, where she sees the ghost of her mother. She is discovered by Jason and Dahlia, and a fight ensues.

M’dea Undone – Act 2, Scene 4: Dahlia’s Bedroom

Dahlia convinces Jason to send M'dea away.

M’dea Undone – Act 2, Scene 6: The Game (duet)

On the eve of their departure, M'dea and Chase play a gruesome game imagining ways to kill Dahlia the demoness.

M’dea Undone – Act 2, Scene 7

The President gives an election victory speech.

M’dea Undone – Act 2, Scene 10: Aftermath

After the murders, M'dea almost kills herself but is interrupted by Chase. They escape to the beach.

M’dea Undone – Act 2, Scene 11: The Beach

Pursued by Jason and the guards, M'dea and Chase climb a cliff by the ocean. When they reach the top, they play a version of their make-believe game, and jump off.

Man in Avalanche – Man in Avalanche

On a solitary walk a Man gets buried by an avalanche; a Woman thinks his absence means he is cheating on her.

Mousetrap – Mousetrap

In a video game, two mice are navigating through a house when suddenly they encounter a giant squirrel.

My Eyes are Bright and Sparkly – My Eyes are Bright and Sparkly

Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her.

My Mother’s Ring – “You are my beautiful boy”

Julia remembers the love she felt for her son Paul when he was a baby.

Naila and Lolo – Naila and Lolo

The 1947 Partition of India forces two children to say goodbye. One departs for Pakistan, leaving her pet rabbit and childhood treasures with her friend.

Nigredo Hotel – “Wisdom Aria” Option 1

Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.

Nigredo Hotel – “Wisdom Aria” Option 2

Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.

Nigredo Hotel – “You are dark but lovely”

Ray and Sophie sing an intimate duet as they reconnect and reconcile.

Noor Over Afghan – Scene 1

Jaan, who is dying, asks her sister Noor to secretely take her place on her wedding day. Noor reluctantly agrees.

Noor Over Afghan – Scene 2

The wedding ceremony. Noor hesitates, then marries Rafique.

Noor Over Afghan – Scene 3

Jaan meets group of tribal women in the desert who convince her to stay with them while she dies. Noor takes Jaan's place in the circle.

Noor Over Afghan – Scene 4: The Wedding Night

Noor tells the lie Jaan asked of her to Rafique. Rafique sends her away and tries to figure out what he should do.

Noor Over Afghan – Scene 6

In bed, Rafique and Noor separately wonder how to get out of their situation.

Noor Over Afghan – Scene 8

Receiving Jaan's letter, Noor forgives her sister. Noor and Rafique decide they will try to remain friends.

The Enslavement and Liberation of Oksana G. – Act 1, Scene 1

Though others are at first suspicious, Russian Konstantin convinces Ukranian teenagers Nataliya and Oksana to come work for him at a hotel in Romania for the summer.

The Enslavement and Liberation of Oksana G. – Act 1, Scene 2

In a forest in Romania, Oksana discovers she has been tricked and is now in danger. Konstantin and his partners rape Oksana & Natalyia.

The Enslavement and Liberation of Oksana G. – Act 1, Scene 4

In Greece at a bar, three women are held captive: Konstantin sends Lyubia with a businessman, Natalyia with the Immigration officer who cuts her, and Oksana is bought by Konstantin at auction. Konstantin then offers to the crowd a gang rape just as the police arrive to raid the bar. Instead, he escapes with Oksana and Natalyia.

The Enslavement and Liberation of Oksana G. – Act 1, Scene 6

On the Albanian coast the women captives wait for the boat to Italy. Oksana is still defiant, trying to figure out an escape for herself and others. The boat and Konstantin arrive, and Oksana fails to convince him to free her and Natalyia.

The Enslavement and Liberation of Oksana G. – Act 2, Scene 1

Brindisi refugee shelter: Father Alexander and social worker Clara work with the refugees. An injured Oksana arrives and asks for help; Lyubia, who escaped when the boat docked, is among the refugees and recognizes Oksana.

The Enslavement and Liberation of Oksana G. – Act 2, Scene 3

Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.

The Enslavement and Liberation of Oksana G. – Act 2, Scene 5

Father Alexander and Oksana realize they share an attraction for each other, but Oksana is determined to go home and tell her parents what has happened. Konstantin phones the refuge to get Oksana back.

The Enslavement and Liberation of Oksana G. – Act 2, Scene 6

Refugees are trying on clothes, when Dima and Konstantin enter looking for Oksana. Konstantin offers Father Alexander money for Oksana and Clara calls the police; Konstantin and Dima leave before the police arrive.

The Enslavement and Liberation of Oksana G. – Act 3, Scene 2

On the eve of Oksana's departure, Father Alexander has to go to pick up another woman in distress. He leaves his knife with Oksana because she is afraid Konstantin will show up. Lyuba and Oksana say their goodbyes.

The Enslavement and Liberation of Oksana G. – Act 3, Scene 4

Konstantin breaks into Oksana's room and tries to convince her to leave with him. When this fails, he tries to rape her again but she stabs him. He gets the knife and stabs her before he dies. Father Alexander returns and Oksana dies of her wound, dreaming of home.

One Night, One Bell – One Night, One Bell

A man coerces a woman to have sex with him in exchange for saving the one remaining temple bell from being melted down for the war metal supply.

One Night, One Bell – “It peals and carries my prayers” (aria)

A woman makes an appeal that the metal of her bell shouldn't be used for a war machine.

Opposites Attract – Scene 2

At a bar, Erica laments the men she chooses. Jackie looks for a rich man- and a rich man walks into the bar.

Opposites Attract – Scene 3

Jackie demands Alex say something, but Alex doesn't. Erica paces.

Opposites Attract – Scene 5

We hear Keith teaching a child to play violin. Alex listens happily while Jackie wishes she was still at work.

Opposites Attract – Scene 8

Two couples on a resort patio watch and comment on each other.

Otherworld – Otherworld

Miners crack open a mountain and two green children emerge. They sing, then the minors pray to them as they fall asleep.

Playing Ball – Playing Ball

Tabitha helps her father Ken, who has had a stroke. She combs his hair and helps him with his therapy ball, retrieving it each time he drops it.

Pub Operas (The Sloans Project) – Mad with It

A young couple celebrates their recent engagement in the Sloans pub, only to be interrupted by a drunk whose 24-year marriage has just ended. The drunk leaves his wedding ring, and, sensing an opportunity, the young couple takes it.

Pub Operas (The Sloans Project) – Country Song

Two men break into their old haunt, bringing their recently deceased friend along for the ride. They pour three pints and pull up a country song on the jukebox. In turn, they reflect on what they’d tell him if he were still alive.

Pub Operas (The Sloans Project) – Young Love

On the wedding day of the young couple from the first scene, the now-sober old man arrives with a surprise: his wife. And they want their ring back.

Pursuit – Pursuit

A female barista is infatuated with a male customer and stalks him. He thinks he recognizes her from his neighbourhood.

Rip – Rip

Peter is leaving Carla for another woman. Carla, sensing she will have a breakdown if he leaves, insists that he take their son to live with him.

Rocking Horse Winner – Scene 1: Ava at the piano (aria)

A waltz is cut short. Ava discloses how far she’s fallen, and how difficult she finds caring for her son.

Rocking Horse Winner – Scene 2: Ava and Paul talk about luck

Paul is curious about why he and his mother don’t have a car, and Ava explains it’s because they’re poor. Paul again asks why that’s so, and Ava states it’s because his father has no luck. Paul announces that he is lucky.

Rocking Horse Winner – Scene 3: Paul rides his Rocking Horse

Paul creeps upstairs and rides his rocking horse, asking it to take him to where luck is. He rides faster and faster and at the peak, shouts a name: Daffodil.

Rocking Horse Winner – Scene 4: Paul tells Uncle Oscar his Secret

Uncle Oscar enters, having heard the noise, and asks Paul what’s going on. Paul reveals his secret: the rocking horse is lucky, and tells him the names of race horses. Oscar calls in Paul’s caretaker, Bassett, who admits that Paul tells him the names of winning race horses. The three head to the races to prove it.

Rocking Horse Winner – Scene 7: Ava and Paul at the piano

Paul asks his mother why she always sings sad songs and if she knows anything happier. Ava rebukes him. She expresses profound regret for the stupidity and vanity of her youth. The world only smiles for the young, she says. Paul hopes she’ll smile for her birthday tomorrow, but she does not. At her birthday party, Oscar gives her the winnings...

Rocking Horse Winner – Scene 9: The Money Gets Spent

The predictions keep coming true, and the money keeps coming. The money gets spent, and Paul keeps riding. All the while the house is getting filled with finery. But it keeps singing. There must be more, but Paul’s luck falters as his energy wanes.

Rocking Horse Winner – Scene 11: Paul dies

The last ride has left Paul gravely ill. Oscar and Bassett tell him they bet it all, and they’re set for life. Paul asks his mother if she’ll finally be happy- finally smile. She does, but as they leave his room to celebrate, Paul hears the house whisper. There must be more. Paul is desperate, and crawls to his rocking horse for more luck, mo...

Rocking Horse Winner – “Now I’m All Nerves” (aria)

Ava bemoans Paul's lack of understanding, and her need for luxury.

Rosa – “Every day I blistered my hands…” (duet)

Hector and Isabelle express their resentment towards each other for the sacrifices they each made.

Sanctuary Song – Prologue/Scene 1: Goodbye

As he tries to get into the train car, James explains to Sydney the elephant why it is best for her to leave the zoo for a new home.

Sanctuary Song – Scene 2: Capture

James and Sydney start their journey. Sydney remembers being young and playing in the forest with her friend Penny. One day, they are both captured, and the family herd is shot.

Sanctuary Song – Scene 3: Fire

Sydney is injured in a fire and sold to the zoo.

Sanctuary Song – Scene 4: Alone (aria)

Sydney on her first day at the zoo. Frightened and alone, she thinks of her homeland.

Sanctuary Song – Scene 5: First Meeting

Sydney and James meet for the first time. Though both are nervous, they connect with each other.

Sanctuary Song – Scene 6: Arrival

Sydney and James arrive in Tennessee, remembering their 22 years together. They say goodbye.

Sanctuary Song – Scene 7: Reunion

Sydney exits the train with James at the Sanctuary and sees her old friend Penny. They reunite lovingly. Sydney and James say their final goodbye.

Shanawdithit – Scene 2

Cormack’s study in St. John’s, now Shanawdithit’s room. “Nancy April” reveals she can speak English quite well, and tells Cormack her real name: Shanawdithit. Cormack asks her where the rest of her people are, where her home is. Shanawdithit says simply: they are no more. Shanawdithit reflects on the loss of her people and the taking of her a...

Shanawdithit – Scene 4

The taking of Demasduit weighs heavy on Shanawdithit’s heart. Cormack, unsure of what to do, tries to comfort her, saying Demasduit was treated well. Shawnadithit asks if white people actually care about her people, her story, because Cormack’s words are betrayed by the actions of his fellows, and indeed, his own. Cormack insists he will ensu...

Shanawdithit – Scene 5: Salmon, Seal, Caribou

Shanawdithit describes the last days of her family as they were pushed from their land and then hunted. She asks Cormack not to speak of their death, but of their life. Cormack is ecstatic and gets lost in the memories Shanawdithit paints. She breaks his reverie with the cold fact that the life she speaks of will never happen again. She colla...

Shanawdithit – Scene 6

Cormack tries to raise funds for Shanawdithit’s care without success. James Simms offers to care for her while Cormack is away.

Shanawdithit – Scene 7

Her health fading, Shanawdithit wonders if she’ll be welcomed into the spirit world after so much time with the colonists. Cormack tells her he must leave, and Shanawdithit gives him a sketch of his house to carry with him. He leaves the room to pack. Shanawdithit hears the spirits of her people calling her name. It is time. One spirit in par...

She Sees Her Lover – “So many ways” (aria)

Agnieska questions why all of her previous relationships have failed.

She Sees Her Lover – “Cinnamon Limbs” (aria)

Waking early, Agnieska admires her new lover Sumana as she is sleeping.

She Sees Her Lover – Scene 1 (duet)

Agnieska and Sumana share an intimate night together after meeting in a bar. Memories of past lovers almost make Agnieska give up on this new love, but Sumana convinces her to hold on to hope.

She Sees Her Lover – Scene 2

Waking early, Agnieska admires her new lover Sumana as she is sleeping. When Sumana wakes, the couple share an intimate conversation and eventually descend into fits of laughter.

Shelter – Scene 5: The Pilot (duet)

The pilot watches Hope from afar. They meet and become lovers.

Shelter – Scene 4: Hope Grows Up, “Waiting” (duet)

Thomas has brought Lise to become Hope's tutor, but Hope has grown up and wants to leave the house. Lise warns her not to give her love away to just anyone.

Shelter – Scene 4: Hope Grows Up, “This is Our House” (aria)

Hope grows up quickly, climbing out of her crib as a woman of twenty-one. She sings to herself, wanting to leave the house.

Shelter – Scene 6: Trinity (aria)

Hope introduces the pilot to her family. He leaves, and Hope argues with her parents about going with him.

TAP:EX Tables Turned – Beyond the Sound – voice, percussion, and track

A deconstruction of moments in The Sound of Music.

TAP:EX Tables Turned – Hitchcock Etudes – voice, percussion, and track

A celebration of iconic Hitchcock film moments, sampling from The Man Who Knew Too Much, Psycho, and The Birds.

TAP:EX Tables Turned – La Callas Fantasie – voice, percussion, and track

Using quintessential recordings of Maria Callas arias, an aspiring soprano engages with the full and intense presence of her idol. What begins as suffocation and frustration ends as confidence as the soprano gains a deeper understanding of her idol: she’s human. They both are.

TAP:EX Tables Turned – Schoolhouse Etude – voice, percussion, and track

A celebration of iconic Hitchcock film moments, sampling from The Birds.

TAP:EX Tables Turned – The Graduate – voice, percussion, and track

A short scene, sampling the wedding scene where Elaine screams for Ben.

Tea at Three – Tea at Three

Late at night, Allie receives a visitation from her deceased best friend, Karen.

The Cellar Door – “That’s all you have to say?” (aria)

Judith sings angrily at her brother when he expresses his desire to leave their childhood home after their father has died.

The Cellar Door – The Cellar Door

Back in his childhood home after the death of this father, Daniel kills his sister when she wants to resume their childhood sexual relationship.

The Drawing Class – The Drawing Class

A teacher tries to inspire and distract a student as soldiers march outside their classroom, but the student is unable to escape into her imagination.

The Golden Boy – The Golden Boy

After a painful argument, a mother tells her son the truth of his father's absence and tries to comfort him.

The Laurels – “Lost” (aria)

A young woman, Laurel, runs through a dark forest, filled with anxiety and haunted by disturbing memories.

The Laurels – “And so I killed a man…” (aria)

Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this se...

The Laurels – The Laurels

In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.

The Overcoat: A Musical Tailoring – Act 1, scene 1

Akakiy reveals his fascination with numbers, and the chorus announces they’ll help keep track of things. His landlady enters to bring him some cabbage soup- and something more, which he refuses.

The Overcoat: A Musical Tailoring – Act 1, scene 2

After rushing to work, Akakiy is bullied by his coworkers. He’s too good at his job, and it’s making the rest of them look bad.

The Overcoat: A Musical Tailoring – Act 1, scene 6

Akakiy gets caught in rush hour and arrives late to find the head the department telling a sad story about encountering a homeless vagrant. Annoyed at being interrupted, the head of the department grills Akakiy on his little notebook of numbers. Akakiy explains he was using it to find ways to save money, which gives the head an idea. He’ll cu...

The Overcoat: A Musical Tailoring – Act 2, scene 3 and 4

The name day party. Everyone is dressed to the nines, but Akakiy adds up to at least an eleven. They fawn over his coat, going so far as to toast to it. Akakiy forgets to count his drinks, and ends up completely drunk. He gets lost on the way home, winding up in the rough part of town. Akakiy asks two men for directions, but instead, they kno...

The Overcoat: A Musical Tailoring – Act 2, scene 6 and 7 (Finale)

After days of near catatonia in his cold apartment, the landlady asks Petrovich to repair Akakiy’s old coat, to no avail. Even his coworkers arrive to check in, but by then, Akakiy is unreachable. Akakiy is committed to a mental hospital. Once he arrives, the other residents encourage him to look at things a little differently. It turns out h...

The Perfect Screw – “Wandering endlessly” (aria)

Amalia dreams of what can be accomplished with hardware.

The Perfect Screw – “Double slit Phillips” (aria)

Amalia critiques the two screwdrivers and chooses the Robertson.

The Perfect Screw – Act 1, Scene 2

Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.

The Perfect Screw – Act 1, Scene 3: “Wandering Endlessly” (aria)

Wandering in a big box store, Amalia dreams of what can be accomplished with hardware.

The Perfect Screw – Act 2, Scene 2

Ford and Phillips celebrate while Robertson is chagrined and depressed by his failure to get the contract. Amalia finally finds the screwdriver aisle in the store.

The Perfect Screw – Act 2, Scene 3

Amalia critiques the two screwdrivers and chooses the Robertson.

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