COR
Operas
Content warning: contains depictions of gun violence, mentions of homophobia, transphobia, self-harm, attempted suicide, memory loss, illness, death, and violence
Julie d'Aubigny (1673-1707), more often known by her stage name "Mademoiselle Maupin," was a queer and gender non-conforming opera singer. She was a mezzo-soprano, and sang some of ...
Julie d'Aubigny (1673-1707), more often known by her stage name "Mademoiselle Maupin," was a queer and gender non-conforming opera singer. She was a mezzo-soprano, and sang some of ...
Composer: Colin McMahon
Librettist: Camille Rogers
Content warning: misgendering, mentions of sexual assault, and implied violence
Chrysaor and Pegasus, children of the gorgon Medusa, have been living with their aunts Euryale and Stheno. They receive a message from their dead mother telling the story of her assault and murder by their father Poseidon. Rejecting his mother’s family, Chrysaor g...
Chrysaor and Pegasus, children of the gorgon Medusa, have been living with their aunts Euryale and Stheno. They receive a message from their dead mother telling the story of her assault and murder by their father Poseidon. Rejecting his mother’s family, Chrysaor g...
Composer: Colin McMahon
Librettist: Charlie Petch
COR
Excerpts
The performer sings a poem by Aphra Behn (1640-1689) about an androgynous queer lover.
La Maupin introduces herself to the audience, sharing some of the gossip that has been spread about her.
Maupin tells the story of a scandalous love affair from her youth, culminating in a daring escape from a convent.
Maupin takes to the stage of the Paris Opéra.
Maupin remembers her romance with the Countess de Florensac.
The performer echoes lines poetry from the Prologue, reflecting on the meaning of Maupin's story.
Pegasus recounts a dream in which their mother Medusa asks them to find her severed head. They reflect on the harrowing circumstances of their birth and their relationship with their brother Chrysaor and father Poseidon.
English 
French