Il Giudizio di Pigmalione (The Judgment of Pygmalion) was inspired by the myth of the sculpture Pygmalion as told in Ovid’s Metamorphosis:

“He made, with marvellous art, an ivory statue, As white as snow, and gave it greater beauty Than any girl could have, and fell in love with his own workmanship.”

This setting of the myth (the libretto by the composer, with Italian translation by Sara Maida-Nicol) places the sculptor Pygmalion as an Italian high-fashion magazine photo editor disgusted by Women’s Rights marchers who protest around him: a modern interpretation of the classical Propoetides. Photo editing techniques, including filtering, warping, cropping, layering, transparency, colour adjustment and cutting and pasting, are all incorporated into the score which explores, through tonality and dissonance, a violent dichotomy between equal human rights and traditional roles and models of women in society.

- from DeanBurry.com