View more photos below - click here OVERVIEW Title: Airline IcarusComposer: Brian CurrentLibrettist: Anton PiatigorskyCommissioned By: Opera Breve VancouverLanguage: EnglishProducer: Soundstreams and Maniac StarRun Time: 45Roles: Role Voice Type Range ? Character Description Workermiddle-lowAn airline workerBusiness ManlowA plane passengerAd ExechighA plane passengerScholarmiddleA plane passengerFlight Attendantmiddle-highA flight attendant, dissatisfied with her jobVoiceshighSSAATBChorus
CAST: Emily Spearing, Scott Belluz, and Katherine Semchuk | PHOTO CREDIT: Elana EmerCAST: Scott Belluz | PHOTO CREDIT: Elana Emer View more photos below - click here OVERVIEW Title: R.U.R. A Torrent of LightComposer: Nicole LizéeLibrettist: Nicolas BillonLanguage: EnglishProducer: Tapestry Opera and OCAD UniversityRun Time: 90Roles: Role Voice Type Range ?
A businessman is waiting for a streetcar, with his back to an unhoused woman. The two silently judge each other. The man is annoyed at seeing someone who wants something for nothing, and the woman is feeling judged for a situation she has no control over. The two finally acknowledge
OVERVIEW Title: Where You LiveComposer: Iman HabibiLibrettist: Michael PollardCommissioned By: Tapestry Opera's Composer-Librettist LaboratoryLanguage: EnglishProducer: Tapestry OperaRoles: Role Voice Type Range ? Character Description The Street PersonhighC4-Ab5A street personThe Business PersonmiddleF3-C5A business person Please Note: The table above has content that is scrollable left to right. Orchestration: Piano SYNOPSIS A businessman
An intersex woman wins a gold medal, but her struggles to get there mean nothing to the organization and the other athletes. She’s disqualified and shamed.
OVERVIEW Title: What is She?Composer: John HarrisLibrettist: Anna ChattertonCommissioned By: Tapestry Opera's Composer-Librettist LaboratoryLanguage: EnglishProducer: Tapestry OperaRun Time: 6Roles: Role Voice Type Range ? Character Description RunnerhighD4-B5A runnerDoctor 1middleB2-B4A doctorDoctor 2middle-lowB2-G4A doctor Please Note: The table above has content that is scrollable left to right. SYNOPSIS A meditation on the discrimination
Irish pirate Chieftain Grace O’Malley sneaks into the bedroom of Queen Elizabeth I of England, and convinces the Queen to give her back her ship and free her lover. In return Grace will attend the Queen’s birthday celebration and cause a sensation – which delights Liz.
Queen Liz imagines what it would be like to be free.
OVERVIEW Title: The Two GracesComposer: Sean FergusonLibrettist: Alexis DiamondCommissioned By: Tapestry OperaLanguage: EnglishProducer: Tapestry OperaRun Time: 10Roles: Role Voice Type Range ? Character Description LizhighC4-C6Elizabeth I, Queen of England and IrelandGracemiddle-highG3-G5Grace O'Malley, pirate and Irish chieftain Please Note: The table above has content that is scrollable left to right. Orchestration: Clarinet
Colonel Crane, Alessandra’s supervisor, tersely tells her to lose what her perceives as her naive sense of morality: “We are just here to win.”
Traumatized by her experiences, Alessandra reflects on her work as a translator in an American military prison.
OVERVIEW Title: The TranslatorComposer: David OgbornLibrettist: Leanna BrodieCommissioned By: Tapestry OperaLanguage: English, PashtoProducer: Tapestry OperaRoles: Role Voice Type Range ? Character Description Alessandra Jensenmiddle-highAb3-A5A young military interpreter who suffers from post-traumatic stress after witnessing the brutal torture of detainees, age 26Colonel CranelowEb2-E4In his 50s, a career military intelligence officer whose philosophy
After days of near catatonia in his cold apartment, the landlady asks Petrovich to repair Akakiy’s old coat, to no avail. Even his coworkers arrive to check in, but by then, Akakiy is unreachable. Akakiy is committed to a mental hospital. Once he arrives, the other residents encourage him to
The name day party. Everyone is dressed to the nines, but Akakiy adds up to at least an eleven. They fawn over his coat, going so far as to toast to it. Akakiy forgets to count his drinks, and ends up completely drunk. He gets lost on the way home,
Akakiy gets caught in rush hour and arrives late to find the head the department telling a sad story about encountering a homeless vagrant. Annoyed at being interrupted, the head of the department grills Akakiy on his little notebook of numbers. Akakiy explains he was using it to find ways
Petrovich declares Akakiy’s coat is completely unfixable, but also that this is the chance for Akakiy to choose something new. Of course, he’ll have to pay.
After rushing to work, Akakiy is bullied by his coworkers. He’s too good at his job, and it’s making the rest of them look bad.
Akakiy reveals his fascination with numbers, and the chorus announces they’ll help keep track of things. His landlady enters to bring him some cabbage soup- and something more, which he refuses.
CAST: Andrea Ludwig, Geoff Sirett, Colin HeathCAST: Caitlin Wood, Geoff Sirett, Magali Simard-Galdés, Erica Iris HuangCAST: Meher Pavri, Caitlin Wood, Magali Simard-Galdés, Asitha Tennekoon, Giles Tomkins, Colin Heath, Peter McGillivray, Aaron Durand, Keith Klassen View more photos below - click here OVERVIEW Title: The Overcoat: A Musical TailoringComposer: James RolfeLibrettist:
Thomas has brought Lise to become Hope’s tutor, but Hope has grown up and wants to leave the house. Lise warns her not to give her love away to just anyone.
OVERVIEW Title: ShelterComposer: Juliet PalmerLibrettist: Julie SalversonCommissioned By: Tapestry OperaLanguage: English, GermanProducer: Tapestry Opera and Edmonton OperaRun Time: 75Roles: Role Voice Type Range ? Character Description Lisa Meitnermiddle-highG#-Ab5Nuclear physicistThomasmiddle-lowBb2-E5 (falsetto)FatherClairemiddle-highA3-G5 (extended techniques)MotherHopehighC4-C6 (coloratura)DaughterPilotmiddleD3-B4Air force pilot Please Note: The table above has content that is scrollable left to right. Orchestration: Clarinet in
Cormack tries to raise funds for Shanawdithit’s care without success. James Simms offers to care for her while Cormack is away.
Shanawdithit describes the last days of her family as they were pushed from their land and then hunted. She asks Cormack not to speak of their death, but of their life. Cormack is ecstatic and gets lost in the memories Shanawdithit paints. She breaks his reverie with the cold fact
The taking of Demasduit weighs heavy on Shanawdithit’s heart. Cormack, unsure of what to do, tries to comfort her, saying Demasduit was treated well. Shawnadithit asks if white people actually care about her people, her story, because Cormack’s words are betrayed by the actions of his fellows, and indeed, his
Cormack’s study in St. John’s, now Shanawdithit’s room. “Nancy April” reveals she can speak English quite well, and tells Cormack her real name: Shanawdithit. Cormack asks her where the rest of her people are, where her home is. Shanawdithit says simply: they are no more. Shanawdithit reflects on the loss
Shanawdithit reprimands Cormack for his saviour complex.
Cormack presents his findings about Shanawdithit to the members of the Beothuk institute.
OVERVIEW Title: ShanawdithitComposer: Dean BurryLibrettist: Yvette NolanCommissioned By: Tapestry Opera and Opera on the AvalonLanguage: EnglishProducer: Tapestry Opera and Opera on the AvalonRun Time: 80Roles: Role Voice Type Range ? Character Description Shanawdithitmiddle-highA3-G5Beothuk woman, believed by the colonizers to be the last of her peopleWilliam Cormack middle-lowA2-F4An explorer and anthropologistKwe/Spirit Chorus
Jason and Dahlia are getting married. The citizens gossip.
The party is about to announce Jason’s candidacy. Jason and Dahlia dance together, oblivious to all the others. Enraged, M’dea smashes a glass wall, showering fragments over the party guests.
The President invites Jason to be his running mate, and begins to remake him. This process sidelines M’dea and Chase. Dahlia and Jason are attracted to one other.
At the President’s office, Jason and the President discuss family, how to be a good father, and a possible future for Jason in politics.
Jason and M’dea are expecting a baby. Citizens gossip about the couple.
Jason, M’dea, and the soldiers return from war to a celebratory crowd. Some do not trust the new foreigner, M’dea.
CAST: Peter Barrett, James McLean, Jacqueline Woodley | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: M’dea UndoneComposer: John HarrisLibrettist: Marjorie ChanCommissioned By: Tapestry OperaLanguage: EnglishProducer: Tapestry OperaRun Time: 64Roles: Role Voice Type Range ? Character Description M'deamiddle-highC4-F#5A woman from a land far awayJasonmiddle-lowD3-F#4M'dea's husband, holds
OVERVIEW Title: Lullaby at the ShoreComposer: Afarin MansouriLibrettist: Marcia JohnsonCommissioned By: Tapestry OperaLanguage: EnglishProducer: Tapestry OperaRun Time: 7Roles: Role Voice Type Range ? Character Description Mother/SopranohighC4-Bb5The child's motherAltomiddle-highB3-D5VoiceChild/TenormiddleC2-Eb3A childBaritonemiddle-lowAb2-C4Voice Please Note: The table above has content that is scrollable left to right. Orchestration: Piano Video Recording View more videos below -
In her prime, Jackie admits she finds the pace of touring life dizzying. The sycophants at parties are starting to get to her.
Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.
Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest…
An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.
Lucifer taunts the Child in a cell. She doesn’t understand what she’s done wrong.
A cleric prepares for confessional. Someone enters the booth. The cleric realizes it’s a man with whom he shared a mutual attraction. The man has recently finished gay conversion therapy and wishes to resume some kind of a relationship.
The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.
A book pleads with the audience to be read. A rhythmic chorus rises. A tribute to the banned, the burned, and the hidden.
As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.
The Child is allowed out of her cage, with a warning she can have anyting she wants except for one thing. She asks what it might be, and in a Kafka-esque reply they say, “you know.”
The Child is led back to the book cage, and performers take their places.
The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.
A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.
Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.
A watcher looks over a group of faithful. His irritation turns to hatred as he accuses them of subversion. He claims to have proof hidden in some papers, but the Child has destroyed them. The Child proclaims “I know what to do,” and the tension between authority and people escalates.
The Child creates her own book from pages of other books. She hands out her new rules to the audience.
The Child is taught a lesson. She attempted to speak her truth, but was met with discipline.
CAST: Alexander Hajek, Saye Skye | PHOTO CREDIT: Dahlia KatzCAST: Neema Bickersteth | PHOTO CREDIT: Dahlia KatzCAST: Shirin Eskandani | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: TAP:EX ForbiddenComposer: Afarin MansouriLibrettist: Donna-Michelle St. BernardCommissioned By: Tapestry OperaLanguage: English, FarsiProducer: Tapestry OperaRun Time: 56Roles: Role
Eurydice C is shown her Elysium with Orpheus in the garden – she is not sure she wants him there, but it fades before she can decide. The CEO brings her back to reality and closes the presentation.
Eurydice C remembers different versions of her lover in an Arioso, Bourrée, and Passacaglia. She questions what might have been, before Calliope calls her back to the present.
In memory, Eurydice C’s painter lover pushes her to allow him to paint her and make love to her, even though she is reluctant.
Calliope and the Muses lead Eurydice C into her subconscious, to the memory of her first love.
Eurydice volunteers to test new A.I. technology that promises to capture your most vivid memories and curate your perfect virtual afterlife. Lab techs hand out eye masks to the audience.
CAST: Vanessa Oude-Reimerink, Lauren Segal, Lyndsay Promane | PHOTO CREDIT: Dahlia KatzCAST: Lauren Segal | PHOTO CREDIT: Dahlia KatzCAST: Debi Wong, Lauren Segal | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: TAP:EX Augmented OperaComposer: Benton RoarkLibrettists: Debi Wong, Benton RoarkCommissioned By: Tapestry OperaLanguage: EnglishProducer:
English 
French