COR
Operas
The scene takes place at a national figure-skating competition. The coach is in the “kiss and cry” section reacting to her protegée’s performance.
The orchestra prelude details a sweeping skate dance routine that ends badly for the skater (she falls, tries to regain momentum, but falls again). The skater limps onto the stage (in her guard-cov...
The orchestra prelude details a sweeping skate dance routine that ends badly for the skater (she falls, tries to regain momentum, but falls again). The skater limps onto the stage (in her guard-cov...
Composer: Ka Nin Chan
Librettist: Mark Brownell
Content warning: misgendering, intersex discrimination
A meditation on the discrimination intersex athletes face from their peers. A woman wins a gold medal, but her struggles to get there mean nothing to the organization and the other athletes. She’s disqualified and shamed.
A meditation on the discrimination intersex athletes face from their peers. A woman wins a gold medal, but her struggles to get there mean nothing to the organization and the other athletes. She’s disqualified and shamed.
Composer: John Harris
Librettist: Anna Chatterton
COR
Excerpts
A figure skating coach reminisces about her own time in the competition spotlight.
A figure skater reflects on her experience in competition and decides to switch to a new career path.
After a disappointing performance a coach chastises the skater, then dreams of her glory days; the skater decides this has been her last performance.
Using quintessential recordings of Maria Callas arias, an aspiring soprano engages with the full and intense presence of her idol. What begins as suffocation and frustration ends as confidence as the soprano gains a deeper understanding of her idol: she’s human. They both are.
An intersex woman wins a gold medal, but her struggles to get there mean nothing to the organization and the other athletes. She’s disqualified and shamed.
English 
French