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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    The Overcoat: A Musical Tailoring
    Content warning: mental illness, alcohol use, incarceration due to mental illness

    Is it the clothes that make a man, or is it something other than?

    Based on the satirical Nikolai Gogol story of the same name, The Overcoat centres on Akakiy Akakiyevich, a diligent man no one likes, who works the numbers best he can. But he can barely pay th...
    Composer: James Rolfe
    Librettist: Morris Panych

    The Overcoat: A Musical Tailoring
    COR
    Excerpts
    The Overcoat: A Musical Tailoring – Act 1, scene 4

    Petrovich declares Akakiy’s coat is completely unfixable, but also that this is the chance for Akakiy to choose something new. Of course, he’ll have to pay.

    The Overcoat: A Musical Tailoring – Act 1, scene 8

    Measuring Akakiy becomes a ballet of awkwardness. Petrovich and his wife muse on what really makes a man: how he appears.

    The Overcoat: A Musical Tailoring – Act 2, scene 3 and 4

    The name day party. Everyone is dressed to the nines, but Akakiy adds up to at least an eleven. They fawn over his coat, going so far as to toast to it. Akakiy forgets to count his drinks, and ends up completely drunk. He gets lost on the way home, winding up in the rough part of town. Akakiy asks two men for directions, but instead, they kno...

    The Overcoat: A Musical Tailoring – Act 2, scene 6 and 7 (Finale)

    After days of near catatonia in his cold apartment, the landlady asks Petrovich to repair Akakiy’s old coat, to no avail. Even his coworkers arrive to check in, but by then, Akakiy is unreachable. Akakiy is committed to a mental hospital. Once he arrives, the other residents encourage him to look at things a little differently. It turns out h...

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