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  • About COR
    • About COR
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    • FAQ – For Users
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Canadian Opera Resource
Canadian Opera Resource
COR
Operas
My Eyes are Bright and Sparkly
“Hate your stupid earrings, hate your ugly shoes.” Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her. Nothing is right – everything is wrong. It is a...
Composer: Rene Orth
Librettist: Colleen Murphy

My Eyes are Bright and Sparkly
The Overcoat: A Musical Tailoring
Content warning: mental illness, alcohol use, incarceration due to mental illness

Is it the clothes that make a man, or is it something other than?

Based on the satirical Nikolai Gogol story of the same name, The Overcoat centres on Akakiy Akakiyevich, a diligent man no one likes, who works the numbers best he can. But he can barely pay th...
Composer: James Rolfe
Librettist: Morris Panych

The Overcoat: A Musical Tailoring
Glimmer
Glimmer attempts to address the urgent matters and seemingly irreconcilable coexisting realities at the core of queer existence through multiple frames and lenses. Taking full advantage of an all-queer cast of performers, with whom the piece was developed organically through a series of discussions and workshops, this work intertwines the autobi...
Composer: Thierry Tidrow
Librettist: Thierry Tidrow

Glimmer
COR
Excerpts
My Eyes are Bright and Sparkly – My Eyes are Bright and Sparkly

Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her.

TAP:EX Tables Turned – La Callas Fantasie – voice, percussion, and track

Using quintessential recordings of Maria Callas arias, an aspiring soprano engages with the full and intense presence of her idol. What begins as suffocation and frustration ends as confidence as the soprano gains a deeper understanding of her idol: she’s human. They both are.

The Overcoat: A Musical Tailoring – Act 2, scene 3 and 4

The name day party. Everyone is dressed to the nines, but Akakiy adds up to at least an eleven. They fawn over his coat, going so far as to toast to it. Akakiy forgets to count his drinks, and ends up completely drunk. He gets lost on the way home, winding up in the rough part of town. Akakiy asks two men for directions, but instead, they kno...

COR

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