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  • About COR
    • About COR
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    • FAQ – For Users
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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    The Perfect Screw
    Nominated for a 2009 Dora Mavor Moore Award for Outstanding New Musical/Opera, this 40-minute tragi-comedy about creative integrity, autonomy, and the right fit is an allegorical tale that dismantles the ironies of capitalism; a parody of cross-border relations; a romance.

    Due to the all-powerful Ford selecting the American Phillips screw for...
    Composer: Abigail Richardson
    Librettist: Alexis Diamond

    The Perfect Screw
    The Perfect Screw
    My Mother’s Ring
    Content warning: murder, violence, mental illness

    The story begins with a distressed Paul being interviewed about his missing parents. It switches to two weeks earlier with Harold and Julia in the airport after sending him off. Julia worries that something is wrong with their son. Harold is sure that he'll be back to his old self after the tr...
    Composer: Stephen Andrew Taylor
    Librettist: Marcia Johnson

    My Mother’s Ring
    My Mother’s Ring
    One Lump or Two?
    Content warning: mention of murder, violence, poison

    Four Victorian women sit down for a most unusual tea time. The women have two things in common: their dislike of the other women and of their husbands. Each woman refuses to drink tea for one reason or another while brainstorming ideas such as poison, prison, bee-stings or drowning. But who...
    Composer: Glenn James
    Librettist: Sandy Pool

    The Shadow
    Barcelona, 1900. Against the backdrop of Gaudi’s surrealist Parc Guell, Raoul, a humble postman, falls for the beautiful Allegra, whose father is a wealthy aristocrat on his mail route. To impress Allegra, Raoul disguises himself as Hernando, a “wealthy suitor,” and borrows money from the local mafia to impress the girl. Raoul goes deeply into d...
    Composer: Omar Daniel
    Librettist: Alex Poch-Goldin

    The Shadow
    The Shadow
    The Virgin Charlie
    Charlie is performing in a show, and while backstage receives an unexpected visit from the Virgin Mary. Mary has news for Charlie: he is pregnant with the son of God. The little messiah has come to fulfill a prophecy - will armageddon strike the earth, or will forgiveness once again save it all?
    Composer: William Rowson
    Librettist: Taylor Graham

    The Virgin Charlie
    COR
    Excerpts
    One Lump or Two? – One Lump or Two?

    Four Victorian women sit down for a most unusual tea time. The women have two things in common: their dislike of the other women and of their husbands. Each woman refuses to drink tea for one reason or another while brainstorming ideas such as poison, prison, bee-stings or drowning. But who are they plotting against– their partners, or each o...

    My Mother’s Ring – My Mother’s Ring

    Paul is being interviewed about his missing parents. Is Paul a suspect? Is the interrogator a police officer or a psychiatrist? Who were the people who were in his parents' house when Paul returned from his trip? All is not as it seems.

    The Virgin Charlie – Scene 3

    In his dressing room, Mother Mary explains to Charlie that he is pregnant with the son of god and offers him tips from her experience. Eventually, Charlie accepts that he will be a parent, and vows to protect the new messiah.

    The Virgin Charlie – Scene 2

    Charlie performs the first number of his act: Mother Mary in the nativity scene, with the worries of a new mother carrying the son of god.

    The Virgin Charlie – Scene 1

    In his dressing room, drag performer Charlie puts on his Virgin Mary costume, witnessed by the real Virgin Mary inside his mirror.

    The Virgin Charlie – “Little one I aim to help you” (aria)

    Charlie sings gently to his child, the Messiah, who he has been chosen to bear.

    The Virgin Charlie – “Step ever so softly now…” (aria)

    Drag performer Charlie sings a number in the persona of the Virgin Mary.

    The Shadow – Scene 12

    Raoul attacks and kills The Shadow.

    The Shadow – Scene 11

    Raoul, as Hernando, arrives at Allegra's balcony but sees her with The Shadow.

    The Shadow – Scene 10

    The Shadow arrives and tells Allegra the truth about Hernando/Raoul.

    The Shadow – Scene 8

    The Shadow arrives to haunt Raoul.

    The Shadow – Scene 4

    Raoul goes to see Don Paulo for a loan. Before he approves, Don Paulo warns Raoul about a shadow that haunts people who have not paid their debts.

    The Shadow – Scene 3

    Raoul and Allegra go out on their date and order a feast. The bill arrives and Raoul cannot pay it. He tries to escape, but in the process stabs the waiter in the neck with a fork. Raoul and Allegra leave the restaurant, Allegra is unaware of what has just happened.

    The Perfect Screw – Act 3, Scene 4

    All sing the praises of the Robertson screwdriver.

    The Perfect Screw – Act 3, Scene 1

    Phillips realizes he will not get rich in his deal with Ford, but Ford will.

    The Perfect Screw – Act 2, Scene 2

    Ford and Phillips celebrate while Robertson is chagrined and depressed by his failure to get the contract. Amalia finally finds the screwdriver aisle in the store.

    The Perfect Screw – Act 2, Scene 1

    In the afterlife, Henry Ford invites Robertson to present his screwdriver. Ford is rapturously impressed, and offers Roberston a deal - but with the catch that Ford would then own the rights to his invention (as Ford puts it, he demands "complete submission"). Phillips reveals himself and makes a sales pitch. Ford is less attracted, but offer...

    The Perfect Screw – “Hmm… he cuts quite a figure” (aria)

    In the afterlife, Henry Ford invites Robertson to present his screwdriver.

    COR

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