COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
COR
COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
Canadian Opera Resource
Canadian Opera Resource
COR
Operas
Hook Up
Content warning: explicit language, sexual violence, sexual content, alcohol, blackout drinking

Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
Composer: Chris Thornborrow
Librettist: Julie Tepperman

Hook Up
Pomegranate
On a fateful school trip to the ruins of Pompeii, the fantasies of smitten teenagers Suzie and Cass are ignited. They are transported from 1977 to 79 AD, where they discover romantic freedom in the looming shadow of Mount Vesuvius – but not for long. The timeline shifts to 1981 and the Fly by Night, a Toronto lesbian bar, in the aftermath of the...
Composer: Kye Marshall
Librettist: Amanda Hale

Pomegranate
The Midnight Court
"Bentley’s libretto is based on Frank O’Connor’s translation of the celebrated 1780 Gaelic poem by Brian Merriman (1749-1805), a work surprisingly contemporary in its frank discussion of women’s sexual needs and how men fail to meet them.  In Bentley’s adaptation Merriman himself becomes the opera’s central figure who falls asleep on a midsummer...
Composer: Ana Sokolović
Librettist: Paul Bentley

10 Days in a Madhouse
Content warning: ableism, institutionalization, medical abuse, mental illness, sanism, sexual violence

10 Days in a Madhouse is a psychological opera that plays with notions of madness, inspired by the life of Nellie Bly, a trailblazing reporter who in 1887 faked madness in order to be admitted to Blackwell’s Asylum for the Insane and report ...
Composer: Rene Orth
Librettist: Hannah Moscovitch

10 Days in a Madhouse
Voice-Box
Composer: Juliet Palmer
Librettist: Anna Chatterton

Voice-Box
Voice-Box
The Man Who Married Himself

Unwilling to marry a woman, a man fashions a lover from his own left side. He’s enraptured by her perfect beauty – a mirror of his own – until he discovers that this new woman longs for freedom and wildly desires another.

Composer: Juliet Palmer
Librettist: Anna Chatterton

The Man Who Married Himself
The Man Who Married Himself
Silence
A not-so-pure Maiden is sent to marry a not-so-manly Lord, who is advised by a not-so-celibate Priest, and protected by a not-so-insensitive Thug in an England ruled by a King who won’t get out of bed. Based on the award winning play by Moira Buffini.
Composer: Leslie Uyeda

Silence
COR
Excerpts
Hook Up – Section 2, Scene 2: “Feminism 101: Gender, Justice & Change”

A kick-ass professor guides the girls through a "Feminism 101" presentation, while Cindy and Mindy’s relationship reaches a boiling point. Cindy judges Mindy’s homebody approach to university life; Mindy judges Cindy’s seemingly only interest in “hooking up” at parties.

COR

Powered by: Tapestry Opera | Translations by: proScenium Services Inc. | Site designed by: TK416

Terms of Service | Privacy Policy

en_CAEnglish
fr_CAFrench en_CAEnglish