COR
Operas
Pirate Song tells the true story of two 18th-century female pirates, Mary Read of England and Ann Bonny of Ireland. To go to sea, they disguised themselves as men, and mixed business with pleasure by becoming lovers in 1720 while aboard a pirate ship captained by Calico Jack Rackham. When attacked by the British crown later that year in Jamaica,...
Composer: James Rolfe
Librettist: Anna Chatterton
Content warning: execution, incest, murder, sexual assault, slavery, torture, violence
Beatrice Chancy is a historical drama based upon the true story of the Cenci family of Rome, circa 1600. The story is set on a plantation in Nova Scotia during the last days of slavery, circa 1800, with the heroine Beatrice as the half-caste daughter of her...
Beatrice Chancy is a historical drama based upon the true story of the Cenci family of Rome, circa 1600. The story is set on a plantation in Nova Scotia during the last days of slavery, circa 1800, with the heroine Beatrice as the half-caste daughter of her...
Composer: James Rolfe
Librettist: George Elliott Clarke
Act One, Scene One
Autumn, 1915
In the park of a small town in the Crowsnest Pass, family and friends celebrate the wedding of Filumena Costanzo to Charlie Lassandro. As festivities proceed, Filumena seems withdrawn, stunned by her new husband’s brusqueness. Charlie has given her a new “Canadian” name, Florence, which she clearly rejects. ...
Autumn, 1915
In the park of a small town in the Crowsnest Pass, family and friends celebrate the wedding of Filumena Costanzo to Charlie Lassandro. As festivities proceed, Filumena seems withdrawn, stunned by her new husband’s brusqueness. Charlie has given her a new “Canadian” name, Florence, which she clearly rejects. ...
Composer: John Estacio
Librettist: John Murrell
From the abuse of the sweatshop to the fantasy of costume and the empowerment of sewing-it-yourself, the sewing machine has been a force for liberation and exploitation since its invention in the 19th century. Hemmed in by the language of sewing and the inexorable rhythm of the machine, three women fight to find space for imagination and individ...
Composer: Juliet Palmer
Librettist: Anna Chatterton
Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy
Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?
A young girl, punished with repetition of religious tex...
Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?
A young girl, punished with repetition of religious tex...
Composer: Afarin Mansouri
Librettist: Donna-Michelle St. Bernard
COR
Excerpts
The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.
Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.
The Child creates her own book from pages of other books. She hands out her new rules to the audience.
A watcher looks over a group of faithful. His irritation turns to hatred as he accuses them of subversion. He claims to have proof hidden in some papers, but the Child has destroyed them. The Child proclaims “I know what to do,” and the tension between authority and people escalates. The Child begins taking pages and notes from all the surroundi...
Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.
A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.
Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...
The Child is led back to the book cage, and performers take their places.
The Child is allowed out of her cage, with a warning she can have anyting she wants except for one thing. She asks what it might be, and in a Kafka-esque reply they say, “you know.”
As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.
A book pleads with the audience to be read. A rhythmic chorus rises. A tribute to the banned, the burned, and the hidden.
The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.
Lucifer taunts the Child in a cell. She doesn't understand what she's done wrong.
An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.
The Child is taught a lesson. She attempted to speak her truth, but was met with discipline.
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