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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    COR
    Excerpts
    TAP:EX Forbidden – Act 1, Scene 3: “Come In”

    Lucifer taunts the Child in a cell. She doesn't understand what she's done wrong.

    TAP:EX Forbidden – Act 1, Scene 5: “Go On, Get Out”

    The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.

    TAP:EX Forbidden – Act 1, Scene 7: “In the Book”

    As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.

    TAP:EX Forbidden – Act 2, Scene 2: “White Key”

    Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...

    TAP:EX Forbidden – Act 2, Scene 3: “In the Maze of Prison”

    The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.

    TAP:EX Forbidden – Act 2, Scene 5: “Power Shift”

    Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.

    TAP:EX Forbidden – Epilogue

    Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.

    COR

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