OVERVIEW
| Role | Voice Type | Range ? | Character Description |
|---|---|---|---|
| Pedro | middle-low | A young surgeon | |
| Constança | high | Pedro's wife | |
| Inês | middle-high | A Fadista (Fado singer) | |
| Mother | middle-high | Pedro's mother | |
| Father | low | Pedro's father, a prominent Portuguese general |
SYNOPSIS
Pedro Carmona, a young surgeon and son of a prominent Portuguese general, has escaped military service in Angola in 1968 by fleeing to Toronto with his upper-class wife Constanza. In order to survive, he has taken two jobs while he retrains to qualify as a doctor. The opera begins as Constanza—sick of poverty, loneliness, and winter—explodes in frustration. She humiliates Pedro by threatening to get a job herself. Pedro storms out, and ends up at a Fado club, where he meets the Fadista Inês. He becomes a regular at the club, and love grows between him and Inês. In Lisbon, Pedro’s anxious parents haven’t heard from him for months. A telegram from the dictator Salazar informs them of Pedro’s desertion, ordering him to be captured and shot. Pedro can resist Inês no longer: he goes to her apartment, and they consummate their love. Constanza, who has taken a job as a cleaner, discovers Pedro’s photograph in Inês’s dressing room, and confronts him. Inês arrives and tells them that she is carrying Pedro’s child. Constanza is crushed and begs for Pedro to come back, but he refuses, moving in with Inês instead. Summoned by Constanza, Pedro’s parents confront him, accuse him of harming the family’s name, and order him to return to his wife; again he refuses. Alone with his son, General Carmona tries some gentler persuasion, but to no avail. His wife decides that the only honourable solution is for the General to kill Inês; when he hesitates, she takes his gun, goes to the nightclub, and shoots Inês. Constanza is appalled by the murder. The General hears from Pedro, who discovered Inês’s body while on duty at the morgue, and asks to meet his parents and wife at the cathedral, in order to repent his sins before them and before God. He does so, but then he takes the General’s gun and forces the others to drink Inês’s blood, a vessel of which he has saved from the morgue. He unveils her dead body, and forces the others to sing her praises. He shoots himself, whereupon Inês sings a final farewell.
- from CMC Composer Showcase
PREMIERE PRODUCTION INFORMATION
| Role | Name |
|---|---|
| Pedro | Giles Tomkins |
| Constança | Shannon Mercer |
| Inês | Inês Santos |
| Mother | Elizabeth Turnbull |
| Father | Thomas Goerz |
| Role | Name |
|---|---|
| Director | Jennifer Tarver |
| Music Director | Dáirine Ní Mheadhra |
| Music Director | John Hess |
| Set Design | Yannick Larivée |
CREATION
DEVELOPMENT
The true story of Inês de Castro is a national epic in Portugal, and the anniversary of the death of the writer who immortalized it, Camões (who died June 10, 1580), is now Portugal’s national holiday. When The Queen of Puddings approached me about writing an opera involving Fado, I began a fascinating journey into that music, of which I knew almost nothing, in spite of the large Portuguese presence in Toronto. My ears were opened: Fado is very operatic, with its dramatic, heart-grabbing singers and stories. And I was delighted to get acquainted with Inês de Castro, a beautiful and passionate story ready-made for opera, as well as the Portuguese language, which is practically music itself, rolling like the waves of the ocean. These influences flowed into my own music to make an opera which is married to both countries, just as the Portuguese in Canada have created a new world from the roots of an ancient one.
- James Rolfe, composer, from CMC Composer Showcase
ADDITIONAL RESOURCES
The Story of Inês de Castro, 14th-century Portugal:
The heir to the throne, Prince Pedro, is married to Constanza. He falls in love with one of his wife’s ladies-in-waiting, Inês de Castro, who is from Galicia, in Spain. She becomes his mistress, and they have three children. The court is scandalized; but above all, the king fears Inês will increase Spanish influence on the Portuguese throne. He orders Inês to be killed—according to legend, in front of her children, while Pedro is away hunting. Pedro is beside himself with grief and rage, and wages war against his father. After a number of years, his father passes on, and Pedro becomes king. His first act is to arrest Inês’s killers, torture them, and bite their hearts (just as they had bitten his own heart). He then has Inês taken from her grave, dressed in royal robes, and—seating her on the queen’s throne—he orders his courtiers to kiss her bony hand. He has an elaborate tomb built for them at Alcobaça, which remains there to this day, inscribed “Death will never part us / Until the end of the world”.
- from CMC Composer Showcase
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