COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
COR
COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    The Last Life
    A farmer lovingly takes care of his brown cow, not knowing he and the cow have met before in past lives, once in the 18th century and again in the 20th.
    Composer: Katya Pine
    Librettist: Sharon Bajer

    The Last Life
    Of the Sea
    Content warning: descriptions of enslavement, violence, sexual violence, death

    A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
    Composer: Ian Cusson
    Librettist: Kanika Ambrose

    Of the Sea
    The Perfect Screw
    Nominated for a 2009 Dora Mavor Moore Award for Outstanding New Musical/Opera, this 40-minute tragi-comedy about creative integrity, autonomy, and the right fit is an allegorical tale that dismantles the ironies of capitalism; a parody of cross-border relations; a romance.

    Due to the all-powerful Ford selecting the American Phillips screw for...
    Composer: Abigail Richardson
    Librettist: Alexis Diamond

    The Perfect Screw
    The Perfect Screw
    TAP:EX Augmented Opera
    This fifth installment of the Tapestry Explorations (TAP:EX) series offers a take on a Silicon Valley product launch, where audiences are the first to learn about Elysium, a new cloud-based technology that reimagines the afterlife as a perfect curation of our best memories. This fictional product draws attention to the modern world developing ne...
    Composer: Benton Roark
    Librettists: Debi Wong, Benton Roark

    TAP:EX Augmented Opera
    Tea at Three
    Late at night, Allie receives a visitation from her deceased best friend, Karen.
    Composer: Katya Pine
    Librettist: Sheldon Rosen

    Tea at Three
    Tea at Three
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    COR
    Excerpts
    TAP:EX Augmented Opera – Section 6: “Elysium”

    Eurydice C is shown her Elysium with Orpheus in the garden - she is not sure she wants him there, but it fades before she can decide. The CEO brings her back to reality and closes the presentation.

    TAP:EX Forbidden – Act 2, Scene 2: “White Key”

    Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...

    TAP:EX Forbidden – Epilogue

    Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.

    TAP:EX Augmented Opera – Section 5: “Fragments”

    Eurydice C remembers different versions of her lover in an Arioso, Bourrée, and Passacaglia. She questions what might have been, before Calliope calls her back to the present.

    Tea at Three – Tea at Three

    Late at night, Allie receives a visitation from her deceased best friend, Karen.

    TAP:EX Augmented Opera – Section 4: “Inner Sanctum”

    In memory, Eurydice C's painter lover pushes her to allow him to paint her and make love to her, even though she is reluctant.

    The Last Life – The Last Life

    Former lovers are reincarnated and reunited, but this time around one is a farmer and one is his cow.

    TAP:EX Augmented Opera – Sections 2 and 3: “Descent Into Memory – Garden of the Subconscious”

    Calliope and the Muses lead Eurydice C into her subconscious, to the memory of her first love.

    The Perfect Screw – Act 1, Scene 2: “Fates, I curse you” (aria)

    Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.

    The Perfect Screw – “Hmm… he cuts quite a figure” (aria)

    In the afterlife, Henry Ford invites Robertson to present his screwdriver.

    The Perfect Screw – Act 2, Scene 1

    In the afterlife, Henry Ford invites Robertson to present his screwdriver. Ford is rapturously impressed, and offers Roberston a deal - but with the catch that Ford would then own the rights to his invention (as Ford puts it, he demands "complete submission"). Phillips reveals himself and makes a sales pitch. Ford is less attracted, but offer...

    The Perfect Screw – Act 2, Scene 2

    Ford and Phillips celebrate while Robertson is chagrined and depressed by his failure to get the contract. Amalia finally finds the screwdriver aisle in the store.

    The Perfect Screw – Act 3, Scene 2

    Robertson, still sad, hopes his screwdriver will still be of use to others.

    The Perfect Screw – Act 3, Scene 3

    Amalia at home, mounting her vanity. She praises the Robertson's screwdriver as he observes from heaven.

    The Perfect Screw – Act 3, Scene 4

    All sing the praises of the Robertson screwdriver.

    TAP:EX Augmented Opera – Section 1: ” Product Launch”

    Eurydice volunteers to test new A.I. technology that promises to capture your most vivid memories and curate your perfect virtual afterlife. Lab techs hand out eye masks to the audience.

    COR

    Powered by: Tapestry Opera | Translations by: proScenium Services Inc. | Site designed by: TK416

    Terms of Service | Privacy Policy

    en_CAEnglish
    fr_CAFrench en_CAEnglish