COR
Operas
Content warning: execution, incest, murder, sexual assault, slavery, torture, violence
Beatrice Chancy is a historical drama based upon the true story of the Cenci family of Rome, circa 1600. The story is set on a plantation in Nova Scotia during the last days of slavery, circa 1800, with the heroine Beatrice as the half-caste daughter of her...
Beatrice Chancy is a historical drama based upon the true story of the Cenci family of Rome, circa 1600. The story is set on a plantation in Nova Scotia during the last days of slavery, circa 1800, with the heroine Beatrice as the half-caste daughter of her...
Composer: James Rolfe
Librettist: George Elliott Clarke
Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy
Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?
A young girl, punished with repetition of religious tex...
Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?
A young girl, punished with repetition of religious tex...
Composer: Afarin Mansouri
Librettist: Donna-Michelle St. Bernard
Both Purcell’s and Virgil’s versions of Dido and Aeneas feature an Aeneas who is a man of action. He is what he does, in contrast to Dido, who is what she feels. Aeneas and Dido tries to imagine Aeneas’s interior life. What drives Aeneas to choose an uncertain quest for a new homeland over Dido’s offer of love and country? His heart has been tur...
Composer: James Rolfe
Librettist: André Alexis
Maude relates her horrible experience with Tony the tenor, and vows never to be with a man like him again.
Composer: Rebecca Gray
Librettist: Christene Adina Browne
A son grieves his recently deceased mother. The mother's spirit arrives and tries to comfort him, but he cannot hear her voice.
Composer: Prokhor Protasoff
Librettist: Christene Adina Browne
Medieval abbess and intellectual Hildegard von Bingen walks into an all-gender washroom... To her horror, she encounters a friar who has left behind a mess.
Composer: Roydon Tse
Librettist: Christene Adina Browne
Content warning: descriptions of enslavement, violence, sexual violence, death
A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
Composer: Ian Cusson
Librettist: Kanika Ambrose
Elvet is struck with grief over the death of his newborn child, not yet named.
Composer: August Murphy-King
Librettist: Kanika Ambrose
COR
Excerpts
Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...
Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.
The Child creates her own book from pages of other books. She hands out her new rules to the audience.
A watcher looks over a group of faithful. His irritation turns to hatred as he accuses them of subversion. He claims to have proof hidden in some papers, but the Child has destroyed them. The Child proclaims “I know what to do,” and the tension between authority and people escalates. The Child begins taking pages and notes from all the surroundi...
Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.
A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.
The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.
The Child is led back to the book cage, and performers take their places.
The Child is allowed out of her cage, with a warning she can have anyting she wants except for one thing. She asks what it might be, and in a Kafka-esque reply they say, “you know.”
As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.
A book pleads with the audience to be read. A rhythmic chorus rises. A tribute to the banned, the burned, and the hidden.
The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.
A cleric prepares for confessional. Someone enters the booth. The cleric realizes it’s a man with whom he shared a mutual attraction. The man has recently finished gay conversion therapy and wishes to resume some kind of a relationship.
Lucifer taunts the Child in a cell. She doesn't understand what she's done wrong.
An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.
The Child is taught a lesson. She attempted to speak her truth, but was met with discipline.
Elvet is struck with grief over the death of his newborn child, not yet named.
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