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  • About COR
    • About COR
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    • FAQ – For Users
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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Iron Road
    Content warning: racism, colonialism, violence, death

    In 1880’s China, Lai Gwan, a young impoverished woman, stands on the brink of momentous change. Her dying mother urges her to respect and honour the memory of her father, Manli, whose disappearance to the New World haunts them both.

    Armed with the hope that she will find her father aliv...
    Composer: Ka Nin Chan
    Librettist: Mark Brownell

    Iron Road
    Sanctuary Song
    An opera for all ages. Sydney, an Asian elephant poached at a young age from the jungles of Indonesia, recalls her remarkable life in captivity, far from home, as her keeper of 22 years leads her on a journey towards sanctuary in the hills of Tennessee. A dynamic weaving of opera and dance unearths friendships lost and found and restores a stole...
    Composer: Abigail Richardson
    Librettist: Marjorie Chan

    Sanctuary Song
    Sanctuary Song
    The Laurels
    Content warning: death, murder, violence

    This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
    Composer: Jeffrey Ryan
    Librettist: Michael Lewis MacLennan

    The Laurels
    The Laurels
    Pomegranate
    On a fateful school trip to the ruins of Pompeii, the fantasies of smitten teenagers Suzie and Cass are ignited. They are transported from 1977 to 79 AD, where they discover romantic freedom in the looming shadow of Mount Vesuvius – but not for long. The timeline shifts to 1981 and the Fly by Night, a Toronto lesbian bar, in the aftermath of the...
    Composer: Kye Marshall
    Librettist: Amanda Hale

    Pomegranate
    The Last Lullaby
    Content warning: war, death, gun violence

    A young mother with her infant daughter is threatened by an armed military officer escorting prisoners. She wants to wait for her husband, but the officer tells her he is probably already dead. The woman sings a lament to her baby, then pleads with the officer to take her baby and raise her as his own.
    Composer: Jana Skarecky
    Librettist: Anusree Roy

    The Last Lullaby
    The Last Lullaby
    COR
    Excerpts
    Iron Road – Act 1, Scene 3: The Mountain

    The Chinese workers are led in and a disguised Lai Gwan challenges Manli the Bookman’s authority. He seeks revenge by assigning Lai Gwan to the most dangerous work in the camp: planting dynamite on the mountain face while suspended in a basket.

    Iron Road – Act 1, Scene 5: The Camp

    The Chinese workers decide to strike, led by Lai Gwan, after another death with no proper funeral. The strike is put down and Nichol stops Lai Gwan from being hung by Manli. She discovers Manli is her father.

    Iron Road – Act 2, Scene 1: The Fight

    As Manli and Lai Gwan argue about their situation, Lai Gwan tells of Ama's death, which crushes Manli. He decides to set the next explosive charge himself. Nichol and Lai Gwan recognise their love and follow Manli into the tunnel.

    Sanctuary Song – Scene 2: Capture

    James and Sydney start their journey. Sydney remembers being young and playing in the forest with her friend Penny. One day, they are both captured, and the family herd is shot.

    Sanctuary Song – Scene 3: Fire

    Sydney is injured in a fire and sold to the zoo.

    The Laurels – “Lost” (aria)

    A young woman, Laurel, runs through a dark forest, filled with anxiety and haunted by disturbing memories.

    The Laurels – “And so I killed a man…” (aria)

    Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this se...

    The Laurels – The Laurels

    In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.

    Gould’s Wall – Scene 8

    Louise and Glenn talk about their daily rituals.  Re-energized, Louise wants to get back to climbing again.  She starts muscling her way upward, urged on by thoughts of fame.  Glenn's focus turns to his various medications and need for isolation.  Glenn feels a sharp pain and struggles to support Louise.  Both start to lose their grip, and Lo...

    COR

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