COR
Operas
The piece opens in the middle of a reverse custody battle, with each party demanding the other take their son, Simon. Carla believes her son will grow up dysfunctional without a father, and Peter claims he’ll do nothing but cry for her. Interspersed with their fighting is the occasional instruction to Simon, indicating he’s in the room, a witn...
Composer: Gareth Williams
Librettist: Anna Chatterton
A woman and her grown son are leaving their home. It’s time for bed, but the boy insists they play his favourite game one last time. Begrudgingly, the mother agrees. They make up ways of killing an unnamed woman.
When the game is over, the boy asks what would happen if they killed the woman “for real,” if it would make his father love them ag...
When the game is over, the boy asks what would happen if they killed the woman “for real,” if it would make his father love them ag...
Composer: John Harris
Librettist: Marjorie Chan
Chloe and Eddie are in the throes of love when they’re interrupted by Matt, Chloe’s athlete ex-husband. Matt asks where their daughter Ava is, and criticizes Chloe for abandoning Ava for some man.
Composer: Ivan Barbotin
Librettist: Katherine Koller
COR
Excerpts
Peter is leaving Carla for another woman. Carla, sensing she will have a breakdown if he leaves, insists that he take their son to live with him.
Chloe and Eddie are in the throes of love when they’re interrupted by Matt, Chloe’s athlete ex-husband. Matt asks where their daughter Ava is, and criticizes Chloe for abandoning Ava for a man.
A boy and his mother make up ways of killing an unnamed woman. When the game is over, the boy asks what would happen if they killed the woman “for real,” if it would make his father love them again.
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