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Canadian Opera Resource
Canadian Opera Resource
COR
Operas
TAP:EX Augmented Opera
This fifth installment of the Tapestry Explorations (TAP:EX) series offers a take on a Silicon Valley product launch, where audiences are the first to learn about Elysium, a new cloud-based technology that reimagines the afterlife as a perfect curation of our best memories. This fictional product draws attention to the modern world developing ne...
Composer: Benton Roark
Librettists: Debi Wong, Benton Roark

TAP:EX Augmented Opera
Betty Box Office
A box office worker longs to be on the stage. When the lead of the production is injured, she begs for her chance in the spotlight.
Composer: Jack Perla
Librettist: Ken Gass

Betty Box Office
Betty Box Office
COR
Excerpts
TAP:EX Augmented Opera – Section 1: ” Product Launch”

Eurydice volunteers to test new A.I. technology that promises to capture your most vivid memories and curate your perfect virtual afterlife. Lab techs hand out eye masks to the audience.

TAP:EX Augmented Opera – Sections 2 and 3: “Descent Into Memory – Garden of the Subconscious”

Calliope and the Muses lead Eurydice C into her subconscious, to the memory of her first love.

TAP:EX Augmented Opera – Section 4: “Inner Sanctum”

In memory, Eurydice C's painter lover pushes her to allow him to paint her and make love to her, even though she is reluctant.

TAP:EX Augmented Opera – Section 5: “Fragments”

Eurydice C remembers different versions of her lover in an Arioso, Bourrée, and Passacaglia. She questions what might have been, before Calliope calls her back to the present.

TAP:EX Augmented Opera – Section 6: “Elysium”

Eurydice C is shown her Elysium with Orpheus in the garden - she is not sure she wants him there, but it fades before she can decide. The CEO brings her back to reality and closes the presentation.

Betty Box Office – “Box office, may I help you?” (aria)

A box office worker longs to be on the opera stage.

Betty Box Office – Betty Box Office

A box office worker longs to be on the stage. When the lead of the production is injured, she begs for her chance in the spotlight.

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