COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
COR
COR
  • Home
  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
  • Operas
  • Creators
  • Submit Your Work
    • How To Submit Works
  • Log In
  • Sign Up
    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Pomegranate
    On a fateful school trip to the ruins of Pompeii, the fantasies of smitten teenagers Suzie and Cass are ignited. They are transported from 1977 to 79 AD, where they discover romantic freedom in the looming shadow of Mount Vesuvius – but not for long. The timeline shifts to 1981 and the Fly by Night, a Toronto lesbian bar, in the aftermath of the...
    Composer: Kye Marshall
    Librettist: Amanda Hale

    Pomegranate
    Medusa’s Children
    Content warning: misgendering, mentions of sexual assault, and implied violence

    Chrysaor and Pegasus, children of the gorgon Medusa, have been living with their aunts Euryale and Stheno. They receive a message from their dead mother telling the story of her assault and murder by their father Poseidon. Rejecting his mother’s family, Chrysaor g...
    Composer: Colin McMahon
    Librettist: Charlie Petch

    Medusa’s Children
    The Enslavement and Liberation of Oksana G.
    Content warning: captivity, sex trafficking, sex work, sexual violence, violence, death

    The Enslavement and Liberation of Oksana G. is a fictional dramatic opera built on extensive factual research. Set in Ukraine in 1997, it is the story of Oksana, a young woman lured into the world of sex trafficking by a Russian recruiter, Konstantin, who ...
    Composer: Aaron Gervais
    Librettist: Colleen Murphy

    The Enslavement and Liberation of Oksana G.
    Of the Sea
    Content warning: descriptions of enslavement, violence, sexual violence, death

    A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
    Composer: Ian Cusson
    Librettist: Kanika Ambrose

    Of the Sea
    The Rape of Artemisia
    Content warning: sexual violence

    Based on the testimony of the 17th-century painter Artemisia Gentileschi on her rapist and instructor Agostino Tassi, we are given a snapshot of violation, confusion, and the oppression of women.
    Composer: Ivan Barbotin
    Librettist: Hannah Moscovitch

    The Rape of Artemisia
    The Rape of Artemisia
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    Still the Night
    Content warning: antisemitism, genocide, Holocaust, infanticide, murder, Nazis, sexual violence, sex work, violence, war

    Still the Night tells the fictional story of two Jewish Polish cousins, both named Bryna, who have escaped fr...
    Composer: John Alcorn
    Librettist: Theresa Tova

    Still the Night
    The Cellar Door
    Content warning: child sexual abuse, incest, death, murder

    Judith and Daniel, long estranged siblings, are brought together by the passing of their father. Time has passed, but it seems like Judith hasn't changed at all. Daniel kills his sister when she wants to resume their childhood sexual relationship.
    Composer: Melissa Hui
    Librettist: Jovanni Sy

    The Cellar Door
    The Cellar Door
    COR
    Excerpts
    The Enslavement and Liberation of Oksana G. – Act 3, Scene 4

    Konstantin breaks into Oksana's room and tries to convince her to leave with him. When this fails, he tries to rape her again but she stabs him. He gets the knife and stabs her before he dies. Father Alexander returns and Oksana dies of her wound, dreaming of home.

    Medusa’s Aria

    Medusa sings from beyond the grave, reaching out to her children and her two sisters. She tells the story of her rape by the god Poseidon and murder by the hero Perseus. 

    The Rape of Artemisia – The Rape of Artemisia

    In pain after being raped by Tassi, Artemisia tries to understand what just happened, while Tassi justifies himself.

    The Cellar Door – The Cellar Door

    Back in his childhood home after the death of this father, Daniel kills his sister when she wants to resume their childhood sexual relationship.

    The Cellar Door – “That’s all you have to say?” (aria)

    Judith sings angrily at her brother when he expresses his desire to leave their childhood home after their father has died.

    The Cellar Door – “Down there I won’t go” (aria)

    Daniel sings of his fear at the prospect of going down into the cellar of his childhood home, after his father has died.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 6

    Refugees are trying on clothes, when Dima and Konstantin enter looking for Oksana. Konstantin offers Father Alexander money for Oksana and Clara calls the police; Konstantin and Dima leave before the police arrive.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 4

    Dima has found Oksana at the refuge, and shows Konstantin a photograph of her as proof.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 3

    Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 6

    On the Albanian coast the women captives wait for the boat to Italy. Oksana is still defiant, trying to figure out an escape for herself and others. The boat and Konstantin arrive, and Oksana fails to convince him to free her and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 4

    In Greece at a bar, three women are held captive: Konstantin sends Lyubia with a businessman, Natalyia with the Immigration officer who cuts her, and Oksana is bought by Konstantin at auction. Konstantin then offers to the crowd a gang rape just as the police arrive to raid the bar. Instead, he escapes with Oksana and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 2

    In a forest in Romania, Oksana discovers she has been tricked and is now in danger. Konstantin and his partners rape Oksana & Natalyia.

    TAP:EX Forbidden – Act 2, Scene 4: “Dubai know how to Party”

    A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.

    TAP:EX Forbidden – Act 1, Scene 6: “Book’s Lament”

    A book pleads with the audience to be read. A rhythmic chorus rises. A tribute to the banned, the burned, and the hidden.

    TAP:EX Forbidden – Act 1, Scene 2: “With His Eyes (Male Gaze)”

    An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.

    COR

    Powered by: Tapestry Opera | Translations by: proScenium Services Inc. | Site designed by: TK416

    Terms of Service | Privacy Policy

    en_CAEnglish
    fr_CAFrench en_CAEnglish