COR
Operas
Content warning: explicit language, sexual violence, sexual content, alcohol, blackout drinking
Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
Composer: Chris Thornborrow
Librettist: Julie Tepperman
“Hate your stupid earrings, hate your ugly shoes.” Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her. Nothing is right – everything is wrong. It is a...
Composer: Rene Orth
Librettist: Colleen Murphy
A woman is being examined by various doctors. Weakly, she sings of what she used to be. One doctor smears lipstick on her. She doesn’t want to go.
Composer: Gareth Williams
Librettist: Michael Pollard
Content warning: mental illness, alcohol use, incarceration due to mental illness
Is it the clothes that make a man, or is it something other than?
Based on the satirical Nikolai Gogol story of the same name, The Overcoat centres on Akakiy Akakiyevich, a diligent man no one likes, who works the numbers best he can. But he can barely pay th...
Is it the clothes that make a man, or is it something other than?
Based on the satirical Nikolai Gogol story of the same name, The Overcoat centres on Akakiy Akakiyevich, a diligent man no one likes, who works the numbers best he can. But he can barely pay th...
Composer: James Rolfe
Librettist: Morris Panych
A businessman is waiting for a streetcar, with his back to an unhoused woman. The two silently judge each other. The man is annoyed at seeing someone who wants something for nothing, and the woman is feeling judged for a situation she has no control over. The two finally acknowledge each other, and we discover their shared experience.
Composer: Iman Habibi
Librettist: Michael Pollard
COR
Excerpts
Cindy tells Mindy about her empowering sexual explorations of late, and questions if Mindy is really ok with spending her life with just one person.
Cindy and Mindy get into constumes and pre-drink for the Halloween Kegger. Cindy teases Mindy for her lack of sexual adventurousness and gives her “the rules of the hook up” just in case...
Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her.
A woman cryptically remembers her past as she is briefly examined by three different people.
Petrovich declares Akakiy’s coat is completely unfixable, but also that this is the chance for Akakiy to choose something new. Of course, he’ll have to pay.
Measuring Akakiy becomes a ballet of awkwardness. Petrovich and his wife muse on what really makes a man: how he appears.
The name day party. Everyone is dressed to the nines, but Akakiy adds up to at least an eleven. They fawn over his coat, going so far as to toast to it. Akakiy forgets to count his drinks, and ends up completely drunk. He gets lost on the way home, winding up in the rough part of town. Akakiy asks two men for directions, but instead, they knock ...
A businessman is waiting for a streetcar, with his back to an unhoused woman. The two silently judge each other. The man is annoyed at seeing someone who wants something for nothing, and the woman is feeling judged for a situation she has no control over. The two finally acknowledge each other, and we discover their shared experience.
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