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Canadian Opera Resource
Canadian Opera Resource
COR
Operas
Dragon’s Tale
Content warning: death, suicide

Dragon’s Tale is the story of a young Chinese-Canadian woman (Xiao Lian) and her ailing father, both living in Toronto. Xiao Lian wakes up in the ancient past and witnesses the last days of one of China’s greatest poets, Qu Yuan. In doing so, she begins to understand her father and herself as she returns to a c...
Composer: Ka Nin Chan
Librettist: Mark Brownell

Dragon’s Tale
M’dea Undone
Content warning: death, murder, suicide, xenophobia

Jason, an army captain and now war-hero, is returning home after years of war and an uncertain future. His interpreter and lover M’dea and their son Chase accompany him to a new life in the West. Jason begins a political career, working alongside the President and Dahlia, the President’s bea...
Composer: John Harris
Librettist: Marjorie Chan

M’dea Undone
The Two Graces
The night before her birthday, an aging Queen Elizabeth I catches an intruder in her boudoir. It turns out to be none other than her arch-nemesis Grace O’Malley, Irish pirate and chieftain, come to reclaim her seized ship and her trampled rights. A comedic opera about power and politics, destiny and desire, and how hard it is to be a woman at th...
Composer: Sean Ferguson
Librettist: Alexis Diamond

The Two Graces
The Two Graces
Constantinople
Constantinople explores a city that was, for centuries, a centre of globe-altering events and iconic battles of religion and politics. The work explores the crossing of faith and secularism, East and West, ancient ritual and modern practice. This is a multidisciplinary work bridging a number of media.
Composer: Christos Hatzis
Librettist: John Murrell

Constantinople
Mother Everest
Content warning: death

Just below the summit of Mount Everest on the south summit ridge, Jackie and her partner Pasang are celebrating that she is the first woman to reach the summit without oxygen. Then something changes. Could it be Mother Everest punishing the climbers?
Composer: Abigail Richardson
Librettist: Marjorie Chan

Mother Everest
Mother Everest
COR
Excerpts
M’dea Undone – Act 2, Scene 3: Fountain

M'dea has a breakdown and brings Chase to the fountain at Jason and Dahlia's, where she sees the ghost of her mother. She is discovered by Jason and Dahlia, and a fight ensues.

Dragon’s Tale – Dragon’s Tale – Scene 9

The combined spirits of Qu Yuan and Father return and ask the audience to release them from their servitude. That freedom granted, they ascend into the heavens triumphantly.

Dragon’s Tale – Dragon’s Tale – Scene 8

Xiao Lian performs the Qingming ceremony to honour the spirit of her departed father and mother. Love and fellowship combine in the running of a dragon boat race. Xiao Lian joins her friends and crosses into her future.

Dragon’s Tale – Dragon’s Tale – Scene 7

All hope is lost as the villagers return and collect Qu Yuan’s possessions. They take the scrolls containing his famous poetry to the Daoist temple, where they will be preserved forever. Xiao Lian returns to the present at the bedside of her dying father. With his encouragement and love, she finally recognizes the value of honourin...

Dragon’s Tale – Dragon’s Tale – Scene 4

Xiao Lian is transported back to the ancient royal court, where she witnesses the majestic entrance of King Huai of Chu. Qu Yuan is at the peak of his power but is soon outfoxed by rival minister Zhang Yi. Qu Yuan is cast down and banished by his beloved king.

Dragon’s Tale – Dragon’s Tale – Scene 3

Xiao Lian vows to look to the past and summons the great spirit of Qu Yuan. His spirit rises and assumes the form of Xiao Lian’s father.

Dragon’s Tale – Dragon’s Tale – Scene 2

Xiao Lian’s father bitterly reveals that he will die soon. Xiao Lian’s mother appears in spirit form and asks her to forgive her father. She speaks of their happiness together as a family in earlier times. As a child, Xiao Lian had a close connection with the Dragon Boat Festival, known as Duanwu and its hero, the ancient poet Qu Y...

Dragon’s Tale – Dragon’s Tale – Scene 1

A young Chinese/Canadian woman (Xiao Lian) faces a difficult choice: Honour her family’s traditional past or embrace a more modern future. Her father dwells on the memory of his deceased wife and honours her by performing the Qingming funeral tradition. Meanwhile, Xiao Lian’s two friends want her to get out and be more social. Her ...

The Two Graces – The Two Graces

Irish pirate Chieftain Grace O'Malley sneaks into the bedroom of Queen Elizabeth I of England, and convinces the Queen to give her back her ship and free her lover. In return Grace will attend the Queen's birthday celebration and cause a sensation - which delights Liz.

Mother Everest – Mother Everest

Westerner Jackie and sherpa Pasang summit Everest without using oxygen cannisters. Soon their victory turns into a culture clash as they argue about their affair and the mountain, and slowly die of hypoxia.

Mother Everest – “Namaste” (aria)

Jackie realizes that her sherpa has died.

M’dea Undone – Act 2, Scene 5

M'dea tries once more to get Jason to stay with her, but he believes he will never forget his war crimes if she is in his life. M'dea eventually agrees to go back to her country.

M’dea Undone – Act 2, Scene 2: The President’s Office

The President threatens M'dea with prison or the loss of her son if she doesn't do as he wants. He warns her not to cause trouble for Jason.

M’dea Undone – Act 1, Scene 4

Jason and M'dea are expecting a baby. Citizens gossip about the couple.

M’dea Undone – Act 1, Scene 3

M'dea and Jason commit to loving each other and helping each other recover from the war and memories that haunt them.

M’dea Undone – Act 1, Scene 1

Jason, M'dea, and the soldiers return from war to a celebratory crowd. Some do not trust the new foreigner, M'dea.

Constantinople – chapter 6: “On Death and Dying”

The two voices—representing two different worlds, two cultural paradigms—sing together.  The texts are “The Death of Dighenis,” a poem about a Byzantine hero, and the Dies Irae.

Constantinople – chapter 7: “Old Photographs”

An instrumental interlude.

Constantinople – chapter 3: “Odd World”

An instrumental interlude.

Constantinople – chapter 2: “Kyrie”

A setting of twelve statements of the words “Kyrie Eleison” (“Lord Have Mercy Upon Us”), a standard orthodox ritual practice.

Constantinople – chapter 5: “Dance of the Dictators”

An instrumental interlude.

Constantinople – chapter 1: “Creeds”

“Christos Anesti”, the Byzantine Easter chant of the resurrection, is sung in Greek by the mezzo-soprano, while the alto intones and whispers similar texts from the Islamic faith.

Constantinople – chapter 4: “Ah Kalleli”

An electroacoustic setting of an old Sufi song composed by Muhammad ‘Uthman (Egypt 1855-1900).  The texts are considerably older; they were written by Sana’ il-Mulk (Egypt 1155-1211). The text is a poetic adoration of clouds: “O clouds adorn the crowns of the hills with garlands/And make the bending stream a bracelet for them/O sky...

Constantinople – chapter 8: “Alleluia”

A long setting of the word Alleluia, revisiting the multitude of themes and musical genres that have appeared in isolation in the work so far.

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