COR
Operas
Naomi’s Road, which details a young Japanese-Canadian girl’s experiences as her family is interned during World War II, is a coming-of-age story that celebrates the power of hope, cultural understanding and compassion. This compelling and emotional story is taken from one of our country’s most painful and complex social periods, a time that for ...
Content warning: war, death, gun violence
A young mother with her infant daughter is threatened by an armed military officer escorting prisoners. She wants to wait for her husband, but the officer tells her he is probably already dead. The woman sings a lament to her baby, then pleads with the officer to take her baby and raise her as his own.
A young mother with her infant daughter is threatened by an armed military officer escorting prisoners. She wants to wait for her husband, but the officer tells her he is probably already dead. The woman sings a lament to her baby, then pleads with the officer to take her baby and raise her as his own.
Composer: Jana Skarecky
Librettist: Anusree Roy
A worker ruminates on the terrifying power of flight as he loads bags. Three passengers board and discover they’re sitting beside each other. During the pre-departure safety demonstration, a flight attendant longs for an escape from her mundane life and job. The three passengers think of their own isolation and longing and fear. The flight ...
Composer: Brian Current
Librettist: Anton Piatigorsky
Content warning: death, infanticide, murder
A rumble of hooves. A family is fleeing, but the baby is slowing them down. The mother is forced to choose between her husband and her child. She chooses the husband and tries to get the baby to sleep before letting it go over a waterfall. At the last minute, the baby awakes, and the mother’s grief ...
A rumble of hooves. A family is fleeing, but the baby is slowing them down. The mother is forced to choose between her husband and her child. She chooses the husband and tries to get the baby to sleep before letting it go over a waterfall. At the last minute, the baby awakes, and the mother’s grief ...
Composer: Norbert Palej
Librettist: Maja Ardal
A businessman is waiting for a streetcar, with his back to an unhoused woman. The two silently judge each other. The man is annoyed at seeing someone who wants something for nothing, and the woman is feeling judged for a situation she has no control over. The two finally acknowledge each other, and we discover their shared experience.
Composer: Iman Habibi
Librettist: Michael Pollard
Content warning: death, murder, violence
This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
Composer: Jeffrey Ryan
Librettist: Michael Lewis MacLennan
A ‘Hitchcock-style thriller’ for baritone and soprano, Nigredo Hotel is “the story of a neurosurgeon, a man of science, who has lost his soul. One night he thinks he has hit a child on the road and hides out in a decrepit, Hitchcockian motel run by a monstrous concierge called Sophie. The terrifying crone — his anima — locks him into his room an...
Composer: Nic Gotham
Librettist: Ann-Marie MacDonald
Content warning: death, war
During a war, two women talk over the phone. They panic as they watch the town elder march down the street, telegram in hand. His message always carries horrible news: the death of someone’s son. Both of the women almost unwillingly hope some other family gets the telegram. Anyone but them.
In truth, the telegra...
During a war, two women talk over the phone. They panic as they watch the town elder march down the street, telegram in hand. His message always carries horrible news: the death of someone’s son. Both of the women almost unwillingly hope some other family gets the telegram. Anyone but them.
In truth, the telegra...
Composer: Gareth Williams
Librettist: Bernard MacLaverty
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Excerpts
Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this sense...
A businessman is waiting for a streetcar, with his back to an unhoused woman. The two silently judge each other. The man is annoyed at seeing someone who wants something for nothing, and the woman is feeling judged for a situation she has no control over. The two finally acknowledge each other, and we discover their shared experience.
Two women watch and worry as the church elder walks through town with a telegram carrying news of a soldier son's death.
In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.
A young woman, Laurel, runs through a dark forest, filled with anxiety and haunted by disturbing memories.
Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.
Sophie, the manifestation of Ray's soul sings an extended aria explaining how she has been locked away from Ray since he was a child.
Ray frantically tries to calm himself by reciting scientific jargon, while a being claiming to be his own child self tries to open the door.
Ray sings of the ambivalence his parents felt towards him as a child.
As Sophie runs a bath in the distance, Ray reflects on how uncomfortable bathing makes him feel.
Alone in his hotel room, Ray worries that he hit someone with his car on the road. After fearing it might have been a child, he convinces himself it was only a raccoon.
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