Drag performer Charlie sings a number in the persona of the Virgin Mary.
First meeting of an adult son and his birth mother.
Paul begs his rocking horse for more luck for the Derby. Ava decides Paul’s been too agitated lately, and the distance between them grows wider. Ava leaves his room and bemoans Paul’s lack of understanding. She deserves luxury now and then, and Paul robs her of comfort. As if on cue, she hears Paul noisily riding his rocking horse again. Whil...
A mother with postpartum depression leaves her husband and son.
In his dressing room, Mother Mary explains to Charlie that he is pregnant with the son of god and offers him tips from her experience. Eventually, Charlie accepts that he will be a parent, and vows to protect the new messiah.
Charlie performs the first number of his act: Mother Mary in the nativity scene, with the worries of a new mother carrying the son of god.
In his dressing room, drag performer Charlie puts on his Virgin Mary costume, witnessed by the real Virgin Mary inside his mirror.
The Virgin Mary explains to Charlie why he has been chosen to carry the child of God.
Simone describes her postpartum depression and wonders how it is that she cannot love her own child.
After a painful argument, a mother tells her son the truth of his father's absence and tries to comfort him.
Ava bemoans Paul's lack of understanding, and her need for luxury.
A waltz is cut short. Ava discloses how far she’s fallen, and how difficult she finds caring for her son.
M'dea has a breakdown and brings Chase to the fountain at Jason and Dahlia's, where she sees the ghost of her mother. She is discovered by Jason and Dahlia, and a fight ensues.
Duet between the woman and a violin, symbolizing her daughter.