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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Facing South
    Content warning: illness, death, colonialism

    Facing South is inspired by the life story of American Arctic explorer, Rear Admiral Robert Edwin Peary, and his contested discovery of the North Pole in 1909. The opera takes place in the inner landscape of Peary’s mind during the last hours of his life in February 1920, as he lies dying of pernic...
    Composer: Linda Catlin Smith
    Librettist: Don Hannah

    Facing South
    The Enslavement and Liberation of Oksana G.
    Content warning: captivity, sex trafficking, sex work, sexual violence, violence, death

    The Enslavement and Liberation of Oksana G. is a fictional dramatic opera built on extensive factual research. Set in Ukraine in 1997, it is the story of Oksana, a young woman lured into the world of sex trafficking by a Russian recruiter, Konstantin, who ...
    Composer: Aaron Gervais
    Librettist: Colleen Murphy

    The Enslavement and Liberation of Oksana G.
    Sanctuary Song
    An opera for all ages. Sydney, an Asian elephant poached at a young age from the jungles of Indonesia, recalls her remarkable life in captivity, far from home, as her keeper of 22 years leads her on a journey towards sanctuary in the hills of Tennessee. A dynamic weaving of opera and dance unearths friendships lost and found and restores a stole...
    Composer: Abigail Richardson
    Librettist: Marjorie Chan

    Sanctuary Song
    Sanctuary Song
    Harper’s Floe
    A historical reenactment: Prime Minister Stephen Harper sets off to the Arctic to claim dominion over a particular ice floe. Mr. Valernikov, a Russian seal, mistakes Harper for a full-figured female seal and propositions him. After sorting out the misunderstanding, Valernikov claims Harper is in Russian waters. Harper, chagrined, tries to make h...
    Composer: Norbert Palej
    Librettist: Charles Hayter

    Harper’s Floe
    Harper’s Floe
    Naila and Lolo
    Partition in 1947 drives Naila’s family to the new country of Pakistan while her best friend Lolo must remain in India. In a child’s-eye view of this world event, the significant concerns for these two nine-year-olds are custody of a tin box with important valuables (“marbles and flowers and keys and rings”), and the care and feeding of a pet ra...
    Composer: Elisabeth Mehl Greene
    Librettist: Anusree Roy

    Naila and Lolo
    Iron Road
    Content warning: racism, colonialism, violence, death

    In 1880’s China, Lai Gwan, a young impoverished woman, stands on the brink of momentous change. Her dying mother urges her to respect and honour the memory of her father, Manli, whose disappearance to the New World haunts them both.

    Armed with the hope that she will find her father aliv...
    Composer: Ka Nin Chan
    Librettist: Mark Brownell

    Iron Road
    A More Intimate Screening
    A security screening at an airport takes on a somewhat more intimate frame; written verbatim from actual security language.
    Composer: Benton Roark
    Librettist: Daniel Solon

    A More Intimate Screening
    A More Intimate Screening
    Mother Everest
    Content warning: death

    Just below the summit of Mount Everest on the south summit ridge, Jackie and her partner Pasang are celebrating that she is the first woman to reach the summit without oxygen. Then something changes. Could it be Mother Everest punishing the climbers?
    Composer: Abigail Richardson
    Librettist: Marjorie Chan

    Mother Everest
    Mother Everest
    Lost and Found
    Lost and Found is a sexy tango encounter between two lost travelers who don’t share a common language, but bond over the serendipitous lexical delight of learning that the word “mango” is gloriously, sensuously, mutually intelligible. Jubilant over their shared discovery, the man asks the woman about returning to his place posthaste. The travele...
    Composer: Elisabeth Mehl Greene
    Librettist: Sharon Bajer

    Lullaby at the Shore
    Content warning: xenophobia, migration

    A young child wakes up alone on the beach. They call for their mother. The sound of the waves muffles the voices of people who worry about newcomers and the effect that they will have on their society. Other voices take over - other children declaring that the child belongs with them now.

    Inspired by ...
    Composer: Afarin Mansouri
    Librettist: Marcia Johnson

    Lullaby at the Shore
    Lullaby at the Shore
    COR
    Excerpts
    The Enslavement and Liberation of Oksana G. – Act 2, Scene 3

    Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 2

    In a forest in Romania, Oksana discovers she has been tricked and is now in danger. Konstantin and his partners rape Oksana & Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 3

    Sofiya goes to Asa to have her cards read for news of Oksana. The police will not treat Oksana's disappearance as crime, as she went with the men willingly. The cards say Oksana has been robbed of her soul.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 4

    In Greece at a bar, three women are held captive: Konstantin sends Lyubia with a businessman, Natalyia with the Immigration officer who cuts her, and Oksana is bought by Konstantin at auction. Konstantin then offers to the crowd a gang rape just as the police arrive to raid the bar. Instead, he escapes with Oksana and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 5

    Pavlo checks in with Sofyia and Yuri for news; Sofiya and Yuri argue & blame each other for letting Oksana go.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 6

    On the Albanian coast the women captives wait for the boat to Italy. Oksana is still defiant, trying to figure out an escape for herself and others. The boat and Konstantin arrive, and Oksana fails to convince him to free her and Natalyia.

    Mother Everest – Mother Everest

    Westerner Jackie and sherpa Pasang summit Everest without using oxygen cannisters. Soon their victory turns into a culture clash as they argue about their affair and the mountain, and slowly die of hypoxia.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 5

    Father Alexander and Oksana realize they share an attraction for each other, but Oksana is determined to go home and tell her parents what has happened. Konstantin phones the refuge to get Oksana back.

    The Enslavement and Liberation of Oksana G. – Act 3, Scene 1

    Pavlo reads Oksana's letter to her parents telling them she'll be home on November 8, her birthday. They are thrilled, and get carried away planning a party for her.

    The Enslavement and Liberation of Oksana G. – Act 3, Scene 2

    On the eve of Oksana's departure, Father Alexander has to go to pick up another woman in distress. He leaves his knife with Oksana because she is afraid Konstantin will show up. Lyuba and Oksana say their goodbyes.

    Sanctuary Song – Prologue/Scene 1: Goodbye

    As he tries to get into the train car, James explains to Sydney the elephant why it is best for her to leave the zoo for a new home.

    Sanctuary Song – Scene 2: Capture

    James and Sydney start their journey. Sydney remembers being young and playing in the forest with her friend Penny. One day, they are both captured, and the family herd is shot.

    Sanctuary Song – Scene 6: Arrival

    Sydney and James arrive in Tennessee, remembering their 22 years together. They say goodbye.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 1

    Though others are at first suspicious, Russian Konstantin convinces Ukranian teenagers Nataliya and Oksana to come work for him at a hotel in Romania for the summer.

    Naila and Lolo – Naila and Lolo

    The 1947 Partition of India forces two children to say goodbye. One departs for Pakistan, leaving her pet rabbit and childhood treasures with her friend.

    Mother Everest – “Namaste” (aria)

    Jackie realizes that her sherpa has died.

    Lullaby at the Shore – Lullaby at the Shore

    A child walks on a beach, in search of their parents.

    Lost and Found – Lost and Found

    Two travellers trying to communicate in English- which neither of them speaks well- find they are attracted to each other.

    Jacqueline – “Dizzy” – voice and cello

    In her prime, Jackie admits she finds the pace of touring life dizzying. The sycophants at parties are starting to get to her.

    Iron Road – Act 1, Scene 1: The Ship

    Aboard a ship taking Chinese workers to British Columbia - they are hungry & thirsty. Ah Lum starts a fight with Lai Gwan, who is disguised as a young man, but they stop as the coast comes into view.

    Iron Road – Act 1, Prologue: The Old World

    Before dying, Ama tells Lai Gwan of her father, gives her a wedding dress, and urges her to go to North America to find her father - but always remember Chinese traditions.

    Harper’s Floe – Harper’s Floe

    While claiming sovereignty of an ice floe, Harper meets a seal, then drowns as the floe melts.

    Facing South – Scene 10: “Sea Anemone” (aria)

    Josephine wonders what discovery is worth.

    Facing South – Scene 3: “Ice (1909)”

    Peary is unsure if they have reached the North pole.

    Facing South – Scene 2: “Interior (1919)”

    An ill and delirious Peary reminisces about his polar days; his wife remembers their early love.

    A More Intimate Screening – A More Intimate Screening

    An alarm goes off, triggering a pat-down at airport security.

    COR

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