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COR
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  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
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Canadian Opera Resource
Canadian Opera Resource
COR
Operas
Sophia’s Forest
Content warning: child neglect, death, migration, strong language, trauma, war

When Sophia’s mother dies, Sophia confronts half-forgotten traumas from her childhood. Sophia and her sister Emma grew up in a war torn country. The two young girls cope with and escape their grim circumstances – the adult world of war, death and displacement – thr...
Composer: Lembit Beecher
Librettist: Hannah Moscovitch

Sophia’s Forest
The Telegram
Content warning: death, war

During a war, two women talk over the phone. They panic as they watch the town elder march down the street, telegram in hand. His message always carries horrible news: the death of someone’s son. Both of the women almost unwillingly hope some other family gets the telegram. Anyone but them.

In truth, the telegra...
Composer: Gareth Williams
Librettist: Bernard MacLaverty

The Telegram
The Telegram
The Drawing Class
Content warning: war, the Holocaust, concentration camp

As soldiers march outside their room in Terezin, a teacher tries their best to inspire a student, despite the horrid conditions. The student is unable to escape into her imagination.
Composer: Christiaan Venter
Librettist: Sheldon Rosen

The Drawing Class
The Drawing Class
Black Blood
Content warning: war

In a shack surrounded by barren fields, a dying father and his son drink their last bowl of water. They need oil for the machines that will keep them alive and purify their water. A truck rolls past with a huge barrel of oil in the back. The son flags it down, only to discover the person driving the truck is a monstrous c...
Composer: Christiaan Venter
Librettist: Norman Yeung

Black Blood
Black Blood
Shelter
Content warning: birth

A nuclear family adrift in the atomic age. Since Prometheus stole fire from the gods, we have flirted with the dangerous beauty of science. In this cartoon fable, a father protects his family at any cost.

Thomas and Claire fall madly in love at a fundraising party. Thomas has decided to “find a wife, get a life,” whi...
Composer: Juliet Palmer
Librettist: Julie Salverson

Shelter
The Translator
Content warning: death, incarceration, interrogation, suicide, torture

A translator at a secret prison for suspected terrorists witnesses extreme torture and death of detainees. She leaks the information to news broadcasters, but the government covers it up as a hoax. Her supervisor begs her to say nothing more about the things she has seen -...
Composer: David Ogborn
Librettist: Leanna Brodie

The Translator
The Translator
One Night, One Bell
In a country torn by war, a woman works as a bell-ringer. There used to be many more in the tower, but one by one the bells were taken: metal for the war-machine. A man climbs the tower after hearing her play the one remaining bell. What seems at first a meeting of two lovers turns dark as the man tries to claim the bell. They need the metal for...
Composer: Stephen Andrew Taylor
Librettist: Marjorie Chan

One Night, One Bell
One Night, One Bell
Deirdre
"Drawn from an Irish saga of the Red Branch Knights of Ulster in the druidic era, the story tells of the doom of the ruthless Conochar, King of Ullah (Ulster), and the tragic death of Naisi and his brothers, the Princes of Ullah, as a result of the rivalry between Conochar and Naisi for the love of the foundling Deirdre."

- Carl Morey, The Ca...
Composer: Healey Willan
Librettist: John Coulter

Deirdre
The Last Lullaby
Content warning: war, death, gun violence

A young mother with her infant daughter is threatened by an armed military officer escorting prisoners. She wants to wait for her husband, but the officer tells her he is probably already dead. The woman sings a lament to her baby, then pleads with the officer to take her baby and raise her as his own.
Composer: Jana Skarecky
Librettist: Anusree Roy

The Last Lullaby
The Last Lullaby
I Have No Stories to Tell You
Content warning: PTSD, violence, war

I Have No Stories to Tell You mines the aftereffects of war through the story of a soldier’s return home from an extended assignment on the battlefield. Written as a companion piece to Monteverdi’s Il Combattimento di Tancredi e Clorinda, the opera explores war as a catalyst for changed identity through th...
Composer: Lembit Beecher
Librettist: Hannah Moscovitch

I Have No Stories to Tell You
M’dea Undone
Content warning: death, murder, suicide, xenophobia

Jason, an army captain and now war-hero, is returning home after years of war and an uncertain future. His interpreter and lover M’dea and their son Chase accompany him to a new life in the West. Jason begins a political career, working alongside the President and Dahlia, the President’s bea...
Composer: John Harris
Librettist: Marjorie Chan

M’dea Undone
COR
Excerpts
The Translator – The Translator

2003: After leaking torture photos to the internet, American army translator Alessandra Jenson refuses to be hushed up, and live streams her suicide in protest.

The Translator – “You can understand all you want” (aria)

Colonel Crane, Alessandra's supervisor, tersely tells her to lose what her perceives as her naive sense of morality: "We are just here to win."

The Translator – “America died in that cell” (aria)

Traumatized by her experiences, Alessandra reflects on her work as a translator in an American military prison.

The Telegram – The Telegram

Two women watch and worry as the church elder walks through town with a telegram carrying news of a soldier son's death.

I Have No Stories to Tell You – Stay Asleep

Sorrel sings to her sleeping husband Daniel, telling him about the traumatic experiences she feels she cannot share when he is awake.

Shelter – Scene 4: Hope Grows Up, “Waiting” (duet)

Thomas has brought Lise to become Hope's tutor, but Hope has grown up and wants to leave the house. Lise warns her not to give her love away to just anyone.

The Drawing Class – The Drawing Class

A teacher tries to inspire and distract a student as soldiers march outside their classroom, but the student is unable to escape into her imagination.

Shelter – Scene 5: The Pilot (duet)

The pilot watches Hope from afar. They meet and become lovers.

One Night, One Bell – “It peals and carries my prayers” (aria)

A woman makes an appeal that the metal of her bell shouldn't be used for a war machine.

One Night, One Bell – One Night, One Bell

A man coerces a woman to have sex with him in exchange for saving the one remaining temple bell from being melted down for the war metal supply.

M’dea Undone – Act 2, Scene 5

M'dea tries once more to get Jason to stay with her, but he believes he will never forget his war crimes if she is in his life. M'dea eventually agrees to go back to her country.

M’dea Undone – Act 1, Scene 7: Revealed (aria)

In a dream state, M'dea recalls all she has done to survive.

M’dea Undone – Act 1, Scene 3

M'dea and Jason commit to loving each other and helping each other recover from the war and memories that haunt them.

M’dea Undone – Act 1, Scene 2

At a party, the Corporal mocks Jason for needing M'dea to help him win and for bringing her home.

M’dea Undone – Act 1, Scene 1

Jason, M'dea, and the soldiers return from war to a celebratory crowd. Some do not trust the new foreigner, M'dea.

Dark Star Requiem – “Congo and one of the four H’s”

As the Democratic Republic of Congo fights for its independence, patients are being hospitalized and dying from AIDS-related illness.

Black Blood – Black Blood

A dying father and his son drink their last bowl of water. They need oil for the machines that will keep them alive and purify their water. A truck rolls past with a huge barrel of oil in the back. The son flags it down, only to discover the person driving the truck is a monstrous creature from the nation they’re at war with.

COR

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