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  • About COR
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    • FAQ – For Users
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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Sanctuary Song
    An opera for all ages. Sydney, an Asian elephant poached at a young age from the jungles of Indonesia, recalls her remarkable life in captivity, far from home, as her keeper of 22 years leads her on a journey towards sanctuary in the hills of Tennessee. A dynamic weaving of opera and dance unearths friendships lost and found and restores a stole...
    Composer: Abigail Richardson
    Librettist: Marjorie Chan

    Sanctuary Song
    Sanctuary Song
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    The Translator
    Content warning: death, incarceration, interrogation, suicide, torture

    A translator at a secret prison for suspected terrorists witnesses extreme torture and death of detainees. She leaks the information to news broadcasters, but the government covers it up as a hoax. Her supervisor begs her to say nothing more about the things she has seen -...
    Composer: David Ogborn
    Librettist: Leanna Brodie

    The Translator
    The Translator
    Oubliette
    Content warning: captivity, memory loss

    Laura has been forcibly confined in a basement for years until she frees herself. She approaches a stranger on the street, wondering if the stranger remembers her, and discovers that she barely remembers herself.
    Composer: Ivan Barbotin
    Librettist: Donna-Michelle St. Bernard

    Oubliette
    Oubliette
    Shelter
    Content warning: birth

    A nuclear family adrift in the atomic age. Since Prometheus stole fire from the gods, we have flirted with the dangerous beauty of science. In this cartoon fable, a father protects his family at any cost.

    Thomas and Claire fall madly in love at a fundraising party. Thomas has decided to “find a wife, get a life,” whi...
    Composer: Juliet Palmer
    Librettist: Julie Salverson

    Shelter
    Shanawdithit
    Content warning: colonial violence, colonialsm, death, illness

    1828, Notre Dame Bay, on the northeast shore of Newfoundland. William Cormack, an explorer and anthropologist, has recently created the Beothuk Institute: an organization designed to prevent the extinction of the original inhabitants of the island. After learning that a Beothuk wo...
    Composer: Dean Burry
    Librettist: Yvette Nolan

    Shanawdithit
    Shanawdithit
    Nigredo Hotel
    A ‘Hitchcock-style thriller’ for baritone and soprano, Nigredo Hotel is “the story of a neurosurgeon, a man of science, who has lost his soul. One night he thinks he has hit a child on the road and hides out in a decrepit, Hitchcockian motel run by a monstrous concierge called Sophie. The terrifying crone — his anima — locks him into his room an...
    Composer: Nic Gotham
    Librettist: Ann-Marie MacDonald

    Nigredo Hotel
    The Enslavement and Liberation of Oksana G.
    Content warning: captivity, sex trafficking, sex work, sexual violence, violence, death

    The Enslavement and Liberation of Oksana G. is a fictional dramatic opera built on extensive factual research. Set in Ukraine in 1997, it is the story of Oksana, a young woman lured into the world of sex trafficking by a Russian recruiter, Konstantin, who ...
    Composer: Aaron Gervais
    Librettist: Colleen Murphy

    The Enslavement and Liberation of Oksana G.
    COR
    Excerpts
    Sanctuary Song – Scene 2: Capture

    James and Sydney start their journey. Sydney remembers being young and playing in the forest with her friend Penny. One day, they are both captured, and the family herd is shot.

    Oubliette – Oubliette

    Having escaped forced confinment in a basement, a girl approaches a stranger. She asks if the stranger knows her, as she tries to remember her past.

    Sanctuary Song – Scene 3: Fire

    Sydney is injured in a fire and sold to the zoo.

    Sanctuary Song – Scene 4: Alone (aria)

    Sydney on her first day at the zoo. Frightened and alone, she thinks of her homeland.

    Sanctuary Song – Scene 5: First Meeting

    Sydney and James meet for the first time. Though both are nervous, they connect with each other.

    Shanawdithit – “These last few months” (aria)

    Cormack presents his findings about Shanawdithit to the members of the Beothuk institute.

    Shanawdithit – “What? A man?” (aria)

    Shanawdithit reprimands Cormack for his saviour complex.

    Shanawdithit – Scene 1

    Cormack meets Shanawdithit for the first time. She’s been working as a servant for Peyton for five years under the colonial name of Nancy April. Cormack is awed; he believes this woman is the last of the Beothuk. Peyton gives her to him, saying she’s useless.

    Shanawdithit – Scene 4

    The taking of Demasduit weighs heavy on Shanawdithit’s heart. Cormack, unsure of what to do, tries to comfort her, saying Demasduit was treated well. Shawnadithit asks if white people actually care about her people, her story, because Cormack’s words are betrayed by the actions of his fellows, and indeed, his own. Cormack insists he will ensu...

    Shelter – Scene 5: The Pilot (duet)

    The pilot watches Hope from afar. They meet and become lovers.

    Shelter – Scene 4: Hope Grows Up, “Waiting” (duet)

    Thomas has brought Lise to become Hope's tutor, but Hope has grown up and wants to leave the house. Lise warns her not to give her love away to just anyone.

    Shelter – Scene 4: Hope Grows Up, “This is Our House” (aria)

    Hope grows up quickly, climbing out of her crib as a woman of twenty-one. She sings to herself, wanting to leave the house.

    Shelter – Scene 6: Trinity (aria)

    Hope introduces the pilot to her family. He leaves, and Hope argues with her parents about going with him.

    The Translator – “America died in that cell” (aria)

    Traumatized by her experiences, Alessandra reflects on her work as a translator in an American military prison.

    The Translator – “You can understand all you want” (aria)

    Colonel Crane, Alessandra's supervisor, tersely tells her to lose what her perceives as her naive sense of morality: "We are just here to win."

    The Translator – The Translator

    2003: After leaking torture photos to the internet, American army translator Alessandra Jenson refuses to be hushed up, and live streams her suicide in protest.

    TAP:EX Forbidden – Act 2, Scene 4: “Dubai know how to Party”

    A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.

    TAP:EX Forbidden – Act 1, Scene 2: “With His Eyes (Male Gaze)”

    An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.

    TAP:EX Forbidden – Act 1, Scene 3: “Come In”

    Lucifer taunts the Child in a cell. She doesn't understand what she's done wrong.

    TAP:EX Forbidden – Act 1, Scene 5: “Go On, Get Out”

    The Child is bored. She reads several books in an effort to learn all the things she shouldn’t do, say, feel, or see. Lucifer simply asks her why, attempting to get her attention on him instead of books. She finds a name, Iblis, and taunts him.

    TAP:EX Forbidden – Act 1, Scene 7: “In the Book”

    As Lucifer tries again to get the Child to go with him, the Child finds out who Lucifer is in one of the books of the cell.

    TAP:EX Forbidden – Act 1, Scene 8: “Eat Anything”

    The Child is allowed out of her cage, with a warning she can have anyting she wants except for one thing. She asks what it might be, and in a Kafka-esque reply they say, “you know.”

    TAP:EX Forbidden – Act 2, Scene 1: “After Intermission”

    The Child is led back to the book cage, and performers take their places.

    TAP:EX Forbidden – Act 2, Scene 2: “White Key”

    Lucifer jangles an entrancing key in front of the Child and a young boy. This key promises to open the gates of heaven, but the boy has his own doubts about that. Nevertheless, he zips up his vest...

    TAP:EX Forbidden – Act 2, Scene 3: “In the Maze of Prison”

    The Child questions Lucifer’s role as tempter, while he tempts with growing intensity. He chastises the Child for bowing to authority. She erupts in anger, pushing the books aside and leaving the cage.

    Sanctuary Song – Prologue/Scene 1: Goodbye

    As he tries to get into the train car, James explains to Sydney the elephant why it is best for her to leave the zoo for a new home.

    TAP:EX Forbidden – Act 2, Scene 5: “Power Shift”

    Lucifer is enraged at the unfairness put upon him. The Child sees, and has an idea. Perhaps the system should be broken. When Lucifer realizes the Child has seen his truth, he tries to hide his emotions.

    TAP:EX Forbidden – Epilogue

    Lucifer rebuilds the cage, then tries to convince the audience to join him in self-exile.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 3

    Sofiya goes to Asa to have her cards read for news of Oksana. The police will not treat Oksana's disappearance as crime, as she went with the men willingly. The cards say Oksana has been robbed of her soul.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 4

    In Greece at a bar, three women are held captive: Konstantin sends Lyubia with a businessman, Natalyia with the Immigration officer who cuts her, and Oksana is bought by Konstantin at auction. Konstantin then offers to the crowd a gang rape just as the police arrive to raid the bar. Instead, he escapes with Oksana and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 6

    On the Albanian coast the women captives wait for the boat to Italy. Oksana is still defiant, trying to figure out an escape for herself and others. The boat and Konstantin arrive, and Oksana fails to convince him to free her and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 3

    Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.

    The Enslavement and Liberation of Oksana G. – Act 3, Scene 3

    Father Alexander discovers the distress call was a set by Konstantin, but Dima decides he can't beat up a priest and lets Father Alexander go back to Brindisi where Konstantin is.

    The Enslavement and Liberation of Oksana G. – Act 3, Scene 4

    Konstantin breaks into Oksana's room and tries to convince her to leave with him. When this fails, he tries to rape her again but she stabs him. He gets the knife and stabs her before he dies. Father Alexander returns and Oksana dies of her wound, dreaming of home.

    COR

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