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  • About COR
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    • FAQ – For Users
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Canadian Opera Resource
Canadian Opera Resource
COR
Operas
10 Days in a Madhouse
Content warning: ableism, institutionalization, medical abuse, mental illness, sanism, sexual violence

10 Days in a Madhouse is a psychological opera that plays with notions of madness, inspired by the life of Nellie Bly, a trailblazing reporter who in 1887 faked madness in order to be admitted to Blackwell’s Asylum for the Insane and report ...
Composer: Rene Orth
Librettist: Hannah Moscovitch

10 Days in a Madhouse
She Sees Her Lover
Agnieska and Sumana share a night together after meeting in a bar. The night, however intimate, has vastly different meanings to each woman. While Sumana is brimming with the excitement of a first chance at love, Agnieska is haunted by memories of her romantic past.

The next morning, Agnieska wakes early and admires her new lover Sumana as sh...
Composer: Craig Galbraith
Librettist: Leanna Brodie

She Sees Her Lover
She Sees Her Lover
Hook Up
Content warning: explicit language, sexual violence, sexual content, alcohol, blackout drinking

Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
Composer: Chris Thornborrow
Librettist: Julie Tepperman

Hook Up
Sanctuary Song
An opera for all ages. Sydney, an Asian elephant poached at a young age from the jungles of Indonesia, recalls her remarkable life in captivity, far from home, as her keeper of 22 years leads her on a journey towards sanctuary in the hills of Tennessee. A dynamic weaving of opera and dance unearths friendships lost and found and restores a stole...
Composer: Abigail Richardson
Librettist: Marjorie Chan

Sanctuary Song
Sanctuary Song
The Laurels
Content warning: death, murder, violence

This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
Composer: Jeffrey Ryan
Librettist: Michael Lewis MacLennan

The Laurels
The Laurels
The Telegram
Content warning: death, war

During a war, two women talk over the phone. They panic as they watch the town elder march down the street, telegram in hand. His message always carries horrible news: the death of someone’s son. Both of the women almost unwillingly hope some other family gets the telegram. Anyone but them.

In truth, the telegra...
Composer: Gareth Williams
Librettist: Bernard MacLaverty

The Telegram
The Telegram
Rocking Horse Winner
Content warning: illness, death

Rocking Horse Winner primarily explores the relationship between Paul, a young adult, and his emotionally distant mother, Ava.

Paul is driven to bridge the relationship with his mother, but Ava s...
Composer: Gareth Williams
Librettist: Anna Chatterton

Rocking Horse Winner
Opposites Attract
Across eight brief vignettes, couples experience small moments of frustration, miscommunication, and attraction.
Composer: Iman Habibi
Librettist: Phoebe Tsang

Opposites Attract
Opposites Attract
Sooner Than Later
Content warning: gun violence, strong language, terminal illness, attempted assisted suicide

A father and son argue in a dark alley.  The father, sick with a tumour "the size of a fig" in his brain, begs his son to end his life.  When the gun they're using fails and the son panics, the father offers comfort and encouragement in the form of a ...
Composer: Cecilia Livingston
Librettist: David Yee

Sooner Than Later
Sooner Than Later
My Eyes are Bright and Sparkly
“Hate your stupid earrings, hate your ugly shoes.” Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her. Nothing is right – everything is wrong. It is a...
Composer: Rene Orth
Librettist: Colleen Murphy

My Eyes are Bright and Sparkly
Glimmer
Glimmer attempts to address the urgent matters and seemingly irreconcilable coexisting realities at the core of queer existence through multiple frames and lenses. Taking full advantage of an all-queer cast of performers, with whom the piece was developed organically through a series of discussions and workshops, this work intertwines the autobi...
Composer: Thierry Tidrow
Librettist: Thierry Tidrow

Glimmer
Svadba
Svadba explores a "wedding theme, especially the night before the ceremony, when we are privy to private and ancient rituals between the bride and her girlfriends. The text is taken from original Serbian poetry but given a new context for our contemporary culture... A wedding is an important turning point in every woman’s life, usually steeped i...
Composer: Ana Sokolović
Librettist: Ana Sokolović

Svadba
COR
Excerpts
Rocking Horse Winner – Scene 8: Ava’s birthday

Ava is disappointed in her birthday celebration, and Paul asks her why she isn't happy.

Rocking Horse Winner – Scene 10: Ava and Paul

Paul begs his rocking horse for more luck for the Derby. Ava decides Paul’s been too agitated lately, and the distance between them grows wider. Ava leaves his room and bemoans Paul’s lack of understanding. She deserves luxury now and then, and Paul robs her of comfort. As if on cue, she hears Paul noisily riding his rocking horse again. Whil...

The Telegram – The Telegram

Two women watch and worry as the church elder walks through town with a telegram carrying news of a soldier son's death.

The Laurels – The Laurels

In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.

The Laurels – “And so I killed a man…” (aria)

Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this se...

The Laurels – “Lost” (aria)

A young woman, Laurel, runs through a dark forest, filled with anxiety and haunted by disturbing memories.

She Sees Her Lover – Scene 1 (duet)

Agnieska and Sumana share an intimate night together after meeting in a bar. Memories of past lovers almost make Agnieska give up on this new love, but Sumana convinces her to hold on to hope.

She Sees Her Lover – “So many ways” (aria)

Agnieska questions why all of her previous relationships have failed.

Sanctuary Song – Scene 4: Alone (aria)

Sydney on her first day at the zoo. Frightened and alone, she thinks of her homeland.

She Sees Her Lover – “Oh, it’s beautiful” (aria)

Excited by the possibility of a night with a new lover, Sumana anxiously expresses her anticipation.

Sanctuary Song – Scene 5: First Meeting

Sydney and James meet for the first time. Though both are nervous, they connect with each other.

Sanctuary Song – Prologue/Scene 1: Goodbye

As he tries to get into the train car, James explains to Sydney the elephant why it is best for her to leave the zoo for a new home.

Rocking Horse Winner – Scene 5

Paul is nearly overwhelmed by the noise, but manages. Oscar and Bassett place their bets on Daffodil. Bassett takes the role of a race announcer, and the three watch Paul’s prediction come true. The three sing of how this will change everything.

Rocking Horse Winner – “Now I’m All Nerves” (aria)

Ava bemoans Paul's lack of understanding, and her need for luxury.

Rocking Horse Winner – Scene 11: Paul dies

The last ride has left Paul gravely ill. Oscar and Bassett tell him they bet it all, and they’re set for life. Paul asks his mother if she’ll finally be happy- finally smile. She does, but as they leave his room to celebrate, Paul hears the house whisper. There must be more. Paul is desperate, and crawls to his rocking horse for more luck, mo...

Rocking Horse Winner – Scene 9: The Money Gets Spent

The predictions keep coming true, and the money keeps coming. The money gets spent, and Paul keeps riding. All the while the house is getting filled with finery. But it keeps singing. There must be more, but Paul’s luck falters as his energy wanes.

Rocking Horse Winner – Scene 7: Ava and Paul at the piano

Paul asks his mother why she always sings sad songs and if she knows anything happier. Ava rebukes him. She expresses profound regret for the stupidity and vanity of her youth. The world only smiles for the young, she says. Paul hopes she’ll smile for her birthday tomorrow, but she does not. At her birthday party, Oscar gives her the winnings...

Rocking Horse Winner – Scene 6: Paul tells Oscar about the House (duet)

Paul tells Oscar he hopes the winnings will stop the house from singing. Paul hears “her” sing of how there’s never enough, how there must be more. He makes Oscar promise not to tell his mother about where the money comes from; it might ruin the luck. Oscar tells him to never stop riding.

Rocking Horse Winner – Scene 1: Ava at the piano (aria)

A waltz is cut short. Ava discloses how far she’s fallen, and how difficult she finds caring for her son.

Opposites Attract – Scene 6

Erica is angry with Keith for having an anxiety attack as they host a party together.

My Eyes are Bright and Sparkly – My Eyes are Bright and Sparkly

Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her.

Hook Up – Section 5, Scene 1: “Mindy’s Spiral”

Mindy tries to understand if she was raped at the party. She can't make herself contact anyone, but seeks information online; Cindy slips a morning after pill under the door.

Hook Up – Section 2, Scene 4: “Texting Blitz”

A barrage of texts combined with singing let us know what Cindy, Mindy, and Tyler have been up to. Relationships grow more and more intense, culminating in Cindy telling Mindy she’s seen Tyler studying with a second year girl named Heather.

Hook Up – Section 2, Scene 2A: “In the Hall”

Cindy and Mindy are kicked out of class for causing a disturbance. Mindy comes clean about having asked for a private room behind Cindy's back. The two reconcile and agree to hang out (without Tyler) that night.

COR

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