Content warning: ableism, institutionalization, medical abuse, mental illness, sanism, sexual violence
10 Days in a Madhouse is a psychological opera that plays with notions of madness, inspired by the life of Nellie Bly, a trailblazing reporter who in 1887 faked madness in order to be admitted to Blackwell’s Asylum for the Insane and report ...
Agnieska and Sumana share a night together after meeting in a bar. The night, however intimate, has vastly different meanings to each woman. While Sumana is brimming with the excitement of a first chance at love, Agnieska is haunted by memories of her romantic past.
The next morning, Agnieska wakes early and admires her new lover Sumana as sh...
Content warning: explicit language, sexual violence, sexual content, alcohol, blackout drinking
Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
An opera for all ages. Sydney, an Asian elephant poached at a young age from the jungles of Indonesia, recalls her remarkable life in captivity, far from home, as her keeper of 22 years leads her on a journey towards sanctuary in the hills of Tennessee. A dynamic weaving of opera and dance unearths friendships lost and found and restores a stole...
This opera explores the interior realm of a woman’s response to a crisis. The Laurels plays with audience assumptions and expectations; it is well into the piece before we realize the stranger is not the person he appears to be. While it is important that Laurel’s understanding of the Stranger is consi...
During a war, two women talk over the phone. They panic as they watch the town elder march down the street, telegram in hand. His message always carries horrible news: the death of someone’s son. Both of the women almost unwillingly hope some other family gets the telegram. Anyone but them.
Rocking Horse Winner primarily explores the relationship between Paul, a young adult, and his emotionally distant mother, Ava.
Paul is driven to bridge the relationship with his mother, but Ava sees Paul’s attempts to engage as fussy and considers motherhood an obligation. She remains distant, trapped in a m...
A father and son argue in a dark alley. The father, sick with a tumour "the size of a fig" in his brain, begs his son to end his life. When the gun they're using fails and the son panics, the father offers comfort and encouragement in the form of a ...
“Hate your stupid earrings, hate your ugly shoes.” Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her. Nothing is right – everything is wrong. It is a...
Glimmer attempts to address the urgent matters and seemingly irreconcilable coexisting realities at the core of queer existence through multiple frames and lenses. Taking full advantage of an all-queer cast of performers, with whom the piece was developed organically through a series of discussions and workshops, this work intertwines the autobi...
Svadba explores a "wedding theme, especially the night before the ceremony, when we are privy to private and ancient rituals between the bride and her girlfriends. The text is taken from original Serbian poetry but given a new context for our contemporary culture... A wedding is an important turning point in every woman’s life, usually steeped i...
Paul begs his rocking horse for more luck for the Derby. Ava decides Paul’s been too agitated lately, and the distance between them grows wider. Ava leaves his room and bemoans Paul’s lack of understanding. She deserves luxury now and then, and Paul robs her of comfort. As if on cue, she hears Paul noisily riding his rocking horse again. While s...
In a wooded park at night, it seems like Laurel is running for her life- but it turns out she is running from the memory of the murder she committed that night.
Laurel stabs the Stranger, killing him. As his body slides to the ground to rest at her feet, she begins to feel a new sense of freedom, not realising that it is at the cost of her conscience and her humanity. The aria should be performed with an improvisational blues quality over the regular pulse of the accompaniment, to convey both this sense...
Agnieska and Sumana share an intimate night together after meeting in a bar. Memories of past lovers almost make Agnieska give up on this new love, but Sumana convinces her to hold on to hope.
Paul is nearly overwhelmed by the noise, but manages. Oscar and Bassett place their bets on Daffodil. Bassett takes the role of a race announcer, and the three watch Paul’s prediction come true. The three sing of how this will change everything.
The last ride has left Paul gravely ill. Oscar and Bassett tell him they bet it all, and they’re set for life. Paul asks his mother if she’ll finally be happy- finally smile. She does, but as they leave his room to celebrate, Paul hears the house whisper. There must be more. Paul is desperate, and crawls to his rocking horse for more luck, more ...
The predictions keep coming true, and the money keeps coming. The money gets spent, and Paul keeps riding. All the while the house is getting filled with finery. But it keeps singing. There must be more, but Paul’s luck falters as his energy wanes.
Paul asks his mother why she always sings sad songs and if she knows anything happier. Ava rebukes him. She expresses profound regret for the stupidity and vanity of her youth. The world only smiles for the young, she says. Paul hopes she’ll smile for her birthday tomorrow, but she does not. At her birthday party, Oscar gives her the winnings fr...
Paul tells Oscar he hopes the winnings will stop the house from singing. Paul hears “her” sing of how there’s never enough, how there must be more. He makes Oscar promise not to tell his mother about where the money comes from; it might ruin the luck. Oscar tells him to never stop riding.
Stephanie is getting ready to go out on a date, but she begins to unravel when she checks herself in the mirror. The voices she hears in her head are variations of her own critical voice. She sees herself the way she imagines her date will see her.
Mindy tries to understand if she was raped at the party. She can't make herself contact anyone, but seeks information online; Cindy slips a morning after pill under the door.
A barrage of texts combined with singing let us know what Cindy, Mindy, and Tyler have been up to. Relationships grow more and more intense, culminating in Cindy telling Mindy she’s seen Tyler studying with a second year girl named Heather.
Cindy and Mindy are kicked out of class for causing a disturbance. Mindy comes clean about having asked for a private room behind Cindy's back. The two reconcile and agree to hang out (without Tyler) that night.