CAST: Danielle Buonaiuto and Adanya Dunn | PHOTO CREDIT: Michael CooperCAST: Teiya Kasahara and members of the COC Chorus | PHOTO CREDIT: Michael CooperCAST: Teiya Kasahara (from the 2019 production) | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: PomegranateComposer: Kye MarshallLibrettist: Amanda HaleCommissioned By:
Louise is ready. She chooses a climb, exploring and unleashing her own full voice as she travels upward.
The Girl calls out to Glenn. She asks him for help with a piece of music.
Glenn is lost in a painful memory of The Mother in hospital.
Louise and Glenn talk about their daily rituals. Re-energized, Louise wants to get back to climbing again. She starts muscling her way upward, urged on by thoughts of fame. Glenn’s focus turns to his various medications and need for isolation. Glenn feels a sharp pain and struggles to support Louise.
Both Louise and Glenn are tired. They share stories about their nightmares.
Glenn tells Louise that applause should be banned. The Housewife shares the profound impact of witnessing Glenn’s performance.
The Celebrity is hosting a party. He calls out to Glenn and persuades him to play the piano with him for his guests. The guests gossip about the past performances and bad reviews while simultaneously applauding the artist.
The Mother appears at the window. She shares memories, loving praise and admonishments. The development of her child’s talent and success has been her life’s focus.
With a sense of freedom, Louise discovers daring, new musical terrain with Glenn’s encouragement.
Louise encounters The Teacher at the window. The Teacher instructs on the development of rigorous, meticulous technique. Discussion of artistic philosophy is included in the training. Glenn recalls his own teacher.
Louise, a young talented artist, arrives and prepares for her first climb. She is seeking excellence, precision, and beauty. It is a quest toward attaining perfection in her art. Louise connects with her inspiration, support and icon: Glenn Gould. Their journey together begins.
CAST: Andrea Ludwig | PHOTO CREDIT: Dahlia KatzCAST: Lauren Pearl | PHOTO CREDIT: Dahlia KatzCAST: Lauren Pearl | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: Gould’s WallComposer: Brian CurrentLibrettist: Liza BalkanLanguage: EnglishProducer: Tapestry OperaRun Time: 60Roles: Role Voice Type Range ? Character Description LouisehighA♯3 (opt.
Robertson, still sad, hopes his screwdriver will still be of use to others.
Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.
In the afterlife, Henry Ford invites Robertson to present his screwdriver. Ford is rapturously impressed, and offers Roberston a deal – but with the catch that Ford would then own the rights to his invention (as Ford puts it, he demands “complete submission”). Phillips reveals himself and makes a sales
Ford and Phillips celebrate while Robertson is chagrined and depressed by his failure to get the contract. Amalia finally finds the screwdriver aisle in the store.
Amalia critiques the two screwdrivers and chooses the Robertson.
Phillips realizes he will not get rich in his deal with Ford, but Ford will.
Amalia at home, mounting her vanity. She praises the Robertson’s screwdriver as he observes from heaven.
All sing the praises of the Robertson screwdriver.
Amalia critiques the two screwdrivers and chooses the Robertson.
In the afterlife, Henry Ford invites Robertson to present his screwdriver.
Robertson in his shop, Amalia (present day) in her bathroom with her antique vanity, Phillips in his workshop, also injured by a screw driver slip.
Robertson demonstrates the new “automatic spiral ratchet spring-loaded screw driver,” affectionately called the “Yankee.” The demonstration is cut short when the driver slips off the single slot screw, injuring Robertson’s hand.
OVERVIEW Title: The Perfect ScrewComposer: Abigail RichardsonLibrettist: Alexis DiamondCommissioned By: Tapestry Opera's Composer-Librettist LaboratoryLanguage: EnglishProducer: Tapestry OperaRun Time: 40Roles: Role Voice Type Range ? Character Description P. L. Robertsonmiddle-lowG2-Bb4Inventor of the Canadian ScrewAmaliahighBb3-D5Modern-day woman, building furniturePhillipsmiddleC3-D5Inventor of the American ScrewHenry Fordmiddle-highG3-F#5Founder of Ford Motor Please Note: The table above has content
In the Blue Room of the Quebec National Assembly, Denis Lortie kills and wounds people with a submachine gun as a protest against Quebec sovereignty.
OVERVIEW Title: The Call of the LightComposer: Iman HabibiLibrettist: Bobby TheodoreCommissioned By: Tapestry Opera's Composer-Librettist LaboratoryLanguage: EnglishProducer: Tapestry OperaRun Time: 4Roles: Role Voice Type Range ? Character Description LortiemiddleG#2-F#4Canadian Forces corporalChorushighF#4-C#5VictimChorusmiddle-highE4-B4VictimChorusmiddle-lowA3-D#4Victim Please Note: The table above has content that is scrollable left to right.Orchestration: Piano Video Recording View more videos below
Her health fading, Shanawdithit wonders if she’ll be welcomed into the spirit world after so much time with the colonists. Cormack tells her he must leave, and Shanawdithit gives him a sketch of his house to carry with him. He leaves the room to pack. Shanawdithit hears the spirits of
Cormack tries to raise funds for Shanawdithit’s care without success. James Simms offers to care for her while Cormack is away.
Shanawdithit describes the last days of her family as they were pushed from their land and then hunted. She asks Cormack not to speak of their death, but of their life. Cormack is ecstatic and gets lost in the memories Shanawdithit paints. She breaks his reverie with the cold fact
The taking of Demasduit weighs heavy on Shanawdithit’s heart. Cormack, unsure of what to do, tries to comfort her, saying Demasduit was treated well. Shawnadithit asks if white people actually care about her people, her story, because Cormack’s words are betrayed by the actions of his fellows, and indeed, his
Cormack’s study in St. John’s, now Shanawdithit’s room. “Nancy April” reveals she can speak English quite well, and tells Cormack her real name: Shanawdithit. Cormack asks her where the rest of her people are, where her home is. Shanawdithit says simply: they are no more. Shanawdithit reflects on the loss
Cormack meets Shanawdithit for the first time. She’s been working as a servant for Peyton for five years under the colonial name of Nancy April. Cormack is awed; he believes this woman is the last of the Beothuk. Peyton gives her to him, saying she’s useless.
Shanawdithit reprimands Cormack for his saviour complex.
Cormack presents his findings about Shanawdithit to the members of the Beothuk institute.
Shanawdithit, dying, speaks to her ancestors. She is ready to leave this world.
OVERVIEW Title: ShanawdithitComposer: Dean BurryLibrettist: Yvette NolanCommissioned By: Tapestry Opera and Opera on the AvalonLanguage: EnglishProducer: Tapestry Opera and Opera on the AvalonRun Time: 80Roles: Role Voice Type Range ? Character Description Shanawdithitmiddle-highA3-G5Beothuk woman, believed by the colonizers to be the last of her peopleWilliam Cormack middle-lowA2-F4An explorer and anthropologistKwe/Spirit Chorus
Manli and Lai Gwan decided to make a life together in Canada. As they collect and bury the bones of Chinese workers they remember all the dead, including Ama and Nichol.
Whites celebrate the finishing of the railway and officially dismiss the Chinese, who blame Manli for abandoning them.
Workers watch the train come to Eagle Pass – while the whites are happy, the Chinese realize there is no more work for them.
In the explosion rubble, Lai Gwan and Nichol declare their love depsite Ama’s warnings. Nichol dies as the workers rescue Lai Gwan and Manli, who declares his renewed love for his daughter.
As Manli and Lai Gwan argue about their situation, Lai Gwan tells of Ama’s death, which crushes Manli. He decides to set the next explosive charge himself. Nichol and Lai Gwan recognise their love and follow Manli into the tunnel.
Lai Gwan dreams of the conflicting desires of her mother, father, Nichol and herself.
The Chinese workers decide to strike, led by Lai Gwan, after another death with no proper funeral. The strike is put down and Nichol stops Lai Gwan from being hung by Manli. She discovers Manli is her father.
While she is bathing in a stream, Nichol disovers Lai Gwan is a woman – she asks for his help to find her father and to keep her secret. Manli interrupts them before Nichol decides what to do.
The Chinese workers are led in and a disguised Lai Gwan challenges Manli the Bookman’s authority. He seeks revenge by assigning Lai Gwan to the most dangerous work in the camp: planting dynamite on the mountain face while suspended in a basket.
In Ottawa, Canadian politicians and moguls toast the launch of the Canadian Pacific Railroad. The Railway Foreman James Nichol encourages the workers until the impenetrable Rocky Mountains block their way. The Bookman comes to supply the cheap Chinese labour that will allow Nichol to conquer “The Great Divide.”
Aboard a ship taking Chinese workers to British Columbia – they are hungry & thirsty. Ah Lum starts a fight with Lai Gwan, who is disguised as a young man, but they stop as the coast comes into view.
Before dying, Ama tells Lai Gwan of her father, gives her a wedding dress, and urges her to go to North America to find her father – but always remember Chinese traditions.
Lai Gwan compares her love for Nichol with the pull of the cool mountain water.
Lai Gwan compares her love for Nichol with the pull of the cool mountain water.
Lai Gwan compares her love for Nichol with the pull of the cool mountain water.
Lai Gwan compares her love for Nichol with the pull of the cool mountain water.
Filled with regret over his life, Manli sings of an abandoned love.
OVERVIEW Title: Iron RoadComposer: Ka Nin ChanLibrettist: Mark BrownellCommissioned By: Tapestry Opera and CBC Radio-CanadaLanguage: Cantonese, EnglishProducer: Tapestry OperaRun Time: 150Roles: Role Voice Type Range ? Character Description Lai GwanhighA3-Eb6A young Chinese womanAmamiddle-highB3-E5Lai Gwan's motherJames NicholmiddleB2-Bb4A white railway manManlimiddle-lowG2-F#4A broker of Chinese workers and Lai Gwan's fatherSir John A. MacDonaldmiddle-lowB2-E4Canadian Prime
While claiming sovereignty of an ice floe, Harper meets a seal, then drowns as the floe melts.
OVERVIEW Title: Harper’s FloeComposer: Norbert PalejLibrettist: Charles HayterCommissioned By: Tapestry Opera's Composer-Librettist LaboratoryLanguage: EnglishProducer: Tapestry OperaRoles: Role Voice Type Range ? Character Description HarpermiddleB2-B4Prime MinisterMr. ValernikovhighD4-G5A Russian Seal Please Note: The table above has content that is scrollable left to right.Orchestration: Piano SYNOPSIS A historical reenactment: Prime Minister Stephen Harper sets
The Vagabond Theatrical Troupe presents! Jeremiah gives George an ultimatum but has to prove himself first in more ways than one, and all is wrapped up in the finest paper package.
A lament over the disbanding of brotherhood. Freddy wonders what will become of his friendship with Jeremiah.
George has a proposal for Lily. Henri has a confession. The Great Recorder Smackdown happens, and Lily is caught in the crossfire. Lily sends them all away without answering.
Henri wonders how, after all this time, it is possible that Lily doesn’t reciprocate her feelings of love.
Brigitta is in love with Jeremiah. Jeremiah, Freddy, and Brigitta retrieve Jeremiah’s birth certificate from the Taylor house where Brigitta found it. Jeremiah gives Freddy a note for Lily – he and Lily are leaving town when Jeremiah gets his fortune.
Jeremiah, who is in love with Lily, reveals that he is the illegitimate son of former mill owner, Skinner. He enlists Freddy’s help with a scheme.
George celebrates the 25th anniversary of his paper mill with an important announcement. Lily is introduced. Freddy gets some bad news.
CAST: Jacques Arsenault | PHOTO CREDIT: Dahlia KatzCAST: Sara Schabas | PHOTO CREDIT: Dahlia KatzCAST: Jennifer Taverner, Keith Klassen | PHOTO CREDIT: Dahlia Katz View more photos below - click here OVERVIEW Title: Bandits in the ValleyComposer: Benton RoarkLibrettist: Julie TeppermanCommissioned By: Tapestry OperaLanguage: EnglishProducer: Tapestry OperaRun Time: 55Roles: Role
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