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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Of the Sea
    Content warning: descriptions of enslavement, violence, sexual violence, death

    A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
    Composer: Ian Cusson
    Librettist: Kanika Ambrose

    Of the Sea
    The Translator
    Content warning: death, incarceration, interrogation, suicide, torture

    A translator at a secret prison for suspected terrorists witnesses extreme torture and death of detainees. She leaks the information to news broadcasters, but the government covers it up as a hoax. Her supervisor begs her to say nothing more about the things she has seen -...
    Composer: David Ogborn
    Librettist: Leanna Brodie

    The Translator
    The Translator
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    Iron Road
    Content warning: racism, colonialism, violence, death

    In 1880’s China, Lai Gwan, a young impoverished woman, stands on the brink of momentous change. Her dying mother urges her to respect and honour the memory of her father, Manli, whose disappearance to the New World haunts them both.

    Armed with the hope that she will find her father aliv...
    Composer: Ka Nin Chan
    Librettist: Mark Brownell

    Iron Road
    Still the Night
    Content warning: antisemitism, genocide, Holocaust, infanticide, murder, Nazis, sexual violence, sex work, violence, war

    Still the Night tells the fictional story of two Jewish Polish cousins, both named Bryna, who have escaped fr...
    Composer: John Alcorn
    Librettist: Theresa Tova

    Still the Night
    M’dea Undone
    Content warning: death, murder, suicide, xenophobia

    Jason, an army captain and now war-hero, is returning home after years of war and an uncertain future. His interpreter and lover M’dea and their son Chase accompany him to a new life in the West. Jason begins a political career, working alongside the President and Dahlia, the President’s bea...
    Composer: John Harris
    Librettist: Marjorie Chan

    M’dea Undone
    Facing South
    Content warning: illness, death, colonialism

    Facing South is inspired by the life story of American Arctic explorer, Rear Admiral Robert Edwin Peary, and his contested discovery of the North Pole in 1909. The opera takes place in the inner landscape of Peary’s mind during the last hours of his life in February 1920, as he lies dying of pernic...
    Composer: Linda Catlin Smith
    Librettist: Don Hannah

    Facing South
    Lullaby at the Shore
    Content warning: xenophobia, migration

    A young child wakes up alone on the beach. They call for their mother. The sound of the waves muffles the voices of people who worry about newcomers and the effect that they will have on their society. Other voices take over - other children declaring that the child belongs with them now.

    Inspired by ...
    Composer: Afarin Mansouri
    Librettist: Marcia Johnson

    Lullaby at the Shore
    Lullaby at the Shore
    Naila and Lolo
    Partition in 1947 drives Naila’s family to the new country of Pakistan while her best friend Lolo must remain in India. In a child’s-eye view of this world event, the significant concerns for these two nine-year-olds are custody of a tin box with important valuables (“marbles and flowers and keys and rings”), and the care and feeding of a pet ra...
    Composer: Elisabeth Mehl Greene
    Librettist: Anusree Roy

    Naila and Lolo
    Shanawdithit
    Content warning: colonial violence, colonialsm, death, illness

    1828, Notre Dame Bay, on the northeast shore of Newfoundland. William Cormack, an explorer and anthropologist, has recently created the Beothuk Institute: an organization designed to prevent the extinction of the original inhabitants of the island. After learning that a Beothuk wo...
    Composer: Dean Burry
    Librettist: Yvette Nolan

    Shanawdithit
    Shanawdithit
    COR
    Excerpts
    M’dea Undone – Act 1, Scene 2

    At a party, the Corporal mocks Jason for needing M'dea to help him win and for bringing her home.

    Lullaby at the Shore – Lullaby at the Shore

    A child walks on a beach, in search of their parents.

    M’dea Undone – Act 1, Scene 4

    Jason and M'dea are expecting a baby. Citizens gossip about the couple.

    M’dea Undone – Act 2, Scene 2: The President’s Office

    The President threatens M'dea with prison or the loss of her son if she doesn't do as he wants. He warns her not to cause trouble for Jason.

    Naila and Lolo – Naila and Lolo

    The 1947 Partition of India forces two children to say goodbye. One departs for Pakistan, leaving her pet rabbit and childhood treasures with her friend.

    Shanawdithit – “These last few months” (aria)

    Cormack presents his findings about Shanawdithit to the members of the Beothuk institute.

    Shanawdithit – “What? A man?” (aria)

    Shanawdithit reprimands Cormack for his saviour complex.

    Shanawdithit – Scene 1

    Cormack meets Shanawdithit for the first time. She’s been working as a servant for Peyton for five years under the colonial name of Nancy April. Cormack is awed; he believes this woman is the last of the Beothuk. Peyton gives her to him, saying she’s useless.

    Shanawdithit – Scene 4

    The taking of Demasduit weighs heavy on Shanawdithit’s heart. Cormack, unsure of what to do, tries to comfort her, saying Demasduit was treated well. Shawnadithit asks if white people actually care about her people, her story, because Cormack’s words are betrayed by the actions of his fellows, and indeed, his own. Cormack insists he will ensu...

    Shanawdithit – Scene 5: Salmon, Seal, Caribou

    Shanawdithit describes the last days of her family as they were pushed from their land and then hunted. She asks Cormack not to speak of their death, but of their life. Cormack is ecstatic and gets lost in the memories Shanawdithit paints. She breaks his reverie with the cold fact that the life she speaks of will never happen again. She colla...

    Shanawdithit – Scene 6

    Cormack tries to raise funds for Shanawdithit’s care without success. James Simms offers to care for her while Cormack is away.

    Shanawdithit – Scene 7

    Her health fading, Shanawdithit wonders if she’ll be welcomed into the spirit world after so much time with the colonists. Cormack tells her he must leave, and Shanawdithit gives him a sketch of his house to carry with him. He leaves the room to pack. Shanawdithit hears the spirits of her people calling her name. It is time. One spirit in par...

    The Translator – The Translator

    2003: After leaking torture photos to the internet, American army translator Alessandra Jenson refuses to be hushed up, and live streams her suicide in protest.

    Iron Road – Act 1, Scene 2: The Iron Road

    In Ottawa, Canadian politicians and moguls toast the launch of the Canadian Pacific Railroad. The Railway Foreman James Nichol encourages the workers until the impenetrable Rocky Mountains block their way. The Bookman comes to supply the cheap Chinese labour that will allow Nichol to conquer “The Great Divide.”

    Facing South – Scene 4: “Flame (1919)”

    Josephine asks for Henson's help, despite Peary's past bad treatment of him.

    Facing South – Scene 6: “Meteorites (1897)”

    The explorers make a plan to bring the Inuit to America to make money.

    Facing South – Scene 8: “Constellations”

    Henson helps Minik reach the land of the dead; Peary and Josephine argue about Peary's Inuit children.

    Iron Road – Manli’s Aria

    Filled with regret over his life, Manli sings of an abandoned love.

    Iron Road – “Cool Mountain Water” in Bb (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” in C (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” Short Version in Bb (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    Iron Road – “Cool Mountain Water” Short Version in C (aria)

    Lai Gwan compares her love for Nichol with the pull of the cool mountain water.

    M’dea Undone – Act 1, Scene 1

    Jason, M'dea, and the soldiers return from war to a celebratory crowd. Some do not trust the new foreigner, M'dea.

    Iron Road – Act 1, Scene 3: The Mountain

    The Chinese workers are led in and a disguised Lai Gwan challenges Manli the Bookman’s authority. He seeks revenge by assigning Lai Gwan to the most dangerous work in the camp: planting dynamite on the mountain face while suspended in a basket.

    Iron Road – Act 1, Scene 4: The Stream

    While she is bathing in a stream, Nichol disovers Lai Gwan is a woman - she asks for his help to find her father and to keep her secret. Manli interrupts them before Nichol decides what to do.

    Iron Road – Act 1, Scene 5: The Camp

    The Chinese workers decide to strike, led by Lai Gwan, after another death with no proper funeral. The strike is put down and Nichol stops Lai Gwan from being hung by Manli. She discovers Manli is her father.

    Iron Road – Act 2, Prologue: The Dream

    Lai Gwan dreams of the conflicting desires of her mother, father, Nichol and herself.

    Iron Road – Act 2, Scene 1: The Fight

    As Manli and Lai Gwan argue about their situation, Lai Gwan tells of Ama's death, which crushes Manli. He decides to set the next explosive charge himself. Nichol and Lai Gwan recognise their love and follow Manli into the tunnel.

    Iron Road – Act 2, Scene 3: The Iron Dragon

    Workers watch the train come to Eagle Pass - while the whites are happy, the Chinese realize there is no more work for them.

    Iron Road – Act 2, Scene 4: The Last Spike

    Whites celebrate the finishing of the railway and officially dismiss the Chinese, who blame Manli for abandoning them.

    M’dea Undone – Act 1, Scene 10 (duet)

    Dahlia's father encourages her to seduce Jason, and promises her she can have anything she wants.

    COR

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