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COR
COR
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  • About COR
    • About COR
    • How To Use COR
    • FAQ – For Users
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    Canadian Opera Resource
    Canadian Opera Resource
    COR
    Operas
    Pomegranate
    On a fateful school trip to the ruins of Pompeii, the fantasies of smitten teenagers Suzie and Cass are ignited. They are transported from 1977 to 79 AD, where they discover romantic freedom in the looming shadow of Mount Vesuvius – but not for long. The timeline shifts to 1981 and the Fly by Night, a Toronto lesbian bar, in the aftermath of the...
    Composer: Kye Marshall
    Librettist: Amanda Hale

    Pomegranate
    One Night, One Bell
    In a country torn by war, a woman works as a bell-ringer. There used to be many more in the tower, but one by one the bells were taken: metal for the war-machine. A man climbs the tower after hearing her play the one remaining bell. What seems at first a meeting of two lovers turns dark as the man tries to claim the bell. They need the metal for...
    Composer: Stephen Andrew Taylor
    Librettist: Marjorie Chan

    One Night, One Bell
    One Night, One Bell
    TAP:EX Forbidden
    Content warning: sexual violence, incarceration, religious abuse, homophobia, conversion therapy

    Through several vignettes, Forbidden examines the idea of rules and taboos. Do they protect people, or do they control them? Are they of any value, or do they simply exploit the powerless?

    A young girl, punished with repetition of religious tex...
    Composer: Afarin Mansouri
    Librettist: Donna-Michelle St. Bernard

    TAP:EX Forbidden
    Still the Night
    Content warning: antisemitism, genocide, Holocaust, infanticide, murder, Nazis, sexual violence, sex work, violence, war

    Still the Night tells the fictional story of two Jewish Polish cousins, both named Bryna, who have escaped fr...
    Composer: John Alcorn
    Librettist: Theresa Tova

    Still the Night
    The Cellar Door
    Content warning: child sexual abuse, incest, death, murder

    Judith and Daniel, long estranged siblings, are brought together by the passing of their father. Time has passed, but it seems like Judith hasn't changed at all. Daniel kills his sister when she wants to resume their childhood sexual relationship.
    Composer: Melissa Hui
    Librettist: Jovanni Sy

    The Cellar Door
    The Cellar Door
    The Enslavement and Liberation of Oksana G.
    Content warning: captivity, sex trafficking, sex work, sexual violence, violence, death

    The Enslavement and Liberation of Oksana G. is a fictional dramatic opera built on extensive factual research. Set in Ukraine in 1997, it is the story of Oksana, a young woman lured into the world of sex trafficking by a Russian recruiter, Konstantin, who ...
    Composer: Aaron Gervais
    Librettist: Colleen Murphy

    The Enslavement and Liberation of Oksana G.
    Lisa
    Content warning: death, murder, mention of child sexual abuse

    Lisa is a twelve-year-old student at an all-girls school, where she is best friends with Annie and Caroline. Together they form a group called the Teacher's Angels, made up of girls who score perfect on their tests.

    When Lisa scores a nine out of ten on a math test, she is kicke...
    Composer: Omar Daniel
    Librettist: Alex Poch-Goldin

    Lisa
    Lisa
    The Colony
    While out on a hunt for a new mate, The Queen of the Amazon Ants and one of her subjects find themselves under attack.

    The Queen wears low cut, tight-fitting army fatigues that accentuate her shapely thorax and abdomen, and a pair of black calf-high combat boots. The Queen also has two large antennae growing out of her head because she is an ...
    Composer: Kevin Morse
    Librettist: Lisa Codrington

    The Colony
    The Colony
    The Rape of Artemisia
    Content warning: sexual violence

    Based on the testimony of the 17th-century painter Artemisia Gentileschi on her rapist and instructor Agostino Tassi, we are given a snapshot of violation, confusion, and the oppression of women.
    Composer: Ivan Barbotin
    Librettist: Hannah Moscovitch

    The Rape of Artemisia
    The Rape of Artemisia
    Of the Sea
    Content warning: descriptions of enslavement, violence, sexual violence, death

    A father will do anything to save his daughter. Of the Sea follows the story of Maduka, his daughter Binyelum, and fellow Africans thrown overboard during the Middle Passage who now populate mythical underwater kingdoms that span the ocean floor. Amidst the waves, ...
    Composer: Ian Cusson
    Librettist: Kanika Ambrose

    Of the Sea
    Medusa’s Children
    Content warning: misgendering, mentions of sexual assault, and implied violence

    Chrysaor and Pegasus, children of the gorgon Medusa, have been living with their aunts Euryale and Stheno. They receive a message from their dead mother telling the story of her assault and murder by their father Poseidon. Rejecting his mother’s family, Chrysaor g...
    Composer: Colin McMahon
    Librettist: Charlie Petch

    Medusa’s Children
    Hook Up
    Content warning: explicit language, sexual violence, sexual content, alcohol, blackout drinking

    Hook Up tells the story of three friends who have made it to university, each with their own unique desires and inner conflicts. Mindy is just excited to keep her high school friend circle together and finally get some privacy with her boyfriend. T...
    Composer: Chris Thornborrow
    Librettist: Julie Tepperman

    Hook Up
    COR
    Excerpts
    The Rape of Artemisia – The Rape of Artemisia

    In pain after being raped by Tassi, Artemisia tries to understand what just happened, while Tassi justifies himself.

    The Cellar Door – The Cellar Door

    Back in his childhood home after the death of this father, Daniel kills his sister when she wants to resume their childhood sexual relationship.

    The Cellar Door – “That’s all you have to say?” (aria)

    Judith sings angrily at her brother when he expresses his desire to leave their childhood home after their father has died.

    The Cellar Door – “Down there I won’t go” (aria)

    Daniel sings of his fear at the prospect of going down into the cellar of his childhood home, after his father has died.

    Medusa’s Aria

    Medusa sings from beyond the grave, reaching out to her children and her two sisters. She tells the story of her rape by the god Poseidon and murder by the hero Perseus. 

    Pegasus’s Aria

    Pegasus recounts a dream in which their mother Medusa asks them to find her severed head. They reflect on the harrowing circumstances of their birth and their relationship with their brother Chrysaor and father Poseidon.

    One Night, One Bell – One Night, One Bell

    A man coerces a woman to have sex with him in exchange for saving the one remaining temple bell from being melted down for the war metal supply.

    The Enslavement and Liberation of Oksana G. – Act 2, Scene 3

    Screaming, Oksana awakens from a nightmare; Father Alexander comes to her and she admits she may have let Natalyia drown to save herself. The Father counsels forgiveness of herself and others, but Oksana is not convinced that is possible.

    The Enslavement and Liberation of Oksana G. – Act 3, Scene 4

    Konstantin breaks into Oksana's room and tries to convince her to leave with him. When this fails, he tries to rape her again but she stabs him. He gets the knife and stabs her before he dies. Father Alexander returns and Oksana dies of her wound, dreaming of home.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 6

    On the Albanian coast the women captives wait for the boat to Italy. Oksana is still defiant, trying to figure out an escape for herself and others. The boat and Konstantin arrive, and Oksana fails to convince him to free her and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 4

    In Greece at a bar, three women are held captive: Konstantin sends Lyubia with a businessman, Natalyia with the Immigration officer who cuts her, and Oksana is bought by Konstantin at auction. Konstantin then offers to the crowd a gang rape just as the police arrive to raid the bar. Instead, he escapes with Oksana and Natalyia.

    The Enslavement and Liberation of Oksana G. – Act 1, Scene 2

    In a forest in Romania, Oksana discovers she has been tricked and is now in danger. Konstantin and his partners rape Oksana & Natalyia.

    Lisa – Scene 3

    Mr. Herwin tells Lisa he knows she killed her friends with poisoned lemonade. Lisa tells him she has told people he is a pedophile.

    Hook Up – Section 5, Scene 2: “Heather” (duet)

    Heather and Mindy share a moment of intimacy as they discuss their experiences of sexual violence.

    Hook Up – Section 5, Scene 1: “Mindy’s Spiral”

    Mindy tries to understand if she was raped at the party. She can't make herself contact anyone, but seeks information online; Cindy slips a morning after pill under the door.

    Hook Up – Section 4, Scene 3: “Putting the Pieces Together”

    Someone has posted pictures of Mindy at the party with different men. Mindy, Cindy, and Tyler argue about who is to blame. Cindy and Tyler depart angry, leaving Mindy sitting alone on her bed.

    Hook Up – Section 4, Scene 2: “Text Alerts”

    Mindy plugs in her phone, which died at the party. It comes alive with a constant stream of texts from Tyler and Cindy from the night before, who were both worried about her. Mindy rushes to the bathroom to throw up.

    Hook Up – Section 4, Scene 1: “The Morning After: Walk of Shame”

    Hungover, walking home the morning after the party, Mindy remembers disturbing images from the night before - she isn't sure exactly what happened.

    Hook Up – Section 2, Scene 2: “Feminism 101: Gender, Justice & Change”

    A kick-ass professor guides the girls through a "Feminism 101" presentation, while Cindy and Mindy’s relationship reaches a boiling point. Cindy judges Mindy’s homebody approach to university life; Mindy judges Cindy’s seemingly only interest in “hooking up” at parties.

    Hook Up – Section 1, Scene 2: “The Rules of the Dorm”

    Dorm RAs lay down the laws of drinking and sex, which are incredibly different for the boys vs. the girls.

    TAP:EX Forbidden – Act 2, Scene 4: “Dubai know how to Party”

    A distraught woman is trying to report her sexual assault to a policeman. She admits she’s had some alcohol. Instead of pursuing justice, the policeman arrests her for illegal possession of alcohol. The Child witnesses all of it.

    TAP:EX Forbidden – Act 1, Scene 2: “With His Eyes (Male Gaze)”

    An interrogator turns his lurid eyes on an imprisoned female activist. Purposefully misunderstanding her movements as seduction, he convinces himself of something horrid.

    COR

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