A worker ruminates on the terrifying power of flight as he loads bags. Three passengers board and discover they’re sitting beside each other. During the pre-departure safety demonstration, a flight attendant longs for an escape from her mundane life and job. The three passengers think of their own isolation and lo...
Winston Smith is interrogated by a member of The Party about some of his journal entries. In this scene, Smith struggles to differentiate his reality from the reality of The Party.
An alarm goes off, triggering a pat-down at airport security.
The interior of a thumping, vibrating gay nightclub. A middle-aged gentleman sips his drink and turns to watch the dancers on the dance floor. Under the disco ball a young man, stripped to the waist, is dancing with abandon. The young man approaches and establishes immediate physical contact, which is uncomfortable. The older man needs more p...
An intimate encounter between two gay men.
Two male lovers come to terms with the fact that one of them is dying of AIDS.
A francophile from Toronto walks into a café in downtown Montréal. His coffee order and small talk with the barista turns into a political rift that eventually leaves him lost in translation.
George celebrates the 25th anniversary of his paper mill with an important announcement. Lily is introduced. Freddy gets some bad news.
Jeremiah, who is in love with Lily, reveals that he is the illegitimate son of former mill owner, Skinner. He enlists Freddy's help with a scheme.
Brigitta is in love with Jeremiah. Jeremiah, Freddy, and Brigitta retrieve Jeremiah's birth certificate from the Taylor house where Brigitta found it. Jeremiah gives Freddy a note for Lily - he and Lily are leaving town when Jeremiah gets his fortune.
A lament over the disbanding of brotherhood. Freddy wonders what will become of his friendship with Jeremiah.
The Vagabond Theatrical Troupe presents! Jeremiah gives George an ultimatum but has to prove himself first in more ways than one, and all is wrapped up in the finest paper package.
A box office worker longs to be on the stage. When the lead of the production is injured, she begs for her chance in the spotlight.
A dying father and his son drink their last bowl of water. They need oil for the machines that will keep them alive and purify their water. A truck rolls past with a huge barrel of oil in the back. The son flags it down, only to discover the person driving the truck is a monstrous creature from the nation they’re at war with.
Each of two brother bulls attempts to convince the other to enter the barn. Neither wants to go, knowing their lives are at stake. The two flatter, dare, and challenge one another, until a race finally settles it: first one to the barn wins. Sort of.
An entire relationship in microcosm, from first meeting to last sunset together. This piece uses a couple’s dancing together as a metaphor for their time passing.
Soloists and chorus sing the numbers attributed to HIV-1 and HIV-2 by the International Comitte of Taxonomy of Viruses.
It's lunchtime in the schoolyard.
Three unhappy kids dream of flying away on a kite.
Elijah and Keisha tell Miriam about Billy the bully. Billy bullies Elijah, then Miriam stands up to Billy.
Miriam becomes a bully and destroys Elijah's kite.
The kids all make up and fly Elijah's restored kite.
Some years prior, Eugene and Antoine enter the residence, Malcolm, their new houseboy (who does not speak much English) helps them unpack. Antoine and Eugene ask Malcolm if he is married, and he replies that he wants Eugene to be his girlfriend. Malcolm asks Eugene to teach him words.
Malcolm tells Eugene and Antoine that he wants to go to university and asks for a letter of recommendation. Antoine tells him that he should stay in the house with the people who love him.
The action continues from scene 3. Beth and Andrew are waiting for their guest, Duncan, but Antoine arrives instead and cuts into the live monkey's skullcap without hesitation. He recounts how he almost wrote Malcolm a letter of recommendation.